| Videos (see all 4) |
| Charlie Cox | ... | Ian Hamilton | |
| Kate Mara | ... | Kay Matheson | |
| Stephen McCole | ... | Gavin Vernon | |
| Ciaron Kelly | ... | Alan Stuart | |
| Billy Boyd | ... | Bill Craig | |
| Robert Carlyle | ... | John MacCormick | |
| Peter Mullan | ... | Ian's Father | |
| Brenda Fricker | ... | Mrs. McQuarry | |
| Juliet Cadzow | ... | Ian's Mother | |
| Alex Donald | ... | London Policeman | |
| John Comerford | ... | Pub Landlord | |
| Richard Addison | ... | Tour Guide | |
| Danielle Stewart | ... | Brochure Girl | |
| Suzanne Dance | ... | Church Woman | |
| Pauline King | ... | Jen | |
| Bryan Lowe | ... | Student In Pub | |
| Margaret Newlands | ... | B & B Owner | |
| Ron Donachie | ... | Night Watchman | |
| Rab Affleck | ... | Gypsy | |
| Stewart Porter | ... | Veteran In Pub | |
| Bernard Horsfall | ... | Archdeacon | |
| Stephen Clyde | ... | Abbey Constable | |
| Johnny Meres | ... | Detective | |
| Stewart Cairns | ... | Reporter | |
| Ian Hamilton | ... | English Businessman | |
| rest of cast listed alphabetically: | |||
| Jamie Brotherston | ... | Jamie | |
| Kimberley Watson | |||
| Alan Cuthbertson | ... | Police Officer CID (uncredited) | |
| Adrienne Fraser | ... | 1950's Student (uncredited) | |
| Mark Harvey | ... | Cheering Student (uncredited) | |
| Kris Jack | ... | Pub Local (uncredited) | |
| Amanda Lauren | ... | Kids (voice) (uncredited) | |
| Alan Marsh | ... | Walk On (uncredited) | |
| Ashley McFarlane | ... | Gavin's Girl 1 (uncredited) | |
| Iain McGregor | ... | Abbey Worker (uncredited) | |
| Adam Smith | ... | Tourist (uncredited) | |
Directed by | |||
| Charles Martin Smith | |||
Writing credits | ||
| Ian Hamilton | (book "The Taking of The Stone of Destiny") (as Ian Hamilton Q.C.) | |
| Charles Martin Smith | (written by) | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Glen Winter | (director of photography) | ||
Film Editing by | |||
| Fredrik Thorsen | |||
Casting by | |||
| John Hubbard | |||
| Ros Hubbard | |||
Production Design by | |||
| Tom Sayer | |||
Art Direction by | |||
| Andy Thomson | |||
Costume Design by | |||
| Trisha Biggar | |||
Makeup Department | |||
| Anita Anderson | .... | crowd hair/makeup artist: dailies | |
| Maxine Dallas | .... | hair stylist | |
| Maxine Dallas | .... | makeup artist | |
| Dianne Jamieson | .... | hair designer | |
| Dianne Jamieson | .... | makeup designer | |
| Delia Letham | .... | hair artist | |
| Delia Letham | .... | makeup artist | |
| Niamh Morrison | .... | makeup dailies | |
| Cheyanne Ripley | .... | hair stylist: Vancouver | |
| Cheyanne Ripley | .... | makeup artist: Vancouver | |
Production Management | |||
| Chris Cameron | .... | unit manager (as Christopher Cameron) | |
| Ian Hay | .... | production manager: Vancouver | |
| Patrick McGurn | .... | unit manager | |
| Suzanne Reid | .... | production manager | |
| David Valleau | .... | production supervisor (as Dave Valleau) | |
| Scott Watson | .... | post-production supervisor | |
Art Department | |||
| Natalie Astridge | .... | petty cash buyer | |
| Tom Baleshta | .... | props: Vancouver | |
| Bob Barclay | .... | carpenter | |
| Phil Bowen | .... | construction manager | |
| Christopher Breslin | .... | carpenter | |
| Moley Campbell | .... | graphics | |
| Max Davidson | .... | carpenter (as Jon 'Max' Davidson) | |
| Andy Drummond | .... | stand-by art director | |
| Jake Drummond | .... | stagehand (as Jack Drummond) | |
| Christine Gibson | .... | assistant production buyer | |
| Derek Gray | .... | storyboard artist | |
| Charles Green | .... | plasterer | |
| Iain Harrison | .... | stand-by rigger | |
| Roddy Hogg | .... | stand-by carpenter | |
| John Knight | .... | stand-by props | |
| Peter Knotts | .... | carpenter | |
| Paul Lambie | .... | graphics | |
| Paul Lambie | .... | stand-by props | |
| Andrew 'Fred' MacMillan | .... | dressing props | |
| Janice Macrae | .... | production buyer (as Janice MacRae) | |
