This Spike Lee film examines the life of an aspiring actress in New York. She is upset by the treatment of women in the movie industry during one of her screen tests with 'QT'. Out of work ... See full summary »
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
Christmas, 1983. A New York postal clerk, a Buffalo Soldier in Italy in World War II, shoots a stranger. In his apartment, police find a valuable Italian marble head, missing since the war. Flashbacks tell the story of four Black soldiers who cross Tuscany's Serchio River, dodging German and friendly fire. With a shell-shocked boy in tow, they reach the village of Colognora. Orders via radio tell them to capture a German soldier for questioning about a counteroffensive. In the village, a beautiful woman, partisans that include a traitor and a local legend, the boy, and the story of a recent massacre connect to the postal worker's anguish forty years later. And the miracle? Written by
Wesley Snipes was originally cast in the film, but was forced to drop out due to pending tax-evasion charges. See more »
The revision of the Geneva Convention in regards to civilians (4th Geneva Convention) was not adopted until 1949, therefore when the German Colonel is telling the Captain to kill 10 Italians for every German lost and the Captain refers to that violating the Geneva Convention would not have taken place. However, the Hague Convention IV could have been considered in parts, since the 4th Geneva was adopted in parts from the Hague. See more »
Safety is the greatest risk of all, because safety leaves no room for miracles and miracles are the only sure thing in life.
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I am so very disappointed. Spike Lee, why? You know how movies have little scenes that don't make sense at the time but then all tie in at the end and they give you this awesome "OH!" feeling? This movie had those, but failed at the "OH!". The entire beginning sequence did not belong in the movie. The loose, boring, and un-original tie-in it provided was completely unnecessary to the plot. In fact, if they had skipped the first half hour of horrid over-acting it would have enhanced the plot.
I get it. War is horrible. African Americans were treated like dirt in the 40s. Everybody prays to the same God we're not so different. This movie even failed at making these very easy to portray messages resonate.
Every horrible death/war scene made you feel disgusted and sad and you wanted so badly for everyone to live. Exactly the feelings they should have been going for. BUT THEN they overlaid almost every one of these scenes with a joke! Or some stupidly funny remark or scene. In the end it made you feel disgusted with yourself for laughing while good men are laying dead on the screen. I'm pretty sure making an audience feel disgusted with themselves is not the goal here. And if it was, I have news for the producers/writers/director - we didn't need that lesson. Instead of making me think, it made me wonder what a sick person the writer must be to joke about death and war in such a manner.
Not to mention that the whole middle of the movie was one big black soldier joke. COME ON. Seriously? You seriously needed to through in all those lame silly stereotypes to make us feel for the characters? Your that bad at making movies? It was just an all around bad flick. Even the ending was completely awkward, which ruined any sentiment that should have been there.
A very poorly made and written film.
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