| Photos (See all 29 | slideshow) | Videos (see all 22) |
| Channing Tatum | ... | Marcus Flavius Aquila | |
| Jamie Bell | ... | Esca | |
| Donald Sutherland | ... | Uncle Aquila | |
| Mark Strong | ... | Guern | |
| Tahar Rahim | ... | Seal Prince | |
| Denis O'Hare | ... | Lutorius | |
| Dakin Matthews | ... | Claudius Marcellus | |
| Douglas Henshall | ... | Cradoc | |
| Paul Ritter | ... | Galba | |
| Pip Carter | ... | Servius Placidus | |
| Ned Dennehy | ... | Seal Chief / The Horned One | |
| István Göz | ... | Cohort Centurion | |
| Bence Gerö | ... | Celt Boy / Young Marcus | |
| Zsolt László | ... | Paulus | |
| Julian Lewis Jones | ... | Cassius | |
| Aladár Laklóth | ... | Flavius Aquila | |
| Marcell Miklós | ... | Fort Legionary #1 | |
| Bálint Magyar | ... | Fort Legionary #2 | |
| Ferenc Pataki | ... | Fort Legionary #3 | |
| Bálint Antal | ... | Young Legionary | |
| Lukács Bicskey | ... | Druid | |
| James Hayes | ... | Stephanos | |
| András Faragó | ... | Captain of the Gladiators | |
| Simon Paisley Day | ... | Surgeon | |
| Ben O'Brien | ... | Milecastle Guard | |
| Róbert Bánlaki | ... | Young Rogue Warrior | |
| Brian Gleeson | ... | Traveller #1 | |
| Jon Campling | ... | Traveller #2 | |
| Thomas Henry | ... | Seal Boy | |
| Ralph Aiken | ... | Patrician #1 | |
| Granville Saxton | ... | Patrician #2 | |
| Walter Van Dyk | ... | Patrician #3 (as Walter Van Dyke) | |
| rest of cast listed alphabetically: | |||
| Jean-Marc Chautems | ... | Seal Warrior (uncredited) | |
| Robin Atkin Downes | ... | Centurion (uncredited) | |
Directed by | |||
| Kevin Macdonald | |||
Writing credits | ||
| Jeremy Brock | (screenplay) | |
| Rosemary Sutcliff | (novel "The Eagle of the Ninth") | |
Produced by | |||
| Caroline Hewitt | .... | co-producer | |
| Duncan Kenworthy | .... | producer | |
| Miles Ketley | .... | executive producer | |
| Charles Moore | .... | executive producer | |
| Tessa Ross | .... | executive producer | |
Original Music by | |||
| Atli Örvarsson | |||
Cinematography by | |||
| Anthony Dod Mantle | |||
Film Editing by | |||
| Justine Wright | |||
Casting by | |||
| Des Hamilton | |||
| Jina Jay | |||
Production Design by | |||
| Michael Carlin | |||
Art Direction by | |||
| Neal Callow | |||
| Peter Francis | (supervising art director) | ||
| Zsuzsa Kismarty-Lechner | |||
Set Decoration by | |||
| Rebecca Alleway | |||
Costume Design by | |||
| Michael O'Connor | |||
Makeup Department | |||
| Anita Anderson | .... | crowd hair and makeup artist | |
| Márta Antal | .... | crowd makeup artist | |
| Csilla Blake-Horváth | .... | makeup artist (as Csilla Horváth) | |
| Szandra Bíró | .... | makeup artist | |
| Hanna Canfor | .... | makeup trainee | |
| Sidony Etherton | .... | crowd makeup artist | |
| Krisztina Fehér | .... | hair stylist | |
| Krisztina Fehér | .... | makeup artist | |
| Wendy Kemp Forbes | .... | makeup artist: crowd | |
| Doone Forsyth | .... | crowd makeup: dailies | |
| Paul Hyett | .... | prosthetic and animal effects designer | |
| Graham Johnston | .... | chief makeup/hair | |
| Nóra Kapás | .... | makeup artist | |
| Kristyan Mallett | .... | prosthetic makeup artist | |
| Lorna McGowan | .... | makeup artist | |
| Conal Palmer | .... | makeup effects artist | |
| Iván Pohárnok | .... | special makeup effects designer | |
| Rupert Simon | .... | hair and makeup designer: re-shoots | |
| Vivienne Simpson | .... | assistant makeup artist: Scotland | |
| Kerry Skelton | .... | makeup artist | |
| Sophie Slotover | .... | make up artist: crowd | |
Production Management | |||
| Kálmán Antal | .... | production manager | |
| Tania Blunden | .... | post-production supervisor | |
| György Czutor | .... | unit manager: second unit | |
| Ildiko Kemeny | .... | production executive: Hungary, Pioneer Pictures | |
| Suzanne Reid | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joey Coughlin | .... | third assistant director: Hungary | |
| Ben Dixon | .... | second assistant director | |
| Alfonso Gomez-Rejon | .... | second unit director | |
| Alison Goring | .... | second assistant director: Scotland | |
| Tommy Gormley | .... | first assistant director | |
| Toby Hefferman | .... | first assistant director: second unit | |
| Ray Kenny | .... | third assistant director: Scotland | |
| László Kádár | .... | local second assistant director | |
| Susie Lee | .... | co-third assistant director | |
| Alina Papp | .... | third assistant director: Hungary | |
| Judit Soltész | .... | co-first assistant director | |
| Réka Szabó | .... | second assistant director | |
| Jeff Taylor | .... | second assistant director: second unit | |
Special Effects by | |||
| Bence Arik | .... | special effects | |
| Barna Balázs | .... | special effects technician | |
| Dave Evans | .... | special effects technician | |
| Chris Fitzgerald | .... | sculptor | |
| Nick Jeffries | .... | armourer | |
| Rick Jotle | .... | special effects: equipment | |
| Mike Kelt | .... | special effects supervisor | |
| Gyula Krasnyánszky | .... | pyro supervisor | |
| Matt Loader | .... | special effects technician | |
| László Pintér | .... | special effects technician | |
Visual Effects by | |||
| Fiorenza Bagnariol | .... | digital film bureau | |
| Seb Barker | .... | visual effects artist | |
| Will Broadbent | .... | visual effects artist | |
| Felipe Canfora | .... | visual effects artist | |
| Barry Corcoran | .... | title animation | |
| Keith Devlin | .... | digital composite supervisor | |
| Bruno Fernandes | .... | digital compositor | |
| Vikas Gandhi | .... | visual effects line producer | |
| Adam Glasman | .... | DI colourist | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Timothy P. Jones | .... | digital film bureau | |
| Ashwin Joshi | .... | cleanup artist | |
| Darpan Kataria | .... | digital compositor | |
| Matthew Lawrence | .... | title animation | |
| Brad Le-Riche | .... | title animator | |
| John Lockwood | .... | visual effects supervisor | |
| Sherin Mahboob | .... | digital compositor | |
| Pranav Malasi | .... | cleanup artist | |
| Suchint Mandloi | .... | cleanup artist | |
| Standish Millennas | .... | visual effects producer | |
| John Palmer | .... | digital film bureau manager | |
| Ed Plant | .... | visual effects artist | |
| Suryapal Rawat | .... | digital compositor | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Shyam Shrivastava | .... | cleanup artist | |
| Avdesh Shukla | .... | digital compositor | |
| David Sjodin | .... | compositor | |
| Steve Street | .... | visual effects supervisor | |
| Suryaji Suryavanshi | .... | digital compositor | |
| Anuj Upadhyay | .... | digital compositor | |
| