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Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
Sanjana was Rahul's fiancé. When Rahul was gone to India for official trip He is attracted to Nisha, and announces that he will be marrying her soon. Sanjana does not take kindly to this, ... See full summary »
Anand Kishore (Ajay Devgan), his wife, Kavita (Mahima Chaudhary), and only child, a daughter, Neha (Akshita Garud), live a happy and serene life in Delhi, India. The peace and quiet of this... See full summary »
Police Inspector Jay Bakshi has been assigned the task of aprpehending gangsters affiliated to notorious criminal don, Raj Solanki. Assisting him in this task is his sweetheart, Inspector ... See full summary »
While traveling by train Shekhar attempts to woo Sanjana Sharma, but finds out she had given her heart to a former boyfriend, Rohit, who is no more. Both share some misadventures en-route ... See full summary »
The first time Ajay saw Pia, she served him drinks. She affected him more than the alcohol, and he found true love. He was a leading psychiatrist, but she messed up his mind. The first time Pia saw Ajay, he had too much to drink. She watched him make a fool of himself, and was relieved when he passed out. She was a woman who followed her heart, but despite his claims of true love, she had made up her mind. Thus began the story of Ajay and Pia. A love story, that begins at sea. Ajay and Pia develop a strong and special bond. In each other, they find an anchor. They rush into marriage, despite the advice and failing relationships of their friends. But no marriages can be complete without problems, and Ajay and Pia have also have to face hurdles, some of which seem insurmountable. Written by
From the way this movie began, I had no idea where it was heading. There was a certain silliness in the opening, but its really a bait and switch situation. In fact, for some time, you are really baffled by what is going on. Ajay is telling a story, and from the way the story is visualized, you have a lot of reason to assume he is telling his own story, even though he doesn't present it that way. Until you get through most of the way into the story, you have no choice but to follow the story as if it is a parable or something.
Then comes the big crunch, the rainy scene where the whole mood completely changes. But still the story-teller keeps his hole card out of sight.
When the true nature of what is going on becomes evident, you realize the story is one of the most frightening anyone can imagine, and only then do you really appreciate the quality of the acting.
So, I think I've seen Ajay Devgan's best movies. And I'm pretty sure I've seen Kajol at her best. And I've liked every movie since their marriage, whether comical or serious, where they played the lead roles. But I'm pretty convinced this is, at least, Ajay's best. And somewhere near Kajol's best. I hope one or both gets at least a nomination in next year's award round.
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