| Photos (See all 42 | slideshow) | Videos (see all 8) |
Directed by | |||
| Anne Fontaine | |||
Writing credits(in alphabetical order) | ||
| Edmonde Charles-Roux | book | |
| Anne Fontaine | writer | |
| Camille Fontaine | writer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Christophe Beaucarne | |||
Film Editing by | |||
| Luc Barnier | |||
Casting by | |||
| Antonia Dauphin | |||
Production Design by | |||
| Olivier Radot | |||
Set Decoration by | |||
| Nathalie Roubaud | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Avril Carpentier | .... | additional makeup artist | |
| Marie-christine Carpentier | .... | additional makeup artist | |
| Christophe Giraud | .... | makeup artist | |
| Mathilde Humeau | .... | additional makeup artist | |
| Corinne Maillard | .... | key makeup artist | |
| Jane Milon | .... | key hair stylist | |
| Anne Moralis | .... | wig maker | |
| Thi Thanh Tu Nguyen | .... | key makeup artist | |
| Lydia Pujols | .... | makeup artist | |
| Aurélie Rameau | .... | makeup artist | |
| Miguel Santos | .... | hair stylist | |
Production Management | |||
| Frédéric Blum | .... | production manager | |
| Hélène Fabre | .... | assistant production manager | |
| Vincent Lefeuvre | .... | unit production manager | |
| Arnaud Marcon | .... | unit manager trainee | |
Second Unit Director or Assistant Director | |||
| Gabrielle Hanne | .... | third assistant director | |
| Joseph Rapp | .... | first assistant director | |
| Dylan Talleux | .... | second assistant director | |
Art Department | |||
| Charlotte Bayle | .... | titles designer | |
| Jérôme Billa | .... | props | |
| Thierry Chavenon | .... | second assistant art director | |
| Aurelie Combe | .... | props | |
| Nicolas Decaux | .... | carpenter | |
| Gaël Langlais | .... | swing gang | |
| Baptiste Magis | .... | second assistant art director | |
| Lionel Mathis | .... | assistant art director | |
| Christophe Offret | .... | property master | |
| Katell Rolland | .... | builder | |
| Julie Wassef | .... | trainee constructor | |
Sound Department | |||
| Nicolas Cantin | .... | sound | |
| Pascal Chauvin | .... | foley artist | |
| Vincent Cosson | .... | sound re-recording mixer | |
| Franck Desmoulins | .... | sound editor | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| Anne Gibourg | .... | sound editor | |
| Claire-Anne Largeron | .... | sound editor | |
| Jean-Claude Laureux | .... | supervising sound editor | |
| Sylvain Malbrant | .... | sound editor | |
| Franck Tassel | .... | foley artist | |
| Matthieu Tibi | .... | sound mix technician | |
Visual Effects by | |||
| Jerome Auliac | .... | digital compositor | |
| Alain Bignet | .... | digital compositor | |
| Régis Coque | .... | digital effects artist | |
| Sophie Denize | .... | visual effects producer | |
| Pascal Giroux | .... | visual effects supervisor | |
| Nelly Gonzalez | .... | digital compositor | |
| Aurélien Grand | .... | retouch and restoration | |
| Yann Leroux | .... | digital compositor | |
| Martin Lisen | .... | digital compositor | |
| Elodie Ly Tri | .... | retouch and restoration | |
| Fredrik Monteil | .... | digital compositor | |
| Guillaume Pondard | .... | visual effects | |
| Etienne Salançon | .... | digital compositor | |
| Niranjan Siva | .... | digital compositor | |
| Guillaume Thimus | .... | matchmove and compositing | |
| Georges Tornero | .... | visual effects supervisor | |
Stunts | |||
| Frédéric Laforet | .... | stunt double: horse rider | |
| Mario Luraschi | .... | horses stunts supervisor | |
| Pascal Madura | .... | horses stunts supervisor | |
| Christophe Marsaud | .... | stunts | |
| Virginie Poirier | .... | stunt double: horse rider | |
Camera and Electrical Department | |||
| Victor Abadia | .... | best boy electric rigger | |
| Stéphane Afchain | .... | rigging key grip | |
| Drigeard Antonin | .... | electrician | |
| Eric Bialas | .... | Steadicam operator: second unit | |
| Emmanuel de Fleury | .... | assistant camera | |
| Marie Decourt | .... | first assistant camera | |
| Jean-François Drigeard | .... | rigger gaffer | |
| Hugues Espinasse | .... | focus puller | |
| Franck Fiquet | .... | electrician | |
| Vanessa Guez | .... | second assistant camera | |
| Jean-Pierre Lacroix | .... | gaffer | |
