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The Time that Remains (2009)

7.1
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Ratings: 7.1/10 from 1,340 users   Metascore: 74/100
Reviews: 9 user | 73 critic | 14 from Metacritic.com

An examination of the creation of the state of Israel in 1948 through to the present day.

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Title: The Time that Remains (2009)

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Cast

Credited cast:
...
Eliza's Boyfriend
...
Fuad
...
ES
...
Neighbor
...
Man With Cell Phone / Tank
Menashe Noy ...
Taxi Driver
Baher Agbariya ...
Iraqi soldier
Amer Hlehel ...
Anis
Maisa Abd Elhadi ...
Woman in West Bank taxi
Avi Kleinberger ...
Government Official
Alex Bakri ...
Man Who Shoots Himself
Nati Ravitz ...
IDF Commander
Yaniv Biton ...
Haganah Soldier
Leila Muammar ...
Thuraya
Tareq Qobti ...
Neighbor
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Storyline

An examination of the creation of the state of Israel in 1948 through to the present day.

Add Full Plot | Add Synopsis

Genres:

Drama | History

Certificate:

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Details

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Release Date:

12 August 2009 (France)  »

Also Known As:

The Time that Remains  »

Filming Locations:

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Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend:

$6,453 (USA) (7 January 2011)

Gross:

$18,719 (USA) (21 January 2011)
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Company Credits

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Connections

Referenced in Same Old Blues (2010) See more »

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User Reviews

 
Resistance through silence!
13 December 2012 | by (Lebanon) – See all my reviews

"The Time that Remains" is by far one of the most well-made and powerful Arab movies (and specifically Palestinian) to date. Elia Suleiman tackles one of the most prominent issues in the Arab world with beautiful imagery, nostalgia, music, and the silent word.

I usually do not admire having a director act in his/her own film, but Elia Suleiman is his films, they are part of him and his appearance in them as the silent observer simply attacks the emotions and makes the viewer a part of his own life. "The Time that Remains" basically chronicles the life of his mother and father and their 'silent' resistance through the turmoil of the Israeli invasion of Palestine from 1948 till today.

What is so powerful about this film is that how the viewer (and especially an Arab viewer) can go through a history of conflict so smoothly with much joy and come out with a striking view of this history. Suleiman shows will all simplicity how the cause still loves, without blood, with few words, but with a lot of emotions and things to say. The choice of music (classical Arabic songs) make the viewer understand what the beauty of being an Arab is, and how this beauty is slowly fading... fading into a lack of identity.

I watched Suleiman's previous film "Divine Intervention" after watching this one and realized that we do have an Arab auteur director in our midst; his playful style and cartoonish characters all the more strengthen his cause and keep on his silent resistance.

A pure must-see!


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