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|Index||17 reviews in total|
This wasn't the best movie, but it sure was a good little action/crime
flick to watch. It had enough plot turns to keep you seated and
definitely didn't seem as near B grade as other projects "Gooding" has
I actually think this is one of his best since shadow boxer or boat trip. I really hope this film gets him back into doing good films as he has let me down with his past few.
So overall plot, hes a border patrol policeman that uncovers some dead bodies. And on his search to uncover the killer he brings back some past "friends" who cause more trouble then good. It actually relates pretty close to a history of violence but moves along a lot faster.
MY friends have a bad attention Span and this didn't make them walk away so my opinion is watch the movie if you want an easy going crime drama.
Well, just finished watching Linewatch, and i gotta say that it wound up being fairly enjoyable. The movie starts out very slow, not much action or dialogue, which is why i turned if off twice before finally convincing myself to give it a chance. I'm glad i did because it was more interesting than it began. It's not one of Cuba's best films in the least, but it definitely wasn't his worst. Pretty good plot that developed further into the movie. Once you get past the first 15 minutes of boredom, it is definitely watchable. Most people will probably not get past the first part, as I have done on a number of movies, but it was worth it in this particular movie. This will definitely not win any awards, but it is entertaining and interesting on the surface.
It's a shame that some movies never get to the theaters. Lately, Cuba
Gooding Jr. has been doing a lot of those movies, and though I haven't
seen them all, I rent one from time to time: I think the man's a great
actor. In Kevin Bray's "Linewatch", he gives a stand-out performance as
Mike Dixon, a police officer who works for the border patrol and is
suddenly haunted by the past. The actor is so subtle here, so committed
to the role that we can't help desiring something better for him.
Movies like this one are not sold properly for the audience. "On the border between the US and Mexico, the law is what you make it", reads the tagline of "Linewatch". It's logical that you would expect a bad film with something like that on its cover. Sadly, sometimes the truth is different, like in this case. The border is just scenery in this movie, a nice place to shoot and develop some plot lines of David W. Wardfield's screenplay.
The script is about absolutely everything else, and though it doesn't develop its characters fully, it leaves a good taste in your mouth, and you feel you've watched something worthy of your time. The key however is in the casting, because when you have a slow film like this one with just a few action scenes, you need good actors to spend the rest of the time with. Sharon Leal is warm and caring as Dixon's wife and the girl who plays their daughter is especially good. The gangsters that come to bother Dixon and bring the past back with them all achieve good performances. Each of them is allowed to stand out from time to time, but they are at their best, natural and relaxed, when doing small talk as they guard Dixon's family.
Two of them are probably the most important in terms of the story though: Kimo (Omari Hardwick) and Little Boy (Evan Ross). I haven't told you the hold story yet, partly because I want you to go and rent this picture (the only way to see it), and partly because the movie doesn't tell it either I'll leave that for you to discover, saying only that it's a well developed plot for the genre that even leaves room for some small surprises.
Kevin Bray does everything right and never poses for something that his movie isn't. He knows how to create true tension and achieves it in two crucial moments that don't include fast-paced action, helped by Jeff Mcllwain's exciting score (which, by the way, also works perfectly in the action sequences).
The action is not the main attraction in "Linewatch" as it would be in, for example, "Taken". However, the fact that the leader of a gang bang doesn't completely look and act like we would assume a gangster would and some phrases that could be suppressed make this look like a B-movie. But then, "Taken" was also a B-movie (in the best sense and with the best production); and a good one. Maybe "Linewatch" is even better; a bit more humane Realer.
sorry about that guys, you have done a good job acting and supporting the dull plot and the non-creative directing. the story opens with some "flesh" which kept me watching for the next 40 minutes. after that, very disappointed, i withdrew the movie, just hoping that the cast-members got their well balanced fee for their efforts. i'm sure that working in a dull/boring environment calls for more effort than when being involved in an interesting enthusiastic project, no matter which kind of work is required. this movie doesn't entitle more than 1/10 but as the actors are not to be blamed i give it a 5/10 and declare again; this one is not worth any effort from your side.
*** This review may contain spoilers ***
There's something about Stage 6 Productions, responsible for this under
powered non-thrilling thriller, that baffles me. It appears to be an
formerly successful actors graveyard. Remember after Jerry MacGuire ,
Cuba's future looked great, then he made Snow Dogs !?! He's made more
bad choices than John Travolta, and thus he arrives in a Stage 6
produced vehicle ,following the likes of Val Kilmer and Stephen Dorf,
into a sad straight to DVD waste of time.
I can only guess that Stage 6 are great at getting DVD distribution deals. I can see it now, get a name; albeit one that's fallen on hard times, get the deal money up front; these films really can't cost more than $3/4 million[ FYI: none of that goes on the script].
And keep shooting footage until you get 90 minutes of a story that 'CSI' would reject. Not just CSI, but CSI Miami.
The story is so , ho hum, on screen I can't imagine what it looks like on paper.
The opening ,lightly baited, hook of the movie shows a group of Mexicans killed in a truck .This solved by a subsidiary character, off screen , who then hands the information over to Cuba while pinned under a crashed quad bike bleeding to death. Most people would ask for help first, honestly blood everywhere, he never mentions it.
The key to a good cheap move is a great idea and clever writing [ Reservoir Dogs, Juno, Sideway] not tired star and a script downloaded from the internet.
