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Tales from the Script (2009)

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War stories and life lessons from the industry's top writers.

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Cast

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Storyline

Shane Black ("Lethal Weapon"), John Carpenter ("Halloween"), Frank Darabont ("The Shawshank Redemption"), William Goldman ("The Princess Bride"), Paul Schrader ("Taxi Driver"), and dozens of other Hollywood screenwriters share hilarious anecdotes and penetrating insights in "Tales from the Script," the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg. The film was produced in tandem with the upcoming HarperCollins book of the same name. Written by Anonymous

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Taglines:

Hollywood screenwriters finally get the last word.

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Release Date:

10 January 2009 (USA)  »

Also Known As:

Pass! Screenwriters on Surviving Hollywood Rejection  »

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Box Office

Opening Weekend:

$1,938 (USA) (5 March 2010)

Gross:

$6,764 (USA) (19 March 2010)
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Did You Know?

Quotes

Andrew W. Marlowe: I think in the film business there is never one break-through moment, there is a series of moments.
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References Ray (2004) See more »

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User Reviews

Religion
2 July 2010 | by (Virginia Beach) – See all my reviews

I've been very lucky in finding these strangely structured documentaries.

Here is a film about writing films. We luckily encounter a large number of screenwriters, some of whom I admire a great deal.

We have a quick shuffle among them, with the assembly being quite a bit more coherent and engaging than staying. This by itself is a remarkable effect. Almost all of these people are master storytellers and they are speaking about something they have examined thoroughly. Each has their own narrative they have created about who they are and how they fit into the machinery of this collaborative art. They assume that what they have honed will be fascinating to us.

But it isn't. It simply isn't. We learn that writing is hard, the business is brutal. You and your art get no respect. It is often unbearable and some accomplished writers simply graduate out of the role. None of these storytellers do much other than decorate these complaints. It becomes obvious early in the game that this is still interesting to watch because the filmmaker jumps around, composing his own narrative out of these interviews. No one bit is kept longer than a minute or so. It is a masterpiece of composition, editing and just plain deep listening.

It is a folded story that says in two ways that the writer is the beginning of the adventure, the generator of first ideas, but is not the filmmaker.

So that's all good. Don't expect a single phrase about writing itself. This is all about the business, the selling and the commerce. There are some people here that I really would like to know better. I did not and this will frustrate you too.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


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