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A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
Steven Russell is happily married to Debbie, and a member of the local police force when a car accident provokes a dramatic reassessment of his life. Steven becomes open about his homosexuality and decides to live life to the fullest - even if it means breaking the law. Steven's new, extravagant lifestyle involves cons and fraud and, eventually, a stay in the State Penitentiary where he meets sensitive, soft-spoken Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts Steven to attempt and often succeed at one impossible con after another. Written by
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The playing of the song "The Marriage of Figaro" by Wolfgang Amadeus Mozart at the end of the film is likely a nod to Shawshank Redemption (1994) which is a prison-based film as well. See more »
When Steven is leaving the private care facility the calender shown skips the 14th of the month. See more »
I know. I'm sorry. You weren't supposed to find out.
Well, I did.
I couldn't take a chance telling you. You know that. I couldn't. But, Phillip, I only did it just so I could get here to you. I did it so I could talk again. And here I am.
You're so skinny.
I'm fine. Just hungry.
Steven, I don't...
Wait, listen. I just came here to tell you one thing, and that's it. You don't have to take me back. I just want to say one thing. I know you think that we were nothing but a lie, but ...
[...] See more »
The very end of the credits has a list of Thank Yous. The last two items on the list are Redbull and Xanax. See more »
Performed by Robbie Dupree
Written by Robbie Dupree (as Robbie Dupuis), Rick Chudacoff, Peter Bunetta
Big Ears Music (ASCAP), Grandma Annie Music (BMI), Oozle Music (BMI), Bug Music, Inc. and EMI Music Publishing
Courtesy of Wacbiz See more »
There's really only one thing you need to ask yourself before you see this movie: are you prepared to see Jim Carrey getting it on with Ewan MacGregor? If so, you should definitely go.
The movie tells the true storyand trust me, you'll have trouble believing it's trueof Steven Russell, a gay man who just can't stop conning his way through life. He uses his extraordinary abilities to gain a variety of jobs, gets indicted for embezzlement, and wins the love of the titular Phillip Morris while the two are fellow inmates in prison.
"I Love You Phillip Morris" was written and directed by Glen Ficarra and John Requa, the same writing team responsible for "Bad Santa". Like "Bad Santa", this movie effectively balances humor and with some very dark themes, though I would say the overall tone is not nearly as bleak as that of the earlier movie.
The writers told the Nashville audience that when choosing material to include from Steve McVicker's nonfiction book, they decided they primarily wanted to tell the love story. They do so very successfully. You might even call this the perfect romantic comedy for people who hate traditional romantic comedies: it's homo- rather than hetero-oriented, it's non-fiction, and it features a somewhat off-kilter con man as the romantic lead. Sounds bizarre, sure, and yet all these elements come together to make a really entertaining movie.
For the most part Jim Carrey loses himself in the character of Steven Russell, delivering an effectively non-hammy (and non-Carrey) comic performance. MacGregor's Phillip Morris is also believably innocent, Southern, and wide-eyed. Nice supporting performances, such as Leslie Mann's as Russell's ex-wife Deb, round out the movie.
Much of the romance takes place in prison, and this creates many beautifully absurd scenes. The movie also has its fair share of sad moments, and contains a pretty clear message about social justice in Texas -- as did the book-- but this is kept mercifully subtle, underlying rather than overshadowing the story.
The directors said they hoped the movie would make spectators laugh, cry and think, and the Nashville audience seemed to do all three. There were a lot of laughs but some definite sniffles at the appropriate moments. At the Q&A, there was a fair amount of interest in the real story, and Ficarra, McVicker, and Requa were happy to oblige with further information.
Come to think of it, you may not have to worry about seeing the two leads have sex. Although the love scenes were kept technically PG, the directors were expecting a fight with the MPAA because of the homosexual content. That's a real pity, but I hope they win.
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