Artie and Diane agree to look after their three grandkids when their type-A helicopter parents need to leave town for work. Problems arise when the kids' 21st-century behavior collides with Artie and Diane's old-school methods.
NOW & THEN is four minute meditation on technology and its effects on communication through time. Using two distinct temporal spaces, this film explores the emotional disconnect through our... See full summary »
Old school grandfather Artie (Billy Crystal), who is accustomed to calling the shots, meets his match when he and his eager-to-please wife Diane (Bette Midler) agree to babysit their three grandkids when their type-A helicopter parents (Marisa Tomei, Tom Everett Scott) go away for work. But when 21st century problems collide with Artie and Dianes old school methods of tough rules, lots of love and old-fashioned games, its learning to bend and not holding your ground that binds a family together Written by
Twentieth Century Fox
The movie was shot in late fall-early winter. The grass at the Atlanta home was dead, and had to be digitally colored green. See more »
When at Turner's Speech Therapy, the camera shows Turner with his ear-buds out of his ears hanging on his shirt, and when the Therapy teachers says that it is Turner's turn, the camera pans around to Artie, it comes back to Turner and the ear-buds are in Turner's ears. See more »
When I read the reviews by the "experts" online I didn't want to see this movie. However, my three granddaughters 16, 13 and 10 insisted they wanted to see it on the recommendation from some friends. I am happy they did. It was much better than the professional reviews led me to believe. I would recommend that any parent or grandparent, as in my case, take take their kids to see this movie.
I will say this about the expert reviews, they helped give us excellent seats. Sometimes I wonder if they have lost touch with what movie goers want to see. They have gotten to wrapped up in the technique of the art to be able to recognize a good movie. Maybe the courses on movie making should modify their guidelines to include what the general public considers a good movie.
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