Artie and Diane agree to look after their three grandkids when their type-A helicopter parents need to leave town for work. Problems arise when the kids' 21st-century behavior collides with Artie and Diane's old-school methods.
NOW & THEN is four minute meditation on technology and its effects on communication through time. Using two distinct temporal spaces, this film explores the emotional disconnect through our... See full summary »
Old school grandfather Artie (Billy Crystal), who is accustomed to calling the shots, meets his match when he and his eager-to-please wife Diane (Bette Midler) agree to babysit their three grandkids when their type-A helicopter parents (Marisa Tomei, Tom Everett Scott) go away for work. But when 21st century problems collide with Artie and Dianes old school methods of tough rules, lots of love and old-fashioned games, its learning to bend and not holding your ground that binds a family together Written by
Twentieth Century Fox
This is the last film by 20th Century Fox to be made in association with Dune Entertainment. See more »
Turner's re-creation of the famous Russ Hodges call of the "Shot Heard 'Round the World", is not exactly accurate. He fails to mention that Clint Hartung was on Third when Whitey Lockman was on Second. See more »
A script that insults the intelligence of a 5 year old, with EVERY bad cliché about families ever invented!
First off, I would like to say that EVERY potential film director and script writer should watch this film...
...they should watch this film to learn EVERY POSSIBLE mistake that you can make in writing and filming a family oriented movie.
Don't get me wrong, I like Billy Crystal, Bette Midler, and Marisa Tomei, the three principal actors, quite a bit. Billy Crystal's small performance in "The Princess Bride" as Miracle Max, is hilarious, and one of the high points of the movie. There are a number of other movies that they have done solid, good work in.
Unfortunately, though, this film wasn't one of them.
Billy Crystal would seem to be most at fault here. He is listed as one of the "Producers", so presumably he had some control over the final script. How he let this script abomination get to the filming stage, is beyond me. He made this film at the age of 64, and I would say this turkey has just about tanked his fading film career; and he has taken Bette Midler and Marisa Tomei along with him.
The characters in this film act like sub-grade morons, and somehow manage to insult just about every age group there is. In itself, this would actually appear to be a minor achievement, as I don't remember ANY other movie that I have seen, actually insult so many age groups in a single movie.
If you have seen other family movies, don't worry, EVERY BAD cliché you have EVER seen about families, is in this movie. They have neatly collected them all together, for your viewing displeasure, so you don't have to watch dozens of other bad family movies, to see them all.
For a comedy, you might call it "comedy light" or "comedy free", as there were virtually NO funny moments, or laughs over the entire movie.
In the end credits of the movie, they said that 14,000 jobs were created by this movie, with over 600,000 man hours spent in the production.
WHERE did all this time and effort supposedly GO? This movie was worse than even an average made-for-TV, very low budget, family production.
600,000 hours to make this God awful STINKER? GEEZ! It staggers the imagination! Frankly, if I were involved with the production of this stinking pile of you-know-what, I WOULDN'T plaster my face all over the end credits, as they did with the actors, their families, and the production staff, and their families, in this movie.
I'd wear a paper bag over my head, instead, and pretend that I had nothing what-so-ever to do with this movie.
The script is SO, BAD, BAD, BAD, that it is a little difficult to figure how bad the acting was. Billy Crystal, Bette Midler, and Marisa Tomei were obviously NOT in top form, however, the dialogue was so reekingly BAD, that it was difficult to tell how much was bad acting, and how much was the terrible script.
I pardon Bette Midler a bit, here. Even though she was listed second in the credits, she was given virtually nothing of importance to do in the movie. I expected some hilarious moments between her and Billy Crystal, but there were virtually NO humorous moments between them.
Andy Fickman, as director, deserves more than a few barbs, here. Billy Crystal, Bette Midler, and Marisa Tomei are decent actors, but it sure wasn't obvious from this movie. I would say Andy Fickman was instrumental in the reekingly BAD quality of this movie.
Run, don't walk, as far away from this stinking pile of... "film", as possible.
My 2¢ worth.
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