When in 1941 Nazi Germany invaded the Soviet Union, their troops quickly besieged Leningrad. Foreign journalists are evacuated but one of them, Kate Davies, is presumed dead and misses the ... See full summary »
As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.
A group of Russian soldiers are sent into Northern Germany at the tail-end of WWII, where they occupy a children's home in close proximity to a larger German unit. Against these odds, a ... See full summary »
Achim von Borries
A nameless woman keeps a diary as the Russians invade Berlin in the spring of 1945. She is in her early 30s, a patriotic journalist with international credentials; her husband, Gerd, a writer, is an officer at the Russian front. She speaks Russian and, for a day or two after the invasion, keeps herself safe, but then the rapes begin. She resolves to control her fate and invites the attentions of a Russian major, Andreij Rybkin. He becomes her protector of sorts subject to pressures from his own fellow soldiers and officers. Dramas play out in the block of flats where she lives. Is she an amoral traitor? She asks, "How do we go on living?" And what of Gerd and her diary? Written by
Anonyma's memoir was virtually banned in Germany when it was first published in the late 50s. However, it became a huge bestseller and nationwide sensation when it was reprinted in 2003. See more »
In the film it was announced that Germany had surrendered and the Russians broke into singing the anthem version that had been adopted somewhat in 1944 and known as the "Alexandrov version." However it had no lyrics until Stalin intervened. It is doubtful that war events would have permitted all soldiers to learn it because of the fierceness of the war. Most likely they would have broke into the chorus of the better known anthem which was known as "The Internationale." See more »
A perfect companion to Downfall, and equal to it in so many ways
A Woman in Berlin (2008)
Imagine the horrors of women caught in a large city during the chaos of war, with occupying troops storming your apartment building day after day. Well, think again. It isn't imaginable. I think even people who live through such things (and we are talking Berlin, 1945 for this movie) the truth is something that is pushed away. Because even watching a movie--a movie!--of these events is unbearable.
Not that the movie is unwatchable. Just the opposite. It's beautifully made, seeming to parallel that other recent German movie about the last days of the Nazi reign, "Downfall," 2004. But unlike that movie, this isn't about political history, or the history of war, or even the dramatization of historical figures as real people. This is a personal story, centering around one woman played by Nina Hoss, and about the repeated rape and abuse of women by the Russian troops for days and weeks on end. There was no escape, no power to complain to, no justice anywhere, anywhere, not German or Russian or even American (assuming they were any better) a mile or two away.
The movie is based on a book, "Anonyma," by a woman whose identity is not revealed, if it is even known (this was her protection even after death). The movie suffers now and then from a sameness, a steady pounding, beginning to end. The parade of horrors is continuous even as relationships develop and the first wave of anarchistic occupiers shifts to more entrenched troops and some general partying. You do cling to some semblance of progression, or of events to stand out from the others, but it's mostly about horribleness.
But maybe that's the way it should be. It was an endless nightmare on every level, even if you (they, these women) survive. In some ways, the end of the war is more believably insane here than in "Downfall" even though they are in many ways comparable movies, comparable moments. Such an array or gritty, believable acting and sets you won't find often. And thankfully, even the sentimental aspects are handled without swelling music and other cinematic tricks found too often this side of the Atlantic.
One last point, whatever you think of the Germans and WWII, here is yet another kind of national acknowledgment and, for many, soul-searching. This is a German film. The Russians don't come off great, for sure, but the Germans are clearly at fault, and are shown that way, and shown as responsible for even greater crimes. There's no glossing over any of it. Watch this movie. It won't be fun, but it'll be stirring and important.
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