| Photos (See all 15 | slideshow) | Videos (see all 4) |
| Shredi Jabarin | ... | Tarek | |
| Hili Yalon | ... | Keren | |
| Shlomo Vishinsky | ... | Katz | |
| Jony Arbid | ... | Abed | |
| Shadi Fahr-Al-Din | ... | Salim | |
| Rosina Kambus | ... | Zipora | |
| Oren Yadger | ... | Shaul | |
| Dina Golan | ... | Sara | |
| Chaim Banai | ... | Rehavia | |
| Michael Moshonov | ... | Shlomi | |
| Amir Yerushalmi | ... | Avinoam | |
| Khawlah Hag-Debsy | ... | Fatma | |
| Avital Pasternak | ... | Adina | |
| Adel Abou Raya | ... | Ali | |
| Yussuf Abu-Warda | ... | Saleh | |
| Uri Klauzner | ... | Dotan (as Uri Klausner) | |
| Dani Israelis | ... | Yakir |
Directed by | |||
| Dror Zahavi | |||
Writing credits(in alphabetical order) | ||
| Ido Dror | writer | |
| Jonatan Dror | writer | |
Produced by | |||
| Nikola Bock | .... | producer | |
| Evyatar Dotan | .... | producer | |
| Doris J. Heinze | .... | producer | |
| Shlomo Mograbi | .... | producer | |
| Ishay Mor | .... | executive producer | |
| Mathias Schwerbrock | .... | line producer | |
| Zvi Spielmann | .... | producer | |
| Heike Wiehle-Timm | .... | producer | |
Original Music by | |||
| Misha Segal | |||
Cinematography by | |||
| Carl-Friedrich Koschnick | (as Carl-F. Koschnick) | ||
Film Editing by | |||
| Fritz Busse | |||
Production Design by | |||
| Kuli Sander | (as Kuly Sander) | ||
Costume Design by | |||
| Michal Arbit | |||
Makeup Department | |||
| Esther Ben-Noon | .... | makeup artist (as Eti Ben-Nun) | |
Production Management | |||
| Elke Andreas-Möller | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Robyn Glaser | .... | second assistant director: pre-production | |
| Haim Rinski | .... | assistant director | |
Sound Department | |||
| Thekla Demelius | .... | sound assistant | |
| Alex Epstine | .... | boom operator | |
| Norbert Göke | .... | head of sound post-production | |
| Dirk Jacob | .... | sound designer | |
| Dominik Oppon | .... | sound assistant | |
| Carsten Richter | .... | foley artist | |
| Dominik Schleier | .... | dialogue editor | |
| Ralph Thiekötter | .... | sound re-recording mixer | |
| Hanse Warns | .... | foley mixer | |
| Eli Yarkoni | .... | sound | |
Visual Effects by | |||
| Thomas Diesselhorst | .... | titles | |
| Dirk Frischmuth | .... | digital artist | |
| Markus 'Maggi' Selchow | .... | digital artist | |
| Andreas Teichert | .... | digital colorist | |
Camera and Electrical Department | |||
| Tal Lazar | .... | assistant camera | |
Casting Department | |||
| Liron Zohar | .... | casting | |
Music Department | |||
| Michael Aarvold | .... | music scoring mixer | |
|
|
|
|
|
| Eyes Wide Open | Free Zone | St. Paul | Lemon Tree | Ajami |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Germany section |
Sof Shavua B'Tel Aviv (2008) is a German-Israeli co-production shown in the U.S. as "For My Father." Directed by Dror Zahavi, the film follows a Palestinian, Tarek (Shredi Jabarin), who is sent to Tel Aviv as a suicide bomber. When the bomb fails to explode, he's left stranded in Tel Aviv until he's able to fix the detonator. The entire movie takes place during Tarek's weekend in Tel Aviv.
Director Zahavi pulls off a coup, in that he makes his protagonist's mission understandable. It's hard to think of an audience being sympathetic to a terrorist bomber, but we can at least understand the internal logic behind Tarek's actions, even while we recoil at the thought of the suffering a terrorist bomb will cause.
Added to this volatile mixture is a young, liberated Israeli woman, Keren, played by the beautiful Israeli actor Hili Yalon. Naturally, there's a chemistry between the young man and woman, although the differences that separate them make Romeo and Juliet's problems appear trivial by comparison.
It's interesting that both Tarek and Keren are not cardboard characters. They have virtues, flaws, and unexpected facets to their personalities. Also interesting is the fact that they both face as much pressure and harassment from their own communities as they do from their counterparts on the other side of the political and cultural divide.
We saw this film at the extraordinary Rochester Jewish Film Festival, but it will work well on a small screen. It's a provocative, troubling movie, and worth seeking out and watching.