A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.
Denis revisits Africa, this time exploring a place rife with civil and racial conflict. A white French family outlawed in its home and attempting to save its coffee plantation connects with... See full summary »
This film, like most Elia Suleiman films, uses real time, absurdity, symbolism and scenes from Suleiman's life, at the same time portraying history and current events. As typical of Suleiman it is also a very personal film, the most personal of the ones I've seen (Divine Intervention, Chronicle of a Disappearance). It is a reminiscence of his family from the time of 1948, when the state of Israel was created on the land called Palestine, to the present day.
The film covers events including the war of 1948, the death of Nasser, the resistance against Israeli occupation, and the deterioration of Palestinian society in recent times. It is filled with Suleiman's typical tragicomic scenes of interaction between Israelis and Palestinians. It is a very sad film, however, the humor that runs through the film, and the suspense that is created by filming in real time, keep the film engaging even though like Suleiman's other films the pace is somewhat slow.
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