Successful writer and scholar Jonathan Merrick falls under the spell of the irresistible, bewitchingly beautiful Ligeia. She's fighting a fatal illness and she will stop at nothing to ... See full summary »
Howard Greims has hit the wall in a willingly dead-end marriage. His brother Donnie has spent the last several years with his shades drawn, living as a hermit. After receiving a mysterious ... See full summary »
The son (Wes Bentley) of a wealthy man whose funeral is disrupted by the presence of a mysterious Latin American woman (Ana Serradilla), sets out to salvage his family's reputation by ... See full summary »
José Pepe Bojórquez
A tomb robber steals artifacts from an unmarked tomb in Egypt and sells them to different archeologists in America. This displeases the immortal woman whose tomb has been desecrated, so she... See full summary »
Fred Olen Ray
Successful writer and scholar Jonathan Merrick falls under the spell of the irresistible, bewitchingly beautiful Ligeia. She's fighting a fatal illness and she will stop at nothing to defeat death, her one true enemy. She steals other people's souls and on her quest to immortality she tricks Jonathan into supporting her work, breaking him apart from his fiancé Rowena and pulling him into her dark, mysterious world. They settle down in an old manor by the Black Sea where Ligeia's everlasting presence slowly drives Jonathan to madness... Written by
I would normally give "The Tomb" about five stars, if only because it was made in a competent manner (i.e., you can hear everything, the editing is reasonable, shots are framed, etc.). But I have to deduct one star for being so blatantly derivative and one star for being an insult to Mr. Poe. No, wait...I'm taking another star away because everybody is just so BAD in this film.
The story is only minimally based on Poe's short story. I can hear the producer's now..."What? No children in danger? Add one! No sex? Add some! How does she come back from the dead? Through strength of will alone? No good! Add some satanic rituals and symbols. While you're at it, go find out how much Michael Madsen and Eric Roberts want for small, crappy parts. Nobody else is hiring them, so we ought to be able to get them for a song." (Madsen and Roberts have two totally irrelevant and shoddy roles in this production, but I guess that Madsen has to buy black hair dye somehow.)
What is more fatal to this film than anything else is that we just don't care about any of the characters. We don't hate any of them, we don't like or sympathize with any of them. They just sort of exist to deliver their lines.
As far as excitement, forget it. There isn't any. No nudity (worth mentioning,) no gore, no mystery, no chases, no fights (of any length or quality,) no shocking or surprising moments. It's just drab.
Overall, a very stinky film. Don't bother.
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