| Cuba Gooding Jr. | ... | Michael Dixon | |
| Omari Hardwick | ... | Kimo | |
| Evan Ross | ... | Little Boy | |
| Dean Norris | ... | Warren Kane | |
| Malieek Straughter | ... | Cook | |
| AMG | ... | Stokes | |
| Sharon Leal | ... | Angela Dixon | |
| Omar Paz Trujillo | ... | Luis (as Omar Paz Trujillo) | |
| Chris Browning | ... | Spencer | |
| William Sterchi | ... | Simon | |
| Francisco A. Fernandez | ... | Juan (as Francisco Fernandez) | |
| Jimmie Romero | ... | Vargas | |
| Bryan Lane | ... | Sam King | |
| Dan Burkarth | ... | Jim Barnett | |
| Josh Coffman | ... | Bill Krott (as Josh J. Coffman) | |
| Genia Michaela | ... | Karate Instructor | |
| Luce Rains | ... | Harris | |
| Angelique Midthunder | ... | Dispatcher | |
| rest of cast listed alphabetically: | |||
| Giselle Bonilla | ... | Adr / voice | |
| Jesus Jr. | ... | Jesus Padilla | |
| Art Bonilla | ... | Dialogue coach (uncredited) | |
| Dave Colon | ... | Border Patrol Agent (uncredited) | |
| Daniel J Gonzales | ... | Mexican immigrant (uncredited) | |
| Fredrick Lopez | ... | Jenkins (uncredited) | |
| Brian Reece | ... | Coroner (uncredited) | |
| Z. Ray Wakeman | ... | Office Guy (uncredited) | |
Directed by | |||
| Kevin Bray | |||
Writing credits(WGA) | ||
| David W. Warfield | (written by) | |
Produced by | |||
| Kevin Bray | .... | executive producer | |
| Mike Callaghan | .... | co-producer | |
| Brandon Hall | .... | associate producer | |
| Brad Krevoy | .... | producer | |
| Reuben Liber | .... | producer | |
| Karri O'Reilly | .... | producer | |
| David W. Warfield | .... | co-producer | |
Original Music by | |||
| Jeff McIlwain | |||
Cinematography by | |||
| Paul M. Sommers | (director of photography) | ||
Film Editing by | |||
| Robert Ivison | |||
Casting by | |||
| Kathryn Brink | |||
| Chadwick Struck | |||
Production Design by | |||
| Guy Barnes | |||
Set Decoration by | |||
| Wendy Ozols-Barnes | |||
Costume Design by | |||
| Gersha Phillips | |||
Makeup Department | |||
| Autumn Butler | .... | makeup artist | |
| Lindsay Garrison | .... | makeup department head | |
| Patricia Greer | .... | assistant makeup artist | |
| Jennifer Jane | .... | key hair stylist | |
| Sara Roybal | .... | key makeup artist | |
| Emily Vaughn | .... | additional makeup artist | |
Production Management | |||
| John Goodwill | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Cary Jones | .... | second assistant director (additional photography) | |
| Sarah Lemon | .... | second second assistant director | |
| Chemen Ochoa | .... | second assistant director | |
Art Department | |||
| RA Arancio-Parrain | .... | art department coordinator | |
| Pierre Barrera | .... | set dresser | |
| Steve Brown | .... | propmaker | |
| Ralph Diaz | .... | on-set dresser | |
| Dan Fitzgerald | .... | storyboard artist | |
| Amy Giedraitis | .... | props | |
| Ben Lowney | .... | property master | |
| Amy Marsh | .... | art department coordinator | |
| Thomas Traugott | .... | leadman | |
Sound Department | |||
| Walt Bost | .... | adr editor | |
| Maurice Cre'que | .... | cable utility sound | |
| Stephen Fitzmaurice | .... | sound re-recording mixer | |
| Darryl L. Frank | .... | production sound mixer | |
| Rodney Gurule | .... | additional sound mixer | |
| Mark Lanza | .... | sound effects editor | |
| Tor McAfee Kingdon | .... | adr mixer | |
| Michael Mullane | .... | supervising sound editor | |
| Edwardo Santiago | .... | boom operator | |
Special Effects by | |||
| Daniel Holt | .... | special effects technician | |
| Margaret Johnson | .... | special effects foreman | |
| Randy E. Moore | .... | special effects coordinator | |
| Renee Moore | .... | special effects technician | |
Visual Effects by | |||
| Joseph Conti | .... | visual effects | |
Stunts | |||
| Don Battle | .... | stunts | |
| Mark Brooks | .... | stunt double | |
| Josh Coffman | .... | stunts | |
| Anthony Fairley | .... | stunts | |
| Luca Ispirescu | .... | stunts | |
| Jesus Jr. | .... | stunts | |
| G. Peter King | .... | stunt coordinator | |
| Bryan Lane | .... | stunts (as Bryan Stinemetze) | |
