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The story follows the adventures of Aang, a young successor to a long line of Avatars, who must put his childhood ways aside and stop the Fire Nation from enslaving the Water, Earth and Air nations.
The Pevensie siblings return to Narnia, where they are enlisted to once again help ward off an evil king and restore the rightful heir to the land's throne, Prince Caspian.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg -- a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
Security guard Larry Daley infiltrates the Smithsonian Institution in order to rescue Jedediah and Octavius, who have been shipped to the museum by mistake.
A newly recruited night security guard at the Museum of Natural History discovers that an ancient curse causes the animals and exhibits on display to come to life and wreak havoc.
A fairy tale set in Jazz Age-era New Orleans and centered on a young woman named Tiana and her fateful kiss with a frog prince who desperately wants to be human again.
A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess who is sent to our world by an evil queen. Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer. Can a storybook view of romance survive in the real world?
The Evil Queen is dead and Snow White is on her way to see the 7 dwarves when Lord Maliss, the Queen's brother, sees her in the looking glass. He attacks her in the form of a dragon, taking... See full summary »
1920s Vienna. Nine-year-old Mary lives in a home filled with lovely things and loneliness. Bothered by bratty brother Max and neglected by well intentioned, but distracted, parents, she yearns for companionship and adventure. On Christmas Eve, Mary's beloved Uncle Albert arrives with the gift of a wooden nutcracker doll. Later that night, Mary's imagination brings the doll to life. Introducing himself as "NC," he takes her on a wondrous journey through a stunning dimension where toys assume human form and everything appears ten times larger. But danger lurks. An army of toothy rat creatures, led by the flamboyant Rat King and his devious mother, has unleashed a plot to overthrow humanity. When NC is captured and placed under a paralytic spell, Mary, Max and a spirited band of toy sidekicks must rescue him from the Rat King's clutches and thwart his wicked plans to 'ratify' the world. Written by
Anonymous
The music for the songs in this film is adapted from the works of Pyotr Ilyich Tchaikovsky, who composed the music for the ballet "The Nutcracker". See more »
Goofs
As Uncle Albert sings the song about the pebble to Father and Mother in the study and the camera moves back and forth the ink smudge on Father's right ring finger changes in size and colour. See more »
Disappointing in most respects. Inconsistent plot, poor lyrics, poor music adaptation, unconvincing acting for most of the movie. Like most reviewers will probably acknowledge, the visual effects are OK, but have no cause to serve. The film is a waste of nice animation, exactly what I wouldn't have expected from Koncealovski. And now, for a few upsetting details...
It is very difficult to become attached to any of the characters, because they are so superficially introduced. I don't get the real feeling of a backstory, which actually damages the whole universe of the film. Mary is the only character which seems alive, for better or worse. Otherwise, they are all pale and unconvincing.
The techno-fairy tale / political satire mix doesn't help either. I'm thinking of loads of splices you'd be able to make, starting from an original fairy tale, and I can't understand why you'd combine a Disney style dramatization with an oppressed-toys(and humans)-against-evil-nazi-rats uprising. It's not fun enough for adults, it's not simple and clear enough for children. And it doesn't have so much to do with the original...
And talking about the original, the use of Tchaikovsky's music is uninspired, to say the least. The adaptation sounds simplistic, and voices may not have been a good idea. First of all, because it used to be a ballet and, call me a rigid type, but I'd have loved to see it developed on this line. Second, because the lyrics are dull, and the actors' voices sound really bad at times (ok, try to make it sound natural but do follow the notes!). Third, because the modern orchestration further reduces the charm of the original, turning it into a sort of kindergarten party song. As far as the musical part goes, I'm taking Sweeney Todd as a reference. And, compared to this, Nutcracker is way below.
Bottom line? Don't see it, even if the other guy is paying. It's plain loss of time and a poor reference about the classics, if you have any children.
23 of 45 people found this review helpful.
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Disappointing in most respects. Inconsistent plot, poor lyrics, poor music adaptation, unconvincing acting for most of the movie. Like most reviewers will probably acknowledge, the visual effects are OK, but have no cause to serve. The film is a waste of nice animation, exactly what I wouldn't have expected from Koncealovski. And now, for a few upsetting details...
It is very difficult to become attached to any of the characters, because they are so superficially introduced. I don't get the real feeling of a backstory, which actually damages the whole universe of the film. Mary is the only character which seems alive, for better or worse. Otherwise, they are all pale and unconvincing.
The techno-fairy tale / political satire mix doesn't help either. I'm thinking of loads of splices you'd be able to make, starting from an original fairy tale, and I can't understand why you'd combine a Disney style dramatization with an oppressed-toys(and humans)-against-evil-nazi-rats uprising. It's not fun enough for adults, it's not simple and clear enough for children. And it doesn't have so much to do with the original...
And talking about the original, the use of Tchaikovsky's music is uninspired, to say the least. The adaptation sounds simplistic, and voices may not have been a good idea. First of all, because it used to be a ballet and, call me a rigid type, but I'd have loved to see it developed on this line. Second, because the lyrics are dull, and the actors' voices sound really bad at times (ok, try to make it sound natural but do follow the notes!). Third, because the modern orchestration further reduces the charm of the original, turning it into a sort of kindergarten party song. As far as the musical part goes, I'm taking Sweeney Todd as a reference. And, compared to this, Nutcracker is way below.
Bottom line? Don't see it, even if the other guy is paying. It's plain loss of time and a poor reference about the classics, if you have any children.