6.8/10
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14 user 27 critic

The World Unseen (2007)

PG-13 | | Drama | 3 April 2009 (UK)
A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.

Director:

Writers:

(novel), (screenplay)
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8 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Miriam
...
Amina Harjan
...
Omar
...
Rehmat
David Dennis ...
Jacob (as David Denis)
Grethe Fox ...
...
De Witt
...
Farah
Rajesh Gopie ...
Sadru
...
Mr. Harjan
Avantika Akerkar ...
Mrs. Harjan
...
Begum
Leonie Casanova ...
Doris
Roderick Priestley ...
Stewart
Ethan Sarif-Kattan ...
Sam
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Storyline

A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.

Plot Summary | Plot Synopsis

Taglines:

Nothing Can Stop You From Falling In Love.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material involving sexuality, and violence | See all certifications »
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Details

Country:

|

Language:

Release Date:

3 April 2009 (UK)  »

Also Known As:

Az észrevétlen világ  »

Filming Locations:


Box Office

Opening Weekend:

$9,031 (USA) (9 November 2008)

Gross:

$16,832 (USA) (23 November 2008)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to director Shamim Sarif when this film was sent for consideration to a film festival in Dubai, the DVD was mailed back to them with a note, which simply stated "the subject matter does not exist". See more »

Soundtracks

Again
Written by Lionel Newman and lyrics by Dorcas Cochran
Performed by Doris Day
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User Reviews

 
This world has been seen many times elsewhere.
17 August 2010 | by (Canada) – See all my reviews

For anyone looking for an innovative or breakthrough film here, look elsewhere. This is a formula film with a capital F and you can predict its progress in the first 3 minutes or so. Sometimes that is OK if the ride is exceptional. This time it is so-so.

The upside: Good if standard cinematography/camera work and editing, believable sets. The subplot with the white bank employee and the mixed race cafe owner is more interesting and suspenseful than the main plot.

The downside: This comes from just how much this film relies on cookie-counter elements. No white or Indian male (save one who appears briefly) or conventionally minded woman is allowed to have a redeemable feature. They are quickly established as people that you will not have sympathy for. Likewise the setting in institutionally suppressive South Africa 1952 is just sooo perfect to inject a touch of brutality and righteous indignation and a hint of a political edge to a very tired story line.

This sets the stage for the predatory/touristy lesbian tomboy to enlighten the frustrated housewife. Yawn....

Then we get the blues-jazz piano intro, some poetry, endless, furtive longing glances, the questioning of values and life goals, the symbolic-suggestive one liners, the moments of crisis, the resolution and the folk song over the ending credits. All formula. Been there, done that.


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