In a poor working class London home Penny's love for her partner, taxi-driver Phil, has run dry, but when an unexpected tragedy occurs, they and their local community are brought together, and they rediscover their love.
Poppy Cross is happy-go-lucky. At 30, she lives in Camden: cheeky, playful, frank while funny, and talkative to strangers. She's a conscientious and exuberant primary-school teacher, flatmates with Zoe, her long-time friend; she's close to one sister, and not so close to another. In this slice of life story, we watch her take driving lessons from Scott, a dour and tightly-wound instructor, take classes in flamenco dance from a fiery Spaniard, encounter a tramp in the night, and sort out a student's aggressive behavior with a social worker's help. Along the way, we wonder if her open attitude puts her at risk of misunderstanding or worse. What is the root of happiness? Written by
Sally Hawkins and Alexis Zegerman became good friends during filming. Hawkins invited Zegerman along to the 66th Golden Globe Awards ceremony, on the eve when she eventually won for her performance in this film. See more »
In the build up to the final (aborted) driving lesson Scott (Eddie Marsan) is seen turning right into Holloway road (half way up and heading north), then moments later they are seen navigating the Highbury and Islington roundabout, turning into again into Holloway road about half a mile south of the previous location. See more »
[pulls out book from shelf]
The Road to Reality...
[smiles and pushes the book back]
Don't wanna be going there!
See more »
In this latest movie from Mike Leigh we are introduced to the very sweet Poppy. Poppy is a teacher, a good laugh, a bit of a loon and a really annoying person all rolled into one but try as you might you won't hold that against her. She is an unexpectedly cute cross between Michaela Strachan and Frank Spencer. Thankfully, there's no beret but there are plenty of knockabout gags which, when coupled with Poppy's infectious giggling and quick asides, had the audience laughing along quite genuinely. Characters come and go throughout the movie with an especially good performance from Stanley Townsend, but it's Eddie Marsan who gives the stand out performance in the movie with his darkly obsessive narratives and non sequiturs which expose his sinister persona. The rest of the cast are also splendid, they all fit in just right to make this a very watchable and enjoyable movie. Even the two dimensional characters have good aspects for which they are easily forgiven. I wouldn't hesitate in recommending people to this movie, my only complaint being that it was over too soon. I could have watched how the characters developed for another day or two and I guess that's down to the fascination with the ordinary which Mike Leigh builds into his films.
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