| Andy Neilson | .... | storeman | |
| Kate Nelson | .... | props maker | |
| Jim O'Donnell | .... | chargehand painter | |
| Carly Parris | .... | petty cash buyer | |
| Emma Pisano | .... | art department runner | |
| John Riddell | .... | props maker | |
| Dan Roberts | .... | dressing props | |
| Alex Robertson | .... | chargehand carpenter | |
| Tony Sheridan | .... | property master | |
| James Shovlin | .... | painter | |
| Hugh Speirs | .... | stagehand | |
| Shirley Sweeny | .... | props maker | |
| Billy Teasdale | .... | props maker | |
| John Watt | .... | stand-by carpenter | |
| Mark Weallans | .... | graphic artist | |
| Zoe Wight | .... | art department assistant | |
| Anne Marie Wood | .... | graphics (as Ann Marie Wood) | |
Sound Department | |||
| Omar Aborida | .... | sound trainee | |
| Jeff Davis | .... | sound effects editor | |
| Chris Duesterdiek | .... | location sound mixer | |
| Peter Eliuk | .... | sound mix technician | |
| Jeremy Duayne Elzinga | .... | technical support (as Jeremy Elzinga) | |
| Meaghan Fraser | .... | post audio coordinator | |
| Amy Giammarco | .... | post audio manager | |
| Dean Giammarco | .... | sound re-recording mixer | |
| Peter Gleaves | .... | adr mixer | |
| Jeff Gomillion | .... | adr mixer | |
| Rick Gould | .... | adr recordist: re-issue | |
| Patrick Haskill | .... | sound effects editor (as Pat Haskill) | |
| Dave Hibbert | .... | foley editor | |
| Gord Hillier | .... | dialogue editor | |
| Tanya Hnuta | .... | assistant dialogue editor | |
| David Livingstone | .... | studio assistant | |
| Johnny Ludgate | .... | sound effects editor (as Jonny Ludgate) | |
| Maureen Murphy | .... | foley artist | |
| Jonathan Rimas | .... | adr mixer | |
| Philip Rogers | .... | adr recordist | |
| Bill Sheppard | .... | sound re-recording mixer | |
| Bill Sheppard | .... | sound supervisor | |
| Gordon Sproule | .... | foley mixer | |
| Gordon Sproule | .... | walla mixer | |
| Elaine Stef | .... | assistant foley walker | |
| Kevin Swartz | .... | trailer sound designer | |
| Simon Tomlinson | .... | boom operator | |
| James Wright | .... | sound consultant: Dolby (as Jim Wright) | |
Special Effects by | |||
| Mike Kelt | .... | special effects supervisor | |
| Ken Petrie | .... | special effects technician | |
Visual Effects by | |||
| Ori Ben-Shabat | .... | digital artist: Image Engine | |
| Christopher Elke | .... | visual effects producer: Technicolor Vancouver | |
| Steve Elliott | .... | visual effects I/O: Technicolor Vancouver | |
| John Fukushima | .... | compositing supervisor: Technicolor Vancouver | |
| Ryan Kuba | .... | visual effects coordinator: Technicolor Vancouver | |
| Colin Liggett | .... | compositor: Technicolor Vancouver | |
| Dawn Brooks Macleod | .... | visual effects producer: Image Engine (as Dawn Brooks) | |
| Jeremy Price | .... | compositor: Technicolor Vancouver | |
| Persis Reynolds | .... | visual effects executive producer: Technicolor Vancouver | |
| Richard Sexton | .... | visual effects software developer: Technicolor Vancouver | |
| Michael Shapcotte | .... | visual effects systems administrator: Technicolor Vancouver | |
| Patrick Thompson | .... | compositor: Technicolor Vancouver | |
| Shawn Walsh | .... | visual effects supervisor: Image Engine | |
| Noel Wright | .... | compositor: Technicolor Vancouver | |
Stunts | |||
| Paul Heasman | .... | stunt coordinator | |
| Rob Hunt | .... | stunt double | |
| Tina Maskell | .... | stunt double | |
| Andy Pilgrim | .... | stunt double | |
| Emma Robbings | .... | stunt double | |
| Ricarda Warrington-Heasman | .... | stunt double | |
Casting Department | |||
| Kay Gannon | .... | extras casting | |
| Sorcha McIlvride | .... | extras casting assistant | |
| Dearbhaile O'Hanlon | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lisa Doherty | .... | costume runner | |
| Arnalie Harper Gow | .... | costume assistant (as Amalie Harper Gow) | |
