Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
Christmas, 1983. A New York postal clerk, a Buffalo Soldier in Italy in World War II, shoots a stranger. In his apartment, police find a valuable Italian marble head, missing since the war. Flashbacks tell the story of four Black soldiers who cross Tuscany's Serchio River, dodging German and friendly fire. With a shell-shocked boy in tow, they reach the village of Colognora. Orders via radio tell them to capture a German soldier for questioning about a counteroffensive. In the village, a beautiful woman, partisans that include a traitor and a local legend, the boy, and the story of a recent massacre connect to the postal worker's anguish forty years later. And the miracle? Written by
When the guys leave the town in Louisiana there is a scene where they turn around on the railroad crossing. The scene and the movie is set in the 1940s. Concrete rail crossings did not start making an appearance until the 2000s. See more »
I am so very disappointed. Spike Lee, why? You know how movies have little scenes that don't make sense at the time but then all tie in at the end and they give you this awesome "OH!" feeling? This movie had those, but failed at the "OH!". The entire beginning sequence did not belong in the movie. The loose, boring, and un-original tie-in it provided was completely unnecessary to the plot. In fact, if they had skipped the first half hour of horrid over-acting it would have enhanced the plot.
I get it. War is horrible. African Americans were treated like dirt in the 40s. Everybody prays to the same God we're not so different. This movie even failed at making these very easy to portray messages resonate.
Every horrible death/war scene made you feel disgusted and sad and you wanted so badly for everyone to live. Exactly the feelings they should have been going for. BUT THEN they overlaid almost every one of these scenes with a joke! Or some stupidly funny remark or scene. In the end it made you feel disgusted with yourself for laughing while good men are laying dead on the screen. I'm pretty sure making an audience feel disgusted with themselves is not the goal here. And if it was, I have news for the producers/writers/director - we didn't need that lesson. Instead of making me think, it made me wonder what a sick person the writer must be to joke about death and war in such a manner.
Not to mention that the whole middle of the movie was one big black soldier joke. COME ON. Seriously? You seriously needed to through in all those lame silly stereotypes to make us feel for the characters? Your that bad at making movies? It was just an all around bad flick. Even the ending was completely awkward, which ruined any sentiment that should have been there.
A very poorly made and written film.
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