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Cross (2011) (V)
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Overview
User Rating:
Your Rating:
Director:
Writers:
Release Date:
31 May 2011 (USA)
See more »
Plot:
Given incredible power by an ancient Celtic Cross. Callan continues to fight evil... Now, joined by a team of weapons experts, Callan battles an unstoppable empire in Los Angeles. | Add synopsis »
Plot Keywords:
NewsDesk:
(36 articles)
Indonesian Buddy-copy Flick Java Heat Muddles Through
(From Village Voice. 8 May 2013, 9:00 PM, PDT)
Shain Gandee's Funeral Takes Place In Charleston
(From Huffington Post. 7 April 2013, 11:28 AM, PDT)
Emmy Rossum’s Mod-Inspired Look: Expert Tips From Her Makeup Artist
(From HollywoodLife. 3 April 2013, 9:54 AM, PDT)
(From Village Voice. 8 May 2013, 9:00 PM, PDT)
Shain Gandee's Funeral Takes Place In Charleston
(From Huffington Post. 7 April 2013, 11:28 AM, PDT)
Emmy Rossum’s Mod-Inspired Look: Expert Tips From Her Makeup Artist
(From HollywoodLife. 3 April 2013, 9:54 AM, PDT)
User Reviews:
Sony, you picked a winner!
See more (56 total) »
Cast
Directed by | |||
| Patrick Durham | |||
Writing credits(in alphabetical order) | ||
| Patrick Durham | ||
| Jonathan Sachar | ||
| Tanner Wiley | ||
Original Music by | |||
| Peter Carl Ganderup | |||
| Sean Schafer Hennessy | |||
Cinematography by | |||
| Massimo Zeri | |||
Film Editing by | |||
| Justin Zev Rose | |||
| Paul G. Volk | |||
Casting by | |||
| Gary Castro Churchwell | |||
Production Design by | |||
| Jeffrey Givens | |||
Art Direction by | |||
| Nicholas Leiting | |||
Costume Design by | |||
| Kerrie Kordowski | |||
Makeup Department | |||
| Rhonda Dobbins | .... | key makeup artist | |
| Chelsea Hite | .... | makeup artist | |
| Michelle Michalak | .... | makeup artist | |
| Alex Noble | .... | makeup department head | |
Art Department | |||
| Anthony Cafaro | .... | leadman/on-set dresser | |
| Joseph East | .... | property master | |
| Robert Mitchell | .... | set dresser: inserts | |
| Yuri Shapochka | .... | assistant property master | |
| Anthony Wemyss | .... | set dresser | |
Sound Department | |||
| Jason Abell | .... | audio post-production coordinator | |
| Jason Abell | .... | dialogue editor | |
| Jason Abell | .... | foley artist | |
| Jason Abell | .... | sound effects editor | |
| Jakob Beetem | .... | boom operator | |
| Brad Bryan | .... | boom operator | |
| Ben Lazarus | .... | sound mixer | |
| Tim D. Lloyd | .... | boom operator | |
| Zsolt Magyar | .... | sound mixer | |
| Michael J. McDonald | .... | sound re-recording mixer (as Michael McDonald) | |
| Michael J. McDonald | .... | supervising sound editor (as Michael McDonald) | |
| Peter 'Duck' McDonald | .... | sound mixer | |
| G.W. Pope III | .... | foley artist | |
| Zach Wrobel | .... | boom operator | |
Visual Effects by | |||
| Glenn Campbell | .... | visual effects artist | |
| Josh Graham | .... | visual effects artist | |
| Andrew Harlow | .... | visual effects artist | |
| Christian McIntire | .... | visual effects artist | |
| Scott Wheeler | .... | visual effects supervisor | |
Stunts | |||
| Bannon Anderson | .... | stunts | |
| Matthew R. Anderson | .... | stunt coordinator | |
| Dotan Baer | .... | stunts | |
| Jennifer Cobb | .... | stunt double | |
| Edward Conna | .... | stunts | |
| Robert Dill | .... | stunts | |
| Precious Garrett | .... | stunts | |
| Erin Grace | .... | stunts | |
| Casey Hendershot | .... | stunts | |
| Malay Choeung Kim | .... | fight choreographer | |
| Malay Choeung Kim | .... | stunts | |
| Luke LaFontaine | .... | assistant stunt coordinator | |
| Luke LaFontaine | .... | stunts | |
| Tommy Leng | .... | stunts | |
| James Logan | .... | stunts | |
| Sam Looc | .... | stunts | |
| Mathew Lorenceau | .... | stunt performer | |
| Aoni Ma | .... | stunts | |
| Zach McCall | .... | stunts | |
| Joe Ordaz | .... | stunts | |
| Mario Perez | .... | stunts | |
| Jeff Prewett | .... | stunts | |
| Scott Rosen | .... | fight choreographer | |
| Scott Rosen | .... | stunts | |
| Laurence Todd Rosenthal | .... | stunt performer | |
| Thin Sam | .... | stunts | |
| Paul Anthony Scott | .... | stunts | |
| Danny Sre | .... | stunts | |
| Tony Sre | .... | stunts | |
| Xin Sarith Wuku | .... | stunts | |
| Johnny Yang | .... | assistant stunt coordinator | |
| Johnny Yang | .... | stunts | |
Camera and Electrical Department | |||