| Anna Lau | .... | costume supervisor | |
| Jane Marcantonio | .... | costume assistant | |
| Systa Mogensen | .... | costume trainee | |
| Michael Mooney | .... | assistant costume designer | |
| Anna Robbins | .... | costume assistant | |
Editorial Department | |||
| David Armstrong | .... | lab timer | |
| James Cowan | .... | digital intermediate manager | |
| Jay Harada | .... | digital conform and opticals | |
| Ken MacKenzie | .... | imaging technician (as Ken Mackenzie) | |
| Stephanie Meyerink | .... | digital intermediate producer | |
| Kristian Olsen | .... | assistant editor | |
| B.F. Painter | .... | post-production coordinator (as B. F. Painter) | |
| Sherri Potter | .... | digital intermediate executive: Technicolor | |
| Michael Shapcotte | .... | digital intermediate systems administrator | |
| Gary Shaw | .... | digital film colorist | |
| Matt Venables | .... | post-production coordinator | |
| Kyle Cunningham | .... | executive sales assistant: Technicolor Creative Services Vancouver (uncredited) | |
Music Department | |||
| Jerry Adolphe | .... | musician: drums | |
| Jane Ashworth | .... | assistant music supervisor: S.L. Feldman & Associates | |
| Hal Beckett | .... | music contractor (as Hal Foxton Beckett) | |
| Rosemary Beland | .... | musician: dulcimer | |
| Victor Costanzi | .... | concertmaster | |
| Mychael Danna | .... | music orchestrator | |
| Bruce Dierick | .... | score studio technician (as Bruce Dierich) | |
| Nicholas Dodd | .... | music conductor | |
| Nicholas Dodd | .... | music orchestrator | |
| Alasdair Fraser | .... | musician: fiddle | |
| John Fulton | .... | score studio technician | |
| Brad Haehnel | .... | score mixer | |
| Brad Haehnel | .... | score recordist | |
| Don Harder | .... | score studio technician | |
| Claude LaForest | .... | score studio technician | |
| Chris Norman | .... | musician: flutes (as Christopher Norman) | |
| Vince Renaud | .... | assistant scoring mixer | |
| Vince Renaud | .... | music editor | |
| Eric Rigler | .... | musician: bagpipes | |
| Rob Simonsen | .... | composer: additional music | |
| Amritha Vaz | .... | assistant to composer (as Amritha Fernandes - Bakshi) | |
| Sarah Webster | .... | music supervisor | |
| Terrence Yason | .... | music supervisor: production | |
Transportation Department | |||
| Lee Bazzoni | .... | minibus driver: London | |
| Willie Bennie | .... | action vehicles coordinator (as William Binnie) | |
| Gerry 'Haggis' Bryson | .... | driver: camera car (as Gerry Bryson) | |
| Jeff Derby | .... | driver: honeywagon | |
| Pat Dunphy | .... | unit driver | |
| Paul Dunphy | .... | unit driver | |
| Stuart McKeller | .... | driver: costume truck (as Stuart McKellar) | |
| Ronnie Morrison | .... | set mechanic | |
| Dave Murray | .... | unit driver: London | |
| Andy Nielson | .... | driver (as Andy Neilson) | |
| Billy Robertson | .... | driver: makeup truck | |
| Ray Robinson | .... | minibus driver: London | |
| Stef Tanczos | .... | unit driver: London | |
| Peter Woods | .... | unit driver: London | |
| Wayne Wright | .... | unit driver | |
Other crew | |||
| Steve Allen | .... | financial assistance: Barclay Bank PLC | |
| Kendall Andersen | .... | legal services: for CIBC, Borden Ladner Gervais LLP | |
| Tex Antonucci | .... | assistant: Mr. Vince | |
| Debbie Banbury-Morley | .... | clearances | |
| Lisa Maria Baruffati | .... | crowd coordinator | |
| Annabel Bellag | .... | unit assistant: London | |
| Mary Brehony | .... | legal services: Scottish Screen | |
| Duncan Broadfoot | .... | floor runner | |
| David Burt | .... | location assistant | |
| Stephen Burt | .... | location manager | |
| Neil Cairns | .... | production accountant | |
| Stephen Carney | .... | floor runner | |
| Stuart Collins | .... | location runner | |
| Anita Cox | .... | business affairs: Scottish Screen | |
| Pete Daly | .... | unit publicist: UK | |
| Jessica Drake | .... | dialect coach: Los Angeles | |