| Rene Mousseux | .... | stunts | |
| Jimmie Romero | .... | stunts | |
| Con Schell | .... | stunts | |
| Mike Seal | .... | stunt performer | |
| Mike Seal | .... | stunts | |
| Marcus Taylor | .... | stunt double | |
| Omar Paz Trujillo | .... | stunt driver | |
| Tierre Turner | .... | stunt double: Cuba Gooding Jr. | |
| Larry Watts | .... | stunts | |
Camera and Electrical Department | |||
| Phil Abeyta | .... | electrician | |
| Mark Bain | .... | second assistant camera | |
| Steve Banister | .... | first assistant camera: "b" camera | |
| Bradley Barnes | .... | lighting technician | |
| Kenneth Coblentz | .... | grip | |
| Dan Delgado | .... | gaffer | |
| Tammy Fouts | .... | camera operator | |
| Aubrey Husar | .... | key grip | |
| Philip J. Jaffe | .... | additional camera assistant | |
| Cathy Kanavy | .... | still photographer | |
| Sam Mares | .... | assistant camera | |
| David Jaxx Nagro | .... | dolly grip | |
| John Sheeren | .... | first assistant camera | |
| Mark Sheets | .... | grip | |
| Carl Vigil | .... | lighting technician | |
| Adam Ward | .... | camera operator: "b" camera | |
| Adam Ward | .... | steadicam operator | |
| Dale Glenn Waseta | .... | key video assist | |
Casting Department | |||
| Sheila Berkheimer | .... | local casting assistant | |
Costume and Wardrobe Department | |||
| Jennifer Gingery | .... | costumer | |
| Juliet Hyde-White | .... | key set costumer | |
| Melissa Moody | .... | costume supervisor | |
Editorial Department | |||
| Natan Moss | .... | associate editor | |
| Jayme Wing | .... | on-line editor | |
Music Department | |||
| Alethia Austin | .... | music coordinator | |
| Adam Swart | .... | music supervisor | |
Transportation Department | |||
| Gary Armstrong | .... | driver | |
| 'Wild Bill' Laczko | .... | picture car coordinator | |
| Derick Pritchard | .... | driver | |
| Michael B. Russell | .... | transportation coordinator | |
| John Suttles | .... | driver | |
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| Above the Law | Death Wish II | Nails | Gone in Sixty Seconds | Shaft |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
One wonders when Cuba Gooding, Jr is going to find roles that are equal to his talent. LINEWATCH is a sleepwalk/phone-in role written for him by David W. Waterfield and directed by Kevin Bray in a story that attempts to take on a few too many problem situations in one session - illegal immigration, the human manipulation and abuse by the Coyotes and those involved in the crime industry of illegal transportation, Los Angeles ghetto crime life, across the border drug trafficking, family values in gangsters who turn to an honest life, etc. Not that these problems don't deserve our being reminded of serious situations constantly present, but the story has been told many times in better ways.
Michael Dixon (Cuba Gooding Jr.) is an ex-gang member living close to the Mexican border with his beautiful wife Angela (Sharon Leal) and daughter as he serves as a US Border Patrol Agent. His heart is in the right place and when he discovers a van full of expired immigrants the pain of his job surfaces. Simultaneously he discovers a band of drug smugglers who work to find a way to transport drugs across the border in to the US - a gang comprised of Michael's old gang. His 'friend', near psychotic Drake (Omari Hardwick - very impressive in this role), makes threats to Michael cajoling him into working with Mike's ex-gang to route the drug smuggling trucks across the border using Mike's affiliation with the US Border Patrol information. The stress that Michael feels under the threat of the gang's violence to his family leads him to act in a manner that brings the story to an end.
Gooding remains a fine screen presence: had he been given a better script and story it would be a pleasure to see him again. The supporting cast is fine, the cinematography by Paul M. Sommers is dirty and gritty as it should be and the musical score by Jeff McIlwain all but smothers the dialogue. The reason this film didn't make it in theaters is very obvious.
Grady Harp