| Luc Pallet | .... | first assistant camera | |
| Laura Pieters | .... | camera trainee | |
| Gwendal Quistrebert | .... | electrician | |
| Benjamin Speyer | .... | crane technician | |
| Stéphane Thiry | .... | key grip | |
| Chantal Thomine-Desmazures | .... | still photographer | |
| Jean-Pierre Voisin | .... | electrician | |
| Laurent Wémama | .... | grip | |
Casting Department | |||
| Kathleen Backel | .... | casting: USA | |
| Antonia Dauphin | .... | casting: USA | |
Costume and Wardrobe Department | |||
| Guillaume Attwood | .... | additional dresser | |
| Amelie Caillart-Milhau | .... | wardrobe | |
| Elsa Capus | .... | wardrobe | |
| Céline Collobert | .... | wardrobe mistress | |
| Camille Janbon | .... | assistant costume designer | |
| Eudald Magri | .... | wardrobe | |
| Karen Muller Serreau | .... | assistant costume designer | |
| Laurence Nicolas | .... | set costumer | |
| Sylvie Néant | .... | crowd dresser | |
| Frédéric Tournant | .... | costumes coordinator | |
Editorial Department | |||
| Sanabel Cherqaoui | .... | assistant editor | |
| Charlotte Lamy Le Loet | .... | color timer | |
| Natacha Louis | .... | colorist | |
| Maud Morot | .... | assistant editor | |
| Fabien Napoli | .... | colorist: dailies | |
| Nelly Ollivault | .... | assistant editor | |
Music Department | |||
| John Barrett | .... | assistant score mixing engineer | |
| John Barrett | .... | assistant scoring engineer | |
| Jean-Pascal Beintus | .... | orchestrator | |
| Alexandre Desplat | .... | conductor | |
| Xavier Forcioli | .... | soundtrack production coordinator | |
| Andy Kitchen | .... | assistant music recordist | |
| London Symphony Orchestra | .... | orchestra (as The London Symphony Orchestra) | |
Other crew | |||
| Franck Belaiche | .... | production assistant | |
| Christophe Bernard | .... | location scout | |
| Corinne Devaux | .... | choreographer | |
| Agathe Grau | .... | script supervisor | |
| Laurent Perrot | .... | production assistant | |
| Fabien Pondevaux | .... | location scout | |
| Antoine Richy | .... | production assistant | |
| Lilas Saadat | .... | production assistant | |
| Sandrine Vitali | .... | production administrator | |
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| Cousin Bette | Isadora | La Vie en Rose | Madame Bovary | Marie Antoinette |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb France section |
"Coco before Chanel" is exactly that; the life of an impoverished girl up until the start of what became a fashion empire.
This I must say is a different kind of a biopic. There was some sort of subtleness about it, everything was going too slow and not much was happening in terms of demonstrating that this hopeless little girl from nowhere had this extraordinary talent for cloth-making. Yes we did see her advocating simplicity in times of great extravagance and even dressing up (probably) her first clients but had the viewer not been aware of the brand "Chanel" he or she would have to wait until the finishing titles to realise Coco turned out to become a fashion icon.
If there is one thing about Coco is that she was a rebel; in a late 19th century puritan society she stood up for what she believed, refused to get married and instead of settling for a wedlock with a rich spouse she chose to live the adventure, go to Paris and start up a hat shop.
It seems however that her rebellious nature extended to her design skills. To use her own words: "Simplicity is the keynote of all true elegance." Coco Chanel always kept the clothing she designed simple, comfortable and revealing. Unlike most designers in that Europe, she kept the woman inside the clothes at the center of her creations. "I gave women a sense of freedom; I gave them back their bodies: bodies that were drenched in sweat, due to fashion's finery, lace, corsets, underclothes, padding." Perhaps it was fate or desperation from her impoverished upbringing but the affair with the playboy millionaire and, later, his best friend were pivotal to give her the push she needed to make a start. Though not an expert on French upper class culture but were quite impressed how civilized and elegant the two men were when it came to loving and pursuing the same woman.
All in all a decent film but no wow factor.