14-year-old György's life is torn apart in World War II Hungary as he is sent to a concentration camp where he is forced to become a man, and learns to find happiness in the midst of hatred, and what it really means to be Jewish.
The Hotel Splendide is on a remote and cold island, accessible only by a once-a-month ferry. It's a dark and dreary spa created by the late Dame Blanche, whose grown children now run the ... See full summary »
Two men become entangled in a torrid love affair with the same woman. Pierre is Miriam's longtime lover. John is desperately searching for clues about his past when he and Miriam have a ... See full summary »
In 2054, Paris is a labyrinth where all movement is monitored and recorded. Casting a shadow over everything is the city's largest company, Avalon, which insinuates itself into every aspect of contemporary life to sell its primary export -- youth and beauty. In this world of stark contrasts and rigid laws the populace is kept in line and accounted for.
An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970's Britain. Hollywood star Joe is now a teenage boy in a tentative relationship with a school-girl called Ruth. Further, his mother's friend, Evelyn, is attempting to seduce him. Engulfed by guilt at the unintended, tragic consequences of his subterfuge, he leaves home. The movie then switches back to contemporary Hollywood. Joe confronts his fear and returns to England for a difficult meeting with Ruth, who had gone on to marry Boots and has been a left a poor widow. Written by
None of the cars that were supposed to be in California, had a front California License Plate. They only had rear California plates. California is a front and rear plate State. See more »
He's got no stamina.
I love your nose.
Oh, thanks. I wanted to get my nose done since I was ten. It wasn't as simple as I thought. The doctors found out that I didn't have any cartilage in the tip of my nose. So then he needs to do that. Um, my nose was too long, so, I needed to shorten it. And then it was too wide so I had to thin it. And, uh, it was just a lot more complicated than I thought. My nose was just an insane amount of money.
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Performed by Scott Walker
Words by Jacques Brel
Music by Gérard Jouannest
Published by 1967 Editions Jacques Brel, Bruxelles
Courtesy of Mercury Records Ltd.
Under license from Universal Music Operations See more »
If you are willing to become emotionally involved - this film is for you.
This film was right up my street. I would recommend it to anyone who is happy and indeed eager to become emotionally involved in a story. I have to say that the lip sync sequence was outstanding and it stayed in my head for days afterwards. I was thinking about the film for days after I'd seen it. There was something incredible for me in the way the whole film was shot but especially the flashbacks to the seaside - it awoke something for me from that era that I had forgotten about from my childhood and I found it strangely comforting. Not that I grew up near the sea but it struck a chord deep inside. How great to be able to capture something so brilliantly and bring it to life for others. I am envious of Baillie WALSH for this but thank God for him also. I look forward to seeing what else can be done.
Daniel CRAIG was stunning in the role, and brought it to life by showing us something we haven't seen in him too often - the sadder/nastier character - although his physique was maybe a little too perfect to make the decadent, fast living, hedonistic junkie completely believable - although I will forgive him for this! Harry EDEN who played the young Joe showed us all the awkwardness of youth and adolescence along with the desperation to grow up and all it's pitfalls. He was stunning on screen and oozed fragility. I would have liked to see the link showing how young Joe became an actor but understand there is a limit to how long a film can reasonably be.
Similarly to NOTES ON A SCANDAL and THE MOTHER - this for me was the kind of film that I could enjoy over and over and each time still feel that I am a seeing something I shouldn't - like a secret - and watching every delicious moment without being noticed myself.
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