Filth: The Mary Whitehouse Story (2008) (TV)

Director:

Andy DeEmmony

Writers:

Amanda Coe (written by)
Patrick Reams (original idea)

Release Date:

28 May 2008 (UK)

Genre:

Biography | Comedy | Drama

Plot:

Documents the rise of Mary Whitehouse during the 1960's, and the relationship between her and Sir Hugh Carleton Greene, the Director General of the BBC.

Plot Keywords:

1960s | Campaign | Religious Fundamentalist | Conservatism | Campaigning

Awards:

1 win & 1 nomination

Cast

Julie Walters	...	Mary Whitehouse
Alun Armstrong	...	Ernest Whitehouse
Hugh Bonneville	...	Sir Hugh Carleton Greene
Georgie Glen	...	Norah Buckland
Timothy Davies	...	Rev. Basil Buckland
Paul Westwood	...	Paul Whitehouse
Drew Webb	...	Richard Whitehouse
Jeremy Legat	...	Christopher Whitehouse
Ron Cook	...	Lord Charlie Hill
William Beck	...	David Turner
Nicholas Woodeson	...	Harman Grisewood
Nicholas Le Prevost	...	Ken
Emily Hamilton	...	Miss Tate
Hilary Maclean	...	Brenda
Stewart Wright	...	Malcolm

Runtime:

90 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.78 : 1

Sound Mix:

Stereo

Company:

Wall to Wall Media

Trivia:

The footage of "Doctor Who" (1963), seen on a television screen and used to depict the violence of the series, is edited to suggest that the scene takes place at the end of the episode. In fact the scene in question takes place around halfway through "Doctor Who: The Tomb of the Cybermen: Episode 4 (#5.4)" (1967). This clip is followed by part of the opening sequence, showing the title and Patrick Troughton's face.

Goofs:

Factual errors: The sign on the door of Lord Hill's office reads "Lord Charles Hill". This is incorrect as such a style implies that he was the son of a Duke or a Marquess. The sign should have read "Charles, Lord Hill", "Lord Hill of Luton" or, more likely, simply "Lord Hill".

Quotes:

[Mary Whitehouse is appearing on a discussion programme which is about to go on air]
Female Panellist: Mrs Whitehouse, can I just say before the programme starts, that I've followed your campaign right from the beginning.
Mary Whitehouse: Oh yes, dear.
Female Panellist: And I utterly disagree with everything single thing you're doing.
Male Panellist: Hear hear. Freedom of expression is one the most precious values we have in our society. You seem to have taken it on yourself to speak for people who don't support you in any way whatsoever. You should be ashamed of yourself.
[...]

Movie Connections:

Features "Doctor Who: The Tomb of the Cybermen: Episode 4 (#5.4)" (1967)

TV's stern critic remembered.

This account of the transformation of an ordinary suburban mum and art teacher into a controversial national figure is a lot better than it might have been. Julie Walters as Mary captures her ordinariness and her determination. She is much helped by Alun Armstrong's subtle performance as Mary's supportive if sometime baffled husband Ernest. Hugh Bonneville though at times rather Basil Fawlty-ish as the progressive but arrogant BBC director-general Hugh Greene provides an admirable foil (they never actually meet).

Mary Whitehouse started her campaign to clean up television (originally unfortunately named "Clean Up National Television") after seeing a rather dull discussion program on pre-marital sex broadcast by the BBC in the early evening. Despite widespread opposition she developed a taste for being in the public eye, and was an active promoter of TV censorship for the next 30 years. The film credits her with forcing Greene's resignation, though others claim the real issue was Greene's failure to get along with Lord Hill, the oleaginous BBC chairman after 1967. Certainly Greene's philosophy on broadcasting was completely opposed to Mary's, and it has to be said that it was partly due to her that the BBC became less adventurous in the face of her attacks, some of which were downright silly, the attacks on "Dr Who" and the Beatles's lyrics for example. With all respect to her son Richard, who has a review on this page, she may have been serious and sincere, but she represented and aroused the forces of bigotry, ignorance and prejudice. The worst that can be said of Greene is that he did not handle her very well. Later directors-general, including his immediate successor Charles Curran were better at it. Even so she had a chilling effect on British television.

This program goes fairly easy on Mary and does not fail to point out that Greene and other opponents often over-reacted. She had imitators elsewhere, Patricia Bartlett in New Zealand and Fred Nile in Australia for example, and of course the US is full of anti-smut crusaders. Unlike the US, Britain's media is rather centralized – the BBC had a monopoly in TV until 1956 and there was a duopoly with ITV until the 1980s – and this gave someone like Mary unwonted influence. The atmosphere of the sixties is wonderfully re-created and the BBC has to be congratulated for its even-handed telling of a story very painful to some broadcasters.