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Tells the story of Joshua Milton Blahyi - aka General Butt Naked - a brutal warlord who murdered thousands during Liberia's horrific 14-year civil war. Today, the General has renounced his ... See full summary »
Ezra is the first film to give an African perspective on the disturbing phenomenon of abducting child soldiers into the continent's recent civil wars. Ezra is structured around the ... See full summary »
Somewhere in Sub-Saharan Africa, Komona, a 14-year-old girl, tells her unborn child growing inside her the story of her life since she has been at war. Everything started when she was abducted by the rebel army at the age of 12.
Alain Lino Mic Eli Bastien,
BAG MAN is the understated story of a 12 year old African American boy, who takes us on an introspective journey out of the city and into the remote countryside of upstate New York. With a ... See full summary »
Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.
A true story about four Allied POWs who endure harsh treatment from their Japanese captors during World War II while being forced to build a railroad through the Burmese jungle. Ultimately ... See full summary »
David L. Cunningham
In the center of a monotonous suburban existence, Sarah lives silently and in subservience to her icy husband Patrick. They have been together far too long, and Patrick's affections for his... See full summary »
A couple are looking for their child who was lost in the tsunami - their search takes them to the dangerous Thai-Burmese waters, and then into the jungle, where they face unknown but horrifying dangers.
Impressive performance by unknown actors in this low-budget Vietnam drama. The story is being told in the form of a documentary; a camera team follows an Army unit in pursuit of 'Charlie'. ... See full summary »
Patrick Sheane Duncan
Johnny Mad Dog, maybe 15, leads a band of boy soldiers in a civil war in an unnamed African country. "Don't want to die? Don't be born" is one of their shouted mottoes. We follow Mad Dog and his crew - No Good Advice, Butterfly, Chicken Hair, and others - as they kill, pillage rape, interrogate, and terrorize on their march to the capital. They take a TV station and lead an assault on the President's residence. We also follow Laokole, about Johnny age, as she tries to hold together her family of brother and disabled father. Is there more than chaos and inhumanity here? At war since age 10, has Johnny anything inside? Written by
Along with Full Metal Jacket (1987), Apocalypse Now (1979), Paths of Glory (1957) and others, this film joins that august group of anti-war films which attempts to provide a realistic glimpse into the chaos of war.
Using documentary-style filming and editing techniques, the story centers upon a small group of boy soldiers who we first see brutally murder and rape some villagers; then they attack a TV station, killing and raping as they go; and finally they launch a major assault, with their larger army, upon a medium sized town where they once again go on a killing spree.
Finally, with their objectives achieved, General Never Die (Joseph Duo) disbands the army, tells the boy soldiers that it's all over, so now "Go and do something else." While there is a large cast of first time actors playing the roles of the boy murderers, the story focuses upon Johnny Mad Dog (Christopher Minie) as the boss of the small group, and Laokole (Daisy Victoria Vandy) a young girl who is trying to save her wounded father and her brother, Fofo (Onismus Kamoh).
During the hectic fighting scenes in the final assault, Johnny and Laokole (grimly holding onto her small brother) accidentally meet on a staircase in a deserted building. He stops, gun ready, but instead of interrogating her and perhaps killing her, they gaze at each other until one of his grunts calls Johnny back onto the street. Grudgingly, reluctantly, he goes back to his killing machines
Later, towards the end, the two meet again under different circumstances and we see the full irony of the effects of war upon individuals: but we are left in a state of uncertainty about the outcome of that meeting, much like we might feel after reading a news story about the real wars in Africa with real boy soldiers that still continue even as I write and you read.
There are short moments of gallows humor with a live pig; for the most part, however, there is just unrelenting killing, raping, and slaughtering of innocents and, implicitly, the death of hope. So, it's not a film for those who cannot watch the worst of human depravity during war.
Technically, the production cannot be faulted. The direction is superb, garnering performances from newcomers that must be seen to fully appreciate. The camera work fits the situation of quasi-documentary. The sounds of war are realistic and actually remind me of sounds I've heard recently in the current slaughter of civilians in Syria.
Highly recommended, but not for kids, obviously.
March 11, 2012.
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