| Rebecca Fisher | .... | development researcher (as Rebecca Sommi Fisher) | |
| Jill Franklin | .... | completion bond: Film Finances Canada | |
| Jennifer Froment | .... | post-production accountant | |
| Alex Gillon | .... | dialect coach: Glasgow | |
| Simon Goldberg | .... | legal services: for Paradigm London Limited, Simons Muirhead and Burton | |
| James Grady | .... | floor runner: London | |
| Stewart Hamilton | .... | production executive | |
| Scott Harper | .... | production assistant: Vancouver | |
| Donna Harrison | .... | location runner | |
| Tom Harrow | .... | location assistant: London | |
| Erin Haskett | .... | development executive: Infinity Features | |
| Gerry Healy | .... | archive researcher | |
| Glynn Henderson | .... | health & safety officer | |
| Douglas Holliston | .... | legal: Infinity Features | |
| Moira Holmes | .... | completion bond: Film Finances Canada | |
| David Hutchison | .... | stand-in | |
| Paul Imrie | .... | accounts trainee | |
| Steve Joberns | .... | accounting services: UK, AGN Shipleys LLP | |
| Steve Joberns | .... | tax consultant: UK, AGN Shipleys LLP | |
| Barry Laird | .... | production runner | |
| Martin Ledwith | .... | dialect coach: London | |
| Julia Leiterman | .... | business affairs: Infinity Features | |
| Dolina Macfarlane | .... | additional script supervisor | |
| Kate Maginnis | .... | stand-in (as Kathryn Maginnis) | |
| Greg McAllister | .... | helicopter pilot: second unit | |
| Jacqui McBride | .... | assistant accountant | |
| Jill McCullough | .... | dialect coach: London | |
| Emma McGettrick | .... | floor runner: London | |
| Steve Mortimore | .... | location manager | |
| Alan Moss | .... | legal services: UK, Harbottle & Lewis | |
| Amy Munro | .... | assistant production coordinator | |
| Abigail Payne | .... | legal services: UK, Harbottle & Lewis | |
| Laura Pearson-Smith | .... | office production assistant (as Laura Pearson) | |
| Kathryn Perkins | .... | unit publicist: Canada | |
| Antonietta Presta | .... | legal: Film Finances | |
| Benjamin Rappaport | .... | financial assistance: CIBC | |
| Kristina Ricci | .... | assistant post-production accountant | |
| Amber Ripley | .... | assistant: Mr. Merilees | |
| Caroline Sax | .... | script supervisor | |
| Eva B. Schmieg | .... | legal services: Canada, Heenan Blaikie | |
| Andrew Sloey | .... | stand-in | |
| Steven St. Arnaud | .... | development executive | |
| Jim Sternberg | .... | completion bond: Film Finances Canada | |
| Stef Swiatek | .... | unit nurse (as Stefanie Swiatek) | |
| Stephen Walker | .... | production coordinator | |
| Paul Websdale | .... | accounting services: Canada, Wolrige Mahon LLP | |
| Paul Websdale | .... | tax consultant: Canada, Wolrige Mahon LLP | |
Thanks | |||
| Harry Avramidis | .... | the producers wish to thank: for their assistance on this production, Arclight Films (as Harry Arvamidis) | |
| Steve Bates | .... | the producers wish to thank: for their assistance on this production, Telefilm Canada | |
| Janine Bizzocchi Steele | .... | the producers wish to thank: for their assistance on this production, BC Film | |
| Karla Bobadilla | .... | the producers wish to thank: for their assistance on this production, The Harold Greenberg Fund | |
| Diane Boehme | .... | the producers wish to thank: for their assistance on this production | |
| John Brocklehurst | .... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company | |
| Rod Brown | .... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company | |
| Richard Brownsey | .... | the producers wish to thank: for their assistance on this production, BC Film | |
| Michael Bublé | .... | the producers wish to thank: for their assistance on this production | |
| Lodi Butler | .... | the producers wish to thank: for their assistance on this production, BC Film | |
| Wayne Clarkson | .... | the producers wish to thank: for their assistance on this production, Telefilm Canada | |
