Californication (2007–2014)
8.0/10
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Girls, Interrupted 

While Charlie and his wife Marcy are considering a ménage à trois, Hank tries to win Karen over by arranging a dream job for her.

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Storyline

Much to his joy, Charlie's wife Marcy tells him she wants to do a threesome. She asks Dani to join in. Charlie has arranged that Hank and Todd Carr meet because Carr wants to option Hank's blog. When Carr is talking about his house, Hank arranges a surprise Karen must love, being an architect. Becca tells Hank she doesn't believe in happy ends anymore. Meanwhile, Charlie, Marcy and Dani's threesome doesn't end up the way they thought it would. Written by Marco van Hoof <k_luifje7@hotmail.com>

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Comedy | Drama

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TV-MA | See all certifications »
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24 September 2007 (USA)  »

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1.78 : 1
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Did You Know?

Quotes

Marcy Runkle: What is a marriage if not an opportunity to mock someone through thick and thin while simultaneously exploring your deepest, darkest sexual desires?
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Connections

References The Outsiders (1983) See more »

Soundtracks

Californication Main Theme
Written by Tree Adams & Tyler Bates
Performed by Tree Adams & Tyler Bates
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User Reviews

 
Further complications
9 January 2009 | by (Italy) – See all my reviews

Things just keep getting complicated for Hank and everyone around him, as the first season of Californication enters its second phase. And just like the first six episodes, it's gonna be a wild, fun ride.

Things start on a false note for Hank, as he finds out Becca doesn't believe in happy endings, partly because of hi situation with Karen. He tries to fix this by getting Karen her dream job - working on Todd Carr's house. Carr, on the other hand, is interested in optioning Hank's blog, to which the concerned party reacts in a fully justified way: "How the f*ck do you option a blog? What's there to option? The title? The font?". Meanwhile, Charlie and Marcy may have found a solution to their marital problems: a threesome (or a ménage à trois, as the more sophisticated ones say).

One of the funniest things about this episode is how Charlie really has come into his own since he first appeared: originally a two-scene-per-episode supporting dude, he's now a bona fide co-star who can compete with Duchovny over who gets the funniest lines (Duchovny wins, but still...). Plus, there's that wonderful postmodern notion of characters explaining literary theories (in this case, the existence of happy endings) by relating them to their own personal stories. Who said this kind of cleverness isn't doable in a 30-minute TV episode?


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