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A slow and poignant story of love and patience told via a dying mother nursed by her devoted son. The simple narrative is a thread woven among the deeply spiritual images of the countryside... See full summary »
A father and his son live together in a roof-top apartment. They have lived alone for years in their own private world, full of memories and daily rites. Sometimes they seem like brothers. ... See full summary »
Third part in Aleksandr Sokurov's quadrilogy of Power, following Moloch (1999) and Taurus (2001), focuses on Japanese Emperor Hirohito and Japan's defeat in World War II when he is finally confronted by General Douglas MacArthur who offers him to accept a diplomatic defeat for survival.
A 19th century French aristocrat, notorious for his scathing memoirs about life in Russia, travels through the Russian State Hermitage Museum and encounters historical figures from the last 200+ years.
The existential protagonist is a hungry, homeless, socially isolated, and socially alienated young man living on the streets of an anonymous Russian big city in the 19th Century. He's ... See full summary »
(A 54:24) In Malika's house, Malika invites Alexandra to take her jacket off. Alexandra does so laboriously. 20 seconds later she's suddenly wearing it again, and works her way out of it once more. See more »
This film makes a good accompaniment to Beaufort, which I saw the night before this at the Melbourne International Film Festival. While both are very different stories, they use similar visual techniques and are war films with subtle anti-war messages. Aleksandra is an elderly woman who visits her grandson, a Russian army officer, at his army camp inside Chechnya. The entirety of the film follows Aleksandra, including her lengthy journey on the train with other soldiers, her arrival and her interactions with various incidental characters.
The film is very observational, capturing the strength of character of this feisty woman who is intimidated by neither the macho Russian soldiers questioning her identity and what she is doing in this godforsaken place (in the middle of a scorching summer), nor by the hostile Chechens whose towns have been obliterated by the Russian army.
Any critique of war is subtle and in passing. Even if this was the director's primary intent, he keeps the audience focus on the humanistic elements of the film. There is excellent character development, and the naturalistic depictions of camaraderie and bonding of unlikely friends is very moving. This is a well-written, original and quietly accomplished film that will appeal to audiences who are not fond of war films.
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