Delhi-6 (2009)

Director:

Rakesh Omprakash Mehra

Writers:

Rakesh Omprakash Mehra (story) &
Prasoon Joshi (story) ...

Release Date:

18 February 2009 (United Arab Emirates)

Genre:

Comedy | Drama

Tagline:

The Journey within

Plot:

A story about love, hope and self-discovery set in the walled city of Delhi (zip code 6) and its chaotic but touching life that forces us to ask questions about ourselves.

Plot Keywords:

Self Justice | City Name In Title | Depiction Of Corrupt Society | Shot By Gun | Film With Ambiguous Title

Cast

Waheeda Rehman	...	Annapurna Mehra
Abhishek Bachchan	...	Roshan Mehra
Sonam Kapoor	...	Bittu Sharma
Rishi Kapoor	...	Ali Beg
Om Puri	...	Madan Gopal Sharma
Prem Chopra	...	Lala Bhairam
Atul Kulkarni	...	Gobar
Pavan Malhotra	...	Jai Gopal Sharma (as Pawan Malhotra)
Divya Dutta	...	Jalebi
Supriya Pathak	...	Vimla Sharma
Tanvi Azmi	...	Fatima Mehra
Vijay Raaz	...	Inspector Ranvijay
Deepak Dobriyal	...	Mamdu
Raghuvir Yadav	...	Ramleela Narrator
K.K. Raina	...	Haji Suleiman

Also Known As:

Dilli 6 (India: Hindi title) (working title)

Runtime:

141 min

Country:

India

Language:

Hindi | English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Ireland:12A | Australia:M | Hong Kong:IIA | Singapore:NC-16

Filming Locations:

Hotel Tara Palace, Chandni Chowk, Old Delhi, Central Delhi, Delhi, India

Company:

ROMP

Trivia:

According to 'Kilari Hima Kumar' - the Executive Producer-VFX of Prasad EFX, 'Craig Mumma' - the vfx supervisor for the movie had suggested and guided the creation of a 360 degree Delhi geo-environment in 3D with using Delhi terrace photographs. Then they tracked the shots and placed the geos in the respective positions. They had executed about 164 terrace extension shots in the film.

Goofs:

Continuity: In the scene where Dadi first discloses that she wants to return to America, Rama is shown putting her head on Rajjo Bhabhi's shoulder. In the next scene, her head is up again, and you can notice her easing her head back onto Rajjo's shoulder.

Quotes:

Mamdu: Only dogs eat when they're hungry. Humans eat to bond with each other.

Movie Connections:

References "Indian Idol" (2004)

Soundtrack:

Masakali Masakali, Matakali Matakali

Bad, really?

Thankfully I wasn't sucked into all the hype of this film and just watched it months after its release, after the dust had settled down with the immense flak it was receiving. But to put it succinctly, the only thing wrong about Delhi 6 is that Rakesh Mehra made it after RDB. Period. Nothing more, nothing less.

Had Rakesh opted to depart from the norm and do a completely different genre of a film- yes, then maybe, he would have pulled it off well, but a film like Delhi 6, which had the shades of RDB in it, certainly is not the wisest of choices for a follow up. Delhi 6 is like a toned-down RDB, less impacting, much more mellow, and just like anything- its expectations that would hinder one from enjoying it. From the way it had been criticized, I was expecting a heavily metaphorical film with abstract narration all over- I wasn't expecting much, and thats exactly why I give it a 9, because it exceeded my low expectations.

I couldn't help but to think that the film is receiving this flak because of the strong anti-Abhishek sentiment, with many feeling that Abhi hadn't been aggressive enough in the film. But, thats the whole point of the film. That precisely is the USP of the film. Roshan is not a participant, the entire film is a journey through Roshan's eyes as to how he transformed from a mere observer of the society and later on became an active participant. He may not be your regular society-changing hero, but that is exactly Rakesh's intentions in this film. To just show to the audiences what he himself had seen through his eyes.

The film's theme is also very self-reflective. The only major metaphor of the film is about self-reflection. It is a direct satire commentary- sending a clear message that we fail to look in the mirrors to see the evil and good inside us, and instead we believe that God will do the good, and that your neighbor or the person across the street is the evil element. It may had made some feel uncomfortable watching this film as well, as it prompts you to take a look in the mirror. One need not take a long, hard look to understand the so-called 'too metaphorical' way in which this film has been done. Yes, there is a metaphor, but its a well done metaphor, not one that is difficult to comprehend or one which is too abstract.

Admittedly, the film does have its flaws, editing could have been slicker to say the least, there are parts which simply drag the length beyond much necessity- but here I have to credit Binod Pradhan for capturing the essence of Delhi. The last time I was transported to a location in which a film is based on was in the 2006 Tamil film Paruthi Veeran, which took me to the dry, dusty, vast open village in Madurai, and Delhi 6 follows suit. I was at Chandi Chowk, or to put it simply, I felt like I was transported to Delhi 6 myself with Binod's camera-work capturing everything about the city.

Music is certainly great as usual by AR Rahman, but again, Delhi 6 required more silence than noise, thus the entire film was made in a similar way, passive characters- passive, slow music, there's something about the city that is always larger than the people, thats what Rakesh had showed in this film. 'Dil Gira Gaaftan' however, came somewhat needlessly, while 'Kaala Bandar' and 'Gehnda Pool' were shot without much fuss and just relied on Abhi's body language to be pictured, which he certainly did well. Being a Hindu, 'Arziyan' was such a serene listening experience that it became one of my favorite all-time songs, and I was glad the song came repeatedly in the whole film and was an essential backbone to the picture.

Some characters could have been developed in more depth, but the assortment of characters, especially those of Boman Irani, Atul Kulkarni, and Om Puri were all interesting to watch and definitely went well with me. Unlike many other viewers, I wasn't expecting typical Bolly romance build up between Abhi and Sonam thus I wasn't disappointed there as well. Sonam is just another assortment along with many other characters, and Roshan happens to fall in love with her- period.And i think she did well enough for the screen time she was given. And the film essentially lacked in showing the 'good people' inside the characters essentially. When Abhi says 'Indian works, the people make it work'- the second part of that phrase is eluded and underdeveloped throughout this film, and this is why I'm taking a star off my rating.

8.68/10 I would readily buy a Delhi 6 DVD when it comes out and keep it in my collection. It might be one of the very few films that is heavily criticized by the so-called pros but loved by me. But, heck, I enjoyed it, and I don't mind watching it again and again and again.

Yeh Delhi He Mere Yaar, Bas Ishq Mohabbat Pyaar.