About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
For three years, Andrew Paxton has slaved as the assistant to Margaret Tate, hard-driving editor at a New York publisher. When Margaret, a Canadian, faces deportation for an expired visa, she hatches a scheme to marry Andrew - he agrees if she'll promise a promotion. A skeptical INS agent vows to test the couple about each other the next Monday. Andrew had plans to fly home that weekend for his grandma's 90th, so Margaret goes with him - to Sitka, Alaska - where mom, dad, and grams await. Family dynamics take over: tensions between dad and Andrew, an ex-girlfriend, Andrew's dislike of Margaret, and her past color the next few days, with the INS ready to charge Andrew with fraud. Written by
225 Franklin St, Boston, was the real location of The Colden Books office. The entire main office, including Margaret's & Bob's offices, were completely rebuilt and replicated at Disney Studios in Burbank, CA for pickups and re-shoots in January 2009. See more »
While Andrew is at the door of the chairman's office the camera switches between him and Margaret with the chairman in the background. Originally the chairman was sitting with legs under the desk then he was turned out with one leg on the other and then he was back in his original position again. See more »
We went into this movie more or less out of despair; the cinema offerings seemed uniformly lousy and we simply wanted to see a movie that looked like fun. This one looked stupid: I'd seen Betty White promoting the movie on Jimmy Fallon's show and the scene shown was idiotic, though it did have a couple of amusing lines. Well, we were all pleasantly surprised. The outcome of the plot might be predictable, but the road getting there is surprisingly sharp and entertaining. There are quite a few witty lines and exchanges, and the delivery and timing of the two stars and, of course, of Betty White are just about perfect. Both of the lead characters have surprises in their backgrounds to reveal, and the settings are beautiful. There are one or two scenes that are clunkers, but even the dopey episode with White's Grandma Annie doing a ritualistic dance in the woods ends up having some relevance to a later plot event. The movie is well thought-out and well executed, and the actors create characters who engage us, even if we don't know anyone quite like them in our own lives.
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