Miracle at St. Anna (2008)

User Rating:

5.8/10   

Director:

Spike Lee

Writers (WGA):

James McBride (screenplay)
James McBride (novel)

Release Date:

26 September 2008 (USA)

Genre:

Action | Crime | Drama | Thriller | War

Tagline:

World War II has its heroes and its miracles.

Plot:

Set in 1944 Italy, the story of four black American soldiers who get trapped in a Tuscan village during WWII.

Plot Keywords:

WWII | Italy | Village | Theft | Shot In The Shoulder

Awards:

9 nominations

Cast

Derek Luke	...	2nd Staff Sergeant Aubrey Stamps
Michael Ealy	...	Sergeant Bishop Cummings
Laz Alonso	...	Corporal Hector Negron (Young / Old)
Omar Benson Miller	...	Private First Class Sam Train
Pierfrancesco Favino	...	Peppi 'The Great Butterfly' Grotta
Valentina Cervi	...	Renata
Matteo Sciabordi	...	Angelo Torancelli (The Boy)
John Turturro	...	Detective Antonio 'Tony' Ricci
Joseph Gordon-Levitt	...	Tim Boyle
John Leguizamo	...	Enrico
Kerry Washington	...	Zana Wilder
D.B. Sweeney	...	Colonel Driscoll
Robert John Burke	...	General Ned Almond
Omari Hardwick	...	Platoon Commander Huggs
Omero Antonutti	...	Ludovico

Also Known As:

Miracolo a Sant'Anna (Italy)
Untitled Spike Lee WWII Project (USA) (working title)

MPAA:

Rated R for strong war violence, language and some sexual content/nudity.

Runtime:

160 min

Country:

USA | Italy

Language:

English | German | Italian

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | DTS | Dolby Digital

Certification:

USA:R (certificate #44568) | Canada:18A (British Columbia) | Singapore:M18 | Finland:K-15 | Canada:18A (Ontario) | Brazil:16 | Japan:R-15

Filming Locations:

Gioviano, Lucca, Tuscany, Italy

Company:

40 Acres & A Mule Filmworks

Trivia:

Naomi Campbell was originally cast in the film, but had to drop out due to scheduling conflicts.

Goofs:

Factual errors: When the story is told about the ice slops in Louisiana and the soldiers have live ammo with them, soldiers were never allowed to have live rounds off base, much less their weapons.

Quotes:

Private First Class Sam Train: God don't like ugly...
Sergeant Bishop Cummings: Well, he don't seem to like pretty a whole helluva lot either.

Movie Connections:

Referenced in "The O'Reilly Factor: (2008-06-27)" (2008)

Soundtrack:

Faccetta Nera

the best of Spike Lee's misfires - it's not a good movie, but it's too passionate and powerful to call really 'bad'

Sometimes a true-blue filmmaker, full of art-filled aspirations and good intentions, isn't always the best judge of what will ultimately really work for the story. This has happened to Spike Lee on more than one occasion- this taking aside the fact that he has consistently puffed-up many of his films lenght-wise- and in Miracle at St. Anna he makes an admirable, powerful stumble. It's not embarrassing like Bamboozled or just laughable like She Hate Me; he has a goal here, and it's worth trying out. The message is made right in the first scene: John Wayne war movies are propagandistic drek that show really only one side. Spike Lee's 'version' of black soldiers embedded in a Tuscan village in WW2 is meant to be an antidote to all of those pompous, (practically) white-only war pictures. The problem is that he hasn't done much to advance the genre, or break out of anything really interesting with the bulk of the characters.

Ironic then that Lee should criticize Clint Eastwood's Flags of Our Fathers since both films suffer from similar faults: they're too long, too convoluted, occasionally far too schmaltzy, and whether by partnership (being co-produced by Spielberg himself) or just ripping-off, Saving Private Ryan is evoked more than once in the battle scenes. In the case of Lee's film, he also isn't entirely sure always how he wants to ground the picture: is it about the black soldiers on their quagmire of sorts, or about the little boy who nicknames the big friendly black soldier "Chocolate Giant", or about Partisans and their daring-do and corruption alongside the Nazi's? Or is it about believing in frigging miracles? Lee wants it to be about all of these things, and has made the running time of 160+ minutes so that he can fit as much as possible with pretty much anything and everything from James McBride's book packed in (this even includes anachronisms, like a German officer referring to the Geneva conventions!)

And while it is easy to criticize Lee for putting in so much, and overcrowding the mid-section of his picture (and eventually coming to some real head-scratching, groan-inducing bits towards the very end), there is passionate film-making on display. There are chunks that are compelling, that do convey the blatant racism that was pervasive at the time for anyone with dark skin color (albeit Lee stuffs in next to no white people who aren't dumb bigots), and the as-a-given brutality of the Nazi war machine. There's one particular scene, I should note where an entire town is massacred, that delivers the devastating effect Lee wants, and there are a couple others like it that deliver the visceral reaction intended with modern war pictures.

For all of its faults, for all of its hackneyed acting- including one guy who seems like a WW2 version of the Alpa Chino character from Tropic Thunder complete with gold tooth- and bits involving a precocious kid communicating by tapping, and for its mind-boggling plot twists, it is often well-directed and conscious of its message. It's a disappointment, to be certain, but there's worse. 5.5/10