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5 out of 5 people found the following review useful:

back home after a long exile

Author: aizkomendi from Spain
23 September 2007

A documentary about a leftist activist coming back to Chile from exile. Old harrowing memories come back to mind along with fears of finding a submissive Chile that doesn't fit in the ideals they struggled for, so triggering mixed feelings and a sensation of lost battle.

One of the moments features a visit to the place she lived in with her husband, a famous MIR leader, who was shot dead in a police raid after she got seriously wounded almost causing her to die. Amid flashbacks and footage from some decades ago, former party comrades and neighbours are interviewed, so conjuring up aspects and emotions related to exile, former leftist activism in the MIR, frustrations, ordeals, unaccomplished goals and new hopes.

The duration is rather long, but one doesn't get that impression, it captures the attention, making the vision of the film smooth.

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4 out of 4 people found the following review useful:

Long revolutionary memories from Chile

Author: Chris Knipp from Berkeley, California
12 October 2007

Carmen Castillo was the comrade and lover of Miguel Enriquez, head of the MIR (Movimiento de Izquierda Revolucionaria/Movement of the Revolutionary Left) that spearheaded the Chilean revolution that led to the election of the socialist Salvador Allende in September 1970. Most students of contemporary history know that on September 11th 1973 Pinochet's brutal military coup followed by the death of Allende, massive looting, decades of torture, imprisonment and disappearances, along with the destruction of social syndicates and organizations.

Some MIR leaders went underground, including Enriquez, Castillo, then pregnant, and two little daughters, who lived in a peaceful suburb of Santiago. Then, on October 5, 1974, police came to where they were living on Calle Santa Fe. Enriquez died. Castillo was shot and seriously wounded; later she lost the child she was carrying, but a neighbor, Manuel, called an ambulance and took her to the hospital, where she was saved.

Castillo was arrested and held after her recovery but then expelled from Chile. After drifting from country to country for a bit, she settled in France.

Resistance grew in the late Seventies and early Eighties, but MIR was dissolved of its own accord in 1985, and things have been different since the return off "democracy" in 1990.

Anyway, Castillo's long film (163 minutes) chronicles all this, with rich texture created through testimony by fellow MIR leaders who either never left or returned some time in the Eighties; through footage from the Seventies, Eighties, and Nineties; and through a chronicling of Castillo's recent return visits to Calle Santa Fe, where she meets people who knew her, even the man who took her to the hospital. She also revisits her family and has discussions with her father, about whom she made a 2004 documentary, 'Le Chili de mon père'/'The Chile of My Father.' One of the subjects that comes up is whether it was right for any of the leftist leaders to leave, abandoning the people they had championed to the despotism of Augusto Pinochet and his thugs. Having not only gone elsewhere but lived when MIR's leader died beside her, Castillo no doubt was troubled by survivor guilt of several kinds. Since she had not gone on with things in Chile, some of the traumas were frozen inside her.

This may not be the best way of reviewing the totality of Chile's recent history, but it's an emotionally convincing and involving way. The people in this film are impressive from many points of view--for their courage, their dignity, their language, and above all for their enduring idealism, which has never died and has been passed on to younger generations in Chile. Of course Castillo herself is obsessed. She has some letting go to do. Her campaign to have the house on Calle Santa Fe purchased and turned into some kind of study center of shrine doesn't appeal to younger leftists. Finally she is content with a small gathering when a plaque is cemented into the sidewalk in front of the house and one of the surviving leaders (nearly all of whom underwent imprisonment and torture and still have returned) says some words of poetry. There's not much humor here, but there is tremendous hope and much emotion.

Not a theatrical possibility in this country due to its length, but very worthwhile for anyone interested in leftist politics and revolution and modern Latin American history.

Shown only once at the NYFF 2007.

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1 out of 1 people found the following review useful:

positive review

Author: kavala-1 from Turkey
14 April 2008

a remarkable, autobiographical documentary recounting the rise and post-coup-d'état demise of the Chilean Movement of the Revolutionary Left (MIR); Castilla was the fiancée of Miguel Enriquez who was head of the anti-Pinochet resistance and they were together when he was killed in a shoot-out a year after the coup; miraculously she survived and, thanks to extraordinary luck, her pregnancy and international renown, and thanks to the help of many people including bystanders, she was exiled to France where she became a spokesperson for the Chilean resistance-in-exile; the film is very much a woman's film, made by a woman, in dialogue with her younger self, telling her own story as well as that of the Movement, and interviewing many women survivors of the brutal Pinochet repression - it seems that the men were more likely to die in shoot-outs or be disappeared than the women, the women were tortured and imprisoned but not so often killed - and so there are more women survivors than men - spouses, mothers, daughters, comrades...; cinematographically straight, mixing archive footage with interviews and emotional returns; a long and very moving film - I was on the edge of tears several times - and a profound exploration of the question of whether the revolutionary victims died in vain or not - with no clear answer given, the question is turned around and around as are many of the questions to do with revolution, ideology and armed struggle; the film features much music, much of it very good, especially the song (what?) which accompanies the closing credits

kolya gelsin

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