Artie and Diane agree to look after their three grandkids when their type-A helicopter parents need to leave town for work. Problems arise when the kids' 21st-century behavior collides with Artie and Diane's old-school methods.
Dave is a married man with two kids and a loving wife , and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain when lightning strikes and they switch bodies.
Shy 14-year-old Duncan goes on summer vacation with his mother, her overbearing boyfriend, and her boyfriend's daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.
Old school grandfather Artie (Billy Crystal), who is accustomed to calling the shots, meets his match when he and his eager-to-please wife Diane (Bette Midler) agree to babysit their three grandkids when their type-A helicopter parents (Marisa Tomei, Tom Everett Scott) go away for work. But when 21st century problems collide with Artie and Dianes old school methods of tough rules, lots of love and old-fashioned games, its learning to bend and not holding your ground that binds a family together Written by
Twentieth Century Fox
The red and white lighthouse shown in the film is located in Harbour Town, on Hilton Head Island, SC. See more »
Artie mentions a kiss-cam and marriage proposal happening on the scoreboard, which is happening during a conference on the mound. These events typically are shown between innings instead of in the middle of one. And marriage proposals are typically done in the fourth inning, not the ninth. See more »
When Alice (Marisa Tomei) and Phil (Tom Everett Scott) have to leave town for an influential business trip, they are forced to entrust their three hellion children to Alice's parents, the equally hellion Artie (Billy Crystal) and Diane (Bette Midler). Hilarity ensues.
You watch a movie with Billy Crystal to laugh, and he doesn't disappoint. Crystal keeps in tune with the easygoing wit that made his hosting the Oscars so funny. "Parental Guidance" is a return to what made him famous in the first place: nice, funny family-friendly comedy.
Bette Midler is one of the only fairer-sex comediennes that could play opposite the scene-chewing Crystal. They make a great pair, and divvy out the laughs equally as hopelessly inept, secretly genius parents.
The script is written with a focus on the family being an audience, which is not to say the individual or the date can't enjoy it just as much. I was laughing in the first ten minutes, and it kept a steady procession of comical response.
Marisa Tomei is still a stunning beauty. She steals her scenes with unrivaled grace, no matter the movie, and here plays a mom different than her own parents. The comparison makes for a laugh in itself; especially where Crystal and Tomei interact.
There's no smut, no swearing, and no vulgarity. "Parental Guidance" is a refreshing blend of old and new that proves what made the classic laughs so great. Well done.
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