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Cadillac Records (2008)

6.9
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Ratings: 6.9/10 from 12,864 users   Metascore: 65/100
Reviews: 87 user | 80 critic | 30 from Metacritic.com

Chronicles the rise of Chess Records and its recording artists.

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Title: Cadillac Records (2008)

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Nominated for 1 Golden Globe. Another 6 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joshua Alscher ...
Tim Bellow ...
Man in the Caddy (as Timothy Bellow)
...
...
...
...
...
...
...
Douglas Crosby ...
Policeman (Little Walter beating)
...
Geneva's Teenage Son
...
Blonde Girl
Sean Shyboy Davis ...
Toothless Hillbilly Little Walter (as Sean Davis)
...
...
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Storyline

In this tale of sex, violence, race, and rock and roll in 1950s Chicago, "Cadillac Records" follows the exciting but turbulent lives of some of America's musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin' Wolf, Etta James and Chuck Berry. Written by Sony Pictures

Plot Summary | Plot Synopsis

Taglines:

Follow the beat to its source. See more »


Motion Picture Rating (MPAA)

Rated R for pervasive language and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

5 December 2008 (USA)  »

Also Known As:

Cadillac Records - Csillogó fekete lemezek  »

Filming Locations:

 »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$3,445,559 (USA) (5 December 2008)

Gross:

$8,134,217 (USA) (2 January 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Matt Dillon was originally meant to play Leonard Chess but ultimately couldn't do the movie. Adrien Brody replaced him. See more »

Goofs

A 45 rpm record insert known as a 'spider' is shown as a part of the Chess Records sign hanging in front of the studio. The 'spider' was introduced in the 1960's, years after Chess Records opened in 1950. See more »

Quotes

[from trailer]
Leonard Chess: That's a record!
See more »

Connections

Features Gidget (1959) See more »

Soundtracks

Juke
Performed by Soul 7 (featuring Kim Wilson)
Written by Little Walter (as Walter Jacobs)
Published by Arc Music Corp.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Huge
5 December 2008 | by (San Francisco) – See all my reviews

While this film lacks an original framework (it's "Ray" and "La Bamba" and "Hot Wax" and "Why Do Fools Fall in Love"....), both the subject--a seminal recording label--and the performances make this electrifying entertainment.

I can't speak to the accuracy of its historical facts regarding Leonard Chess' exploitation of some of music's largest figures, but the screenplay zooms along and takes us with it. Jeffrey Wright finally gets a role that hopefully will secure his stature. It's overdue. As Muddy Waters his towering strength both as a character and an actor are very impressive here. As well, the entire supporting cast (and it's a large cast) really rise to the occasion. Columbus Short as Little Walter and Gabrielle Union as Water's wife are equally impressive. And in smaller roles, Eamonn Walker as Howlin' Wolf and Mos Def as Chuck Berry nearly steal the show.

I've never been much of a fan of Adrien Brody, but in the first half of the film, he's quite effective. It's only when Beyoncé Knowles arrives that he stumbles, and who can blame him. Ms. Knowles takes a sensational role and scorches the screen. As the conflicted and troubled Etta James, there's a scene on a livingroom floor in front of a fireplace that should win Ms. Knowles many awards. And we're given a generous helping of sensational James' track very well covered by Ms. Knowles.

When we watch America's taste in music change--both before and after the centerpiece of this story--we're at first exhilarated at the discovery of this "new" form of music, and when it wanes and the lives that were propelled to stardom flag, we feel an enormous sadness. But what we know today--that these individuals became legends--is of great consolation.

I don't care that the structure is straightforward. The recreation of the period and it's attitudes are spot on, and the cinematography by Anastas N. Michos make the film rise above any weakness in the script.

Then, there's the soundtrack....


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