Cuba Gooding portrays a seemingly respectable cop whose shady past
catches up with him, jeopardising his family and career. The concept
may not be original, but Gooding's performance and reactions to some
wretched and desperate conflicts serve to enhance the voyeuristic
The well developed, colourful and generally unsavoury characters surrounding the drug and people trafficking industry add grit to the realism and enhance our understanding of, and sympathy for, Dixon's predicament.
Set against the harsh but stunning background of New Mexico's border country, superbly directed and acted, this is a cut above your average crime flick.
As a resident of a border state with Mexico, I was intrigued with the potential storyline that this film could portray. Unfortunately, it started out by meeting my expectations, but flat-lined about 15 minutes in. Aside from Cuba Gooding Jr.,and the actors who played both his wife and daughter, the performances of everyone else reeked with an odor that indicated that this was a low budget independent film. Instead of chasing "coyotes," the well known and despised human smugglers who incite so much tension and hatred along our borders, this film chased a story line about a bunch of big city gansta's who had the maturity level of 8 year olds. It's worth the $3 rental just to see Cuba Gooding Jr. Don't expect too much though. You just might be disappointed.
One wonders when Cuba Gooding, Jr is going to find roles that are equal
to his talent. LINEWATCH is a sleepwalk/phone-in role written for him
by David W. Waterfield and directed by Kevin Bray in a story that
attempts to take on a few too many problem situations in one session -
illegal immigration, the human manipulation and abuse by the Coyotes
and those involved in the crime industry of illegal transportation, Los
Angeles ghetto crime life, across the border drug trafficking, family
values in gangsters who turn to an honest life, etc. Not that these
problems don't deserve our being reminded of serious situations
constantly present, but the story has been told many times in better
Michael Dixon (Cuba Gooding Jr.) is an ex-gang member living close to the Mexican border with his beautiful wife Angela (Sharon Leal) and daughter as he serves as a US Border Patrol Agent. His heart is in the right place and when he discovers a van full of expired immigrants the pain of his job surfaces. Simultaneously he discovers a band of drug smugglers who work to find a way to transport drugs across the border in to the US - a gang comprised of Michael's old gang. His 'friend', near psychotic Drake (Omari Hardwick - very impressive in this role), makes threats to Michael cajoling him into working with Mike's ex-gang to route the drug smuggling trucks across the border using Mike's affiliation with the US Border Patrol information. The stress that Michael feels under the threat of the gang's violence to his family leads him to act in a manner that brings the story to an end.
Gooding remains a fine screen presence: had he been given a better script and story it would be a pleasure to see him again. The supporting cast is fine, the cinematography by Paul M. Sommers is dirty and gritty as it should be and the musical score by Jeff McIlwain all but smothers the dialogue. The reason this film didn't make it in theaters is very obvious.
For some reason recently, I have become interested in Cuba Gooding
Jr.'s present career, seeing how he has become box office poison and is
now mostly stuck in doing straight-to-video movies. I was wondering if
he had learned his lesson after doing those awful theatrical movies and
was now picking better scripts (like Jean Claude Van Damme). After
seeing several of his recent movies - including this one - I've
concluded that either he hasn't learned his lesson or simply doesn't
In fairness, there are a few good things about LINEWATCH. Though this had a low budget ($5 million), it at least looks decent. The cinematography is above average, and the production team chose existing locations that they didn't have to change yet look believable. Also, Gooding fits in this role better than a lot of his other movie roles (theatrical or otherwise.)
But the rest of the movie is pretty much a bust, thanks to its screenplay and its direction. The screenplay clearly needed some more rewrites - its flaws start at the beginning, with the movie seemingly starting at chapter two instead of the beginning. Things do clear up eventually, but then the movie slows down almost to a halt - it takes more than 30 minutes into the movie before the conflict starts for the protagonist. The movie then continues its very slow crawl right up to the climatic scene - there's only about enough story in this movie for a short film, not a feature-length movie.
Curiously, though, despite this slow pace, there are several instances where it seems that footage is missing, and it resulted that I was confused several times for several seconds each time as to what exactly happened. Though even if this seemingly missing footage was restored, it might not have helped the movie - it would have made the movie longer and possibly even more of an ordeal to sit through.
Linewatch had to be one of the most boring action movies I have seen.
It certainly didn't look like it was going to be the greatest movie,
but it had the potential to be a decent action movie.
Cuba Gooding Jr. is Agent Michael Dixon of the US Border Patrol working on the US/Mexican border. Michael Dixon had a mysterious past he always wanted to leave behind which is under threat of being exposed by High Noon Gang member Cook (Malieek Straughter) following a shootout which leaves a fellow US Border Patrol agent dead. The High Noon Gang leader Kimo (Omari Hardwick) blackmails Dixon to help smuggle in a drug shipment following threats made to Dixon's family. Dixon must also stay ahead of fellow US Border patrol colleagues, including Warren Kane (Dean Norris).
It's hard to believe Cuba Gooding Jr. was a quality actor once upon a time. Cuba Gooding Jr. also won an Academy Award for Best Supporting Actor for his role as the arrogant yet charismatic football player Rod Tidwell in the Tom Cruise feel good movie Jerry Maguire (1996). Cuba Gooding Jr.'s career has been stuck in the doldrums for several years now and this movie has done his career no favours.
It would be great to see Cuba Gooding Jr. make a comeback someday and drag his career out of the wilderness. If he stopped appearing in poor quality movies like this, then we may see him back in the limelight again.
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