| Carlos Aldana | .... | grip | |
| Benjamin H. Bernard | .... | data tech | |
| Dan Cassell | .... | best boy electric | |
| Craig Clements | .... | key grip | |
| Sergio De Luca | .... | steadicam operator | |
| Cicero De Moraes | .... | gaffer | |
| William B. Demeritt III | .... | steadicam operator | |
| Jess Haas | .... | steadicam operator | |
| Tiana Hart | .... | first assistant camera | |
| Spencer Hutchins | .... | second assistant camera | |
| Nathan Lewis | .... | assistant camera | |
| David Navarro | .... | additional gaffer | |
| Hugh Noell | .... | second assistant camera | |
| Jesse Toula | .... | assistant camera | |
| Stephan Wassmann | .... | additional gaffer | |
| Lara Solanki | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Karen O'Brien | .... | costume supervisor | |
| Daisy Viktoria | .... | costumer | |
Editorial Department | |||
| Ricky Hayner | .... | on-line editor | |
Music Department | |||
| Lauren Sprigg | .... | musician: irish flute | |
Other crew | |||
| Jon Barton | .... | weapons trainer / weapons choreographer | |
| Erin Connarn | .... | script supervisor | |
| Lucy Doty | .... | studio owner | |
| Chris Ibanez | .... | production assistant | |
| Marguerite Lliteras | .... | studio operations manager | |
| Ralph Lliteras | .... | studio representative | |
| Jared Scott Mercier | .... | additional set production assistant | |
| Matthew Mourgides | .... | assistant: Tom Sizemore | |
| Casey Rieboldt | .... | script supervisor | |
Thanks | |||
| Ryan R. Johnson | .... | thanks | |
| Georgia Lambron | .... | special thanks | |
| Cynthia Richards | .... | special thanks | |
Production Companies
- Morningstar Films
- Truth and Grace Pictures
- Soular Entertainment (in association with)
- Fat Monster Films
- Four Horsemen Films
- Tactical Media Productions (in association with)
- Truth and Grace Films
- Sony Pictures Home Entertainment (2011) (Argentina) (DVD)
- Sony Pictures Home Entertainment (2011) (Australia) (DVD)
- Sony Pictures Home Entertainment (2011) (Germany) (DVD)
- Sony Pictures Home Entertainment (2011) (USA) (DVD)
- Sony Pictures Releasing (2011) (Argentina) (all media)
- Star Channel (2012) (Japan) (TV)
- Central City Studio Sound studio
- Central City Studio medical equipment and services
- Central City Studio picture vehicle supplier
- Indie Film Completion Company completion guarantor
- Private Island Audio post-production sound services
- Rogue State post-production
- Ynot/SinPelo Entertainment behind the scenes and interview footage
- Ynot/SinPelo Entertainment electronic press kit services provided by
- Ynot/SinPelo Entertainment photo credits
Additional Details
Also Known As:
See more »
MPAA:
Rated R for violence and some language
Parents Guide:
Runtime:
Argentina:105 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
USA:R (certificate #46681) | Australia:MA (2011) | Singapore:NC-16 | South Korea:15 | Argentina:13 | Portugal:M/16 | UK:15 | Germany:18
Filming Locations:
Company:
Did You Know?
Trivia:
Cross - meaning "strong in battle"See more »
Goofs:
Continuity: The rope that is tied around Sunshine's hands changes to another type of rope when Callan is untying her.See more »
FAQ
This FAQ is empty. Add the first question.See more (56 total) »
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I just have to come in here and say to all you haters on this film: What is your problem?? Don't hate on the heart put forth into this film if you don't even have a heart to say something decent about it. To even begin to compare it to the big budget action movies is unfair. How would X-Men or Green Lantern or Green Hornet or Batman look on an indie budget?? I believe that this amazing film will become an instant classic because it achieved everything a superhero film contains with an extra dose of 'heart and soul.' It just may be a bit too smart to those who are hating on this project. So it leads me to believe that those reviews were written by pubescent, rebellious middle schoolers. Listen, I enjoy a good story, a good book, or a good film. As I watched this film, I noticed that it went deep into Egyptian history with elements of Celtic mythology thrown in there as well while maintaining a fun action film. It's nice to know that Sony distributes an exciting action, star studded, and intelligent story such as this one that make me want the sequel right now. I very much look forward to it!