A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
A vacationing woman meets her ideal man, leading to a swift marriage. Back at home, however, their idyllic life is upset when they discover their neighbors could be assassins who have been contracted to kill the couple.
A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
Milo Boyd, a down-on-his-luck bounty hunter, gets his dream job when he is assigned to track down his bail-jumping ex-wife, reporter Nicole Hurly. He thinks all that's ahead is an easy payday, but when Nicole gives him the slip so she can chase a lead on a murder cover-up, Milo realizes that nothing ever goes simply with him and Nicole. The exes continually one-up each other - until they find themselves on the run for their lives. They thought their promise to love, honor and obey was tough - staying alive is going to be a whole lot tougher. Written by
Producer Neal H. Moritz and director Andy Tennant are neighbors. One day they were chatting to each other over their fence when Moritz asked Tennant if he was working on anything at that moment. Tennant replied that he wasn't doing anything at the time. That was when Moritz realized that his neighbor would be the perfect choice to direct this screenplay. See more »
Just before the thug smashes window in car at the gas station, reflection of camera crew baseball cap can be seen in the glass of the car door beside the driver. See more »
You see, what I do is, I hunt down criminals. Idiots who jump bail, specifically.
You are a bounty hunter?
Yeah. And much as it pains me to say this, and it really does, I gotta take you to jail.
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The Bounty Hunter - truly the epitome of an awful movie.
Let's just say that every once in a while a truly horrible movie comes along to remind us all what good movies are. This is a monumental failure in casting, direction, plot (or lack thereof) and production. A couple - Jennifer-I-can't-act-Aniston and Gerard-stunned-mullet-Butler are separated. She's the one accidentally running from the law, he's meant to catch her. Can anyone say 'predictable' - Pulllleeeeassse. Throw in the bad guy - queue bad guy music - Peter Greene (bad dude stereotype think The Mask) and yawn through the laughingly called 'suspense' scenes.
The only good thing about this music was the soundtrack. Not the background stuff - nothing is more annoying than quirky music for comedic scenes and suspense music for suspense scenes. Why is it that directors/producers have the need to fill in quiet moments with mundane filler? This movie was in short an insult to a viewer's intelligence. What an absolute waste of money. It would have been better to donate money to charity, than to take an absolutely anorexic script off to Columbia to actually be made into a movie. The powers that be must have been on something to think this would ever be a success.
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