| Photos (see all 7 | slideshow) |
| Maria Esmeralda del Carmen | ... | Grandmother | |
| Perry Dizon | ... | Uncle Fernando | |
| Gael García Bernal | ... | Leo Vidales | |
| Rudina Hatipi | ... | Linda - Air hostess | |
| Thomas McCarthy | ... | Bob | |
| Marife Necesito | ... | Gloria | |
| Jan David G. Nicdao | ... | Salvador | |
| Sophie Nyweide | ... | Jackie Vidales | |
| Martin Delos Santos | ... | Manuel | |
| Natthamonkarn Srinikornchot | ... | Cookie (as Run Srinikornchot) | |
| Michelle Williams | ... | Allison Gould | |
| Eliezer Meyer | ... | Man with Shopping Bag (uncredited) |
Directed by | |||
| Lukas Moodysson | |||
Writing credits(in alphabetical order) | ||
| Lukas Moodysson | screenplay | |
Produced by | |||
| Lene Børglum | .... | co-executive producer | |
| Maria Dahlin | .... | assistant producer | |
| Malte Forsell | .... | line producer | |
| Peter Garde | .... | executive producer | |
| Peter Aalbæk Jensen | .... | co-producer | |
| Lars Jönsson | .... | producer | |
| Maria Köpf | .... | co-producer | |
| Oli Laperal Jr. | .... | line producer: Philippines | |
| Vibeke Windeløv | .... | executive producer | |
Cinematography by | |||
| Marcel Zyskind | |||
Film Editing by | |||
| Michal Leszczylowski | |||
Casting by | |||
| Avy Kaufman | |||
| Jesper Kurlandsky | |||
Production Design by | |||
| Josefin Åsberg | |||
Art Direction by | |||
| Josefin Åsberg | |||
Costume Design by | |||
| Denise Östholm | |||
Makeup Department | |||
| Linda Boije af Gennäs | .... | key makeup artist | |
| Love Larson | .... | special makeup effects artist | |
| Oskar Wallroth | .... | assistant makeup effects artist | |
| Ande Yung | .... | hair stylist: New York City | |
| Ande Yung | .... | makeup artist: New York City | |
Second Unit Director or Assistant Director | |||
| Andy Andico | .... | second asisstant director | |
| Erwin Aton | .... | third assistant director | |
| Nicholas R. Bell | .... | second second assistant director: New York | |
| Steve Litwitz | .... | second assistant director | |
| James Velasquez | .... | first assistant director | |
Art Department | |||
| Jade Healy | .... | set decorator: New York | |
| Henrietta Sterner | .... | assistant property master | |
| Chris Trujillo | .... | leadman: New York | |
Sound Department | |||
| Holger Lehmann | .... | sound re-recording mixer | |
Visual Effects by | |||
| Chris Gelles | .... | visual effects executive producer: & Company | |
| Sarah K. Hellström | .... | visual effects coordinator | |
| Andreas Hylander | .... | compositor | |
| David Isyomin | .... | visual effects supervisor: & Company | |
| Mathias Larserud | .... | visual effects | |
| Linus Lindbalk | .... | visual effects | |
| Emelie Nilsson | .... | visual effects | |
| Sean Wheelan | .... | visual effects producer | |
Camera and Electrical Department | |||
| Butch Abrillo | .... | best boy grip | |
| Roher Cenicero | .... | camera grip | |
| Gerry Dano | .... | gaffer: Philippines | |
| Renato Entice | .... | grip | |
| Dennis Golem | .... | best boy electric | |
| David Gylje | .... | second assistant camera | |
| Hector Javillonar | .... | video assist | |
| Martin Pålsheden | .... | electrician | |
| Rey Sales | .... | generator operator: Philippines | |
| Nate Slevin | .... | additional second assistant camera: New York | |
| Simon Tindall | .... | focus puller | |
Casting Department | |||
| Abbe Hassan | .... | extras casting | |
| Avy Kaufman | .... | casting: US/UK | |
| Jesper Kurlandsky | .... | casting: Thailand/Philippines | |
| Christine Nelson | .... | extras casting | |
| Lucy Pho | .... | extras casting assistant | |
| Rita Powers | .... | extras casting | |
| Sean Powers | .... | extras casting | |
| Luis Sanchez-Cañete | .... | extras casting | |
| Niklas Siöström | .... | extras casting assistant | |
| Julie Ysla | .... | casting supervisor: Philippines | |
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Now that Moodysson is back from the grave (oh, but what a fine grave it was) there is ridiciously high hopes for this first international production. It usually takes about five to fifteen minutes before I get tangled up in his movies, this time though it toke almost half an hour. Mammoth is of course more complex, with much more going on at the same time in different parts of the world, than his other works. Or not more complex, maybe just wider. Nevermind; it's a fine piece of cinema, great storytelling and speaks grimly to us about the world we're raping, the time we're wasting and the people suffering becaurse of our western lifestyles. Mostly it's about the children who are crushed in the middle of our lost struggle to make a life, buy more stuff or just to survive. Does that make sense? The movie does, in a sad way.