| John Dippong | .... | the producers wish to thank: for their assistance on this production, Telefilm Canada | |
| Robin Dunne | .... | very special thanks | |
| Malene Ehlers | .... | the producers wish to thank: for their assistance on this production (as Marlene Ehlers) | |
| Les Foster | .... | the producers wish to thank: for their assistance on this production, the Old English Car Club | |
| John Galway | .... | the producers wish to thank: for their assistance on this production, The Harold Greenberg Fund | |
| Kay Gannon | .... | the producers wish to thank: for their assistance on this production, All Talent UK | |
| Ian Gibbins | .... | the producers wish to thank: for their assistance on this production, Arclight Films | |
| Shelley Gillen | .... | the producers wish to thank: for their assistance on this production | |
| Mary Pat Gleeson | .... | the producers wish to thank: for their assistance on this production | |
| Bryan Gliserman | .... | the producers wish to thank: for their assistance on this production, Alliance Films | |
| Kim Hsu Guise | .... | the producers wish to thank: for their assistance on this production, Telefilm Canada (as Kim Guise) | |
| Gary Hamilton | .... | the producers wish to thank: for their assistance on this production, Arclight Films | |
| Jeannette Hamilton | .... | the producers wish to thank: for their assistance on this production | |
| Bill Hurst | .... | the producers wish to thank: for their assistance on this production, Telefilm Canada | |
| Vadim Jean | .... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company | |
| Sandra Karr | .... | the producers wish to thank: for their assistance on this production, Telefilm Canada | |
| Christopher Lee | .... | very special thanks | |
| Liz Mackiewicz | .... | the producers wish to thank: for their assistance on this production, Arclight Films (as Liz Mackewitz) | |
| Joan McGuinness | .... | the producers wish to thank: for their assistance on this production, Alliance Films (as Joan McGuiness) | |
| Kevin Miles | .... | the producers wish to thank: for their assistance on this production, the Old English Car Club | |
| Joe Phillips | .... | the producers wish to thank: for their assistance on this production | |
| Michael Potkins | .... | the producers wish to thank: for their assistance on this production | |
| Matthew Pysh | .... | the producers wish to thank: for their assistance on this production, the Old English Car Club | |
| Sonia Scott MacKay | .... | the producers wish to thank: for their assistance on this production, All Talent UK (as Sonia Scott Mackay) | |
| Ian Sharples | .... | the producers wish to thank: for their assistance on this production, Director of The Mob Film Company | |
| Jim Sherry | .... | the producers wish to thank: for their assistance on this production, Alliance Films | |
| Lyn Vince | .... | the producers wish to thank: for their assistance on this production | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Canada section |
Stone of Destiny is stirring and while it never claims to be Braveheart it does capture a lot of what Scotland's quest to be free is all about; and is surprisingly moving.
A fun film about the true theft of the very potent symbol of Scottish heritage also known as Jacob's Pillow (As Jacob was meant to have slept on it after wrestling the angel in Genesis): the Scottish coronation stone.
It is simply told with old-fashioned values - it reminded us of 1950s cinema - something about a good story well-told, a caper with moral vision, if you will.
Above all it was fun. The time whizzed by and it really is an entertaining watch. The attempts to capture the 50s are good, there are some slight anachronisms here and there but overall it holds good. The actors all give it their all and there is a real sense of fun to be had here.
If you want a great adventure story and like true stories then this will definitely be your cup of tea.