A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Milo Boyd, a down-on-his-luck bounty hunter, gets his dream job when he is assigned to track down his bail-jumping ex-wife, reporter Nicole Hurly. He thinks all that's ahead is an easy payday, but when Nicole gives him the slip so she can chase a lead on a murder cover-up, Milo realizes that nothing ever goes simply with him and Nicole. The exes continually one-up each other - until they find themselves on the run for their lives. They thought their promise to love, honor and obey was tough - staying alive is going to be a whole lot tougher. Written by
Producer Neal H. Moritz and director Andy Tennant are neighbors. One day they were chatting to each other over their fence when Moritz asked Tennant if he was working on anything at that moment. Tennant replied that he wasn't doing anything at the time. That was when Moritz realized that his neighbor would be the perfect choice to direct this screenplay. See more »
The characters are leaving Monmouth Park Horse track (about 1 hour north of Atlantic City) and headed back to NYC. In the next scene they are driving in Atlantic City. You would not head back South on the Parkway if your intentions were to head to NYC. See more »
Ah, using your one phone call to phone in a story. That is so you.
What are you doing here?
Hey, it's a special night. There's no way we're not spending it together. Hey, can we go in the same cell?
Get in the cell, dickhead.
All right, I'm going.
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It is a well known fact that American comedies generally suffer from lackluster scripts, usually employed as vehicles for rising or established stars. The Bounty Hunter is no exception, as its charm lies solely in the joint presence of Gerard Butler and Jennifer Aniston, rather than in the fact that Andy Tennant (Hitch) is directing. Of course, even two fine actors such as those in this film are no good if the material is beneath their talent.
The story goes like this: Butler is an ex-cop who currently works as a bounty hunter. One day, he is given the opportunity to bring in his ex-wife (Aniston), who is wanted by the police after jumping bail. As he tracks her down and embarks on a hellish journey to take her back home, the two find themselves in the middle of a murky murder case, not to mention a series of situations that put their hatred for each other to the test.
On paper, there's plenty of potential for a moderately entertaining action comedy: think Midnight Run with a rom-com twist. Unfortunately, the film is an uneven mess, jumping from cringe-worthy "romantic" moments to OTT action scenes, complete with clichéd hotel room/strip club bits that have been out of fashion for quite some time. The tonal inconsistencies are reflected in the acting, as well: supporting performances range from passably straight (Jeff Garlin) to borderline ridiculous (Christine Baranski), whereas the leading duo does generally fine when they're together, less so separately, with Aniston being clearly more at ease with the less physically demanding stuff, while the opposite is true for Butler.
In short, The Bounty Hunter is an inconsistent picture that doesn't have enough laughs for a comedy, nor the appropriate direction for an action flick. The best option would be to ignore it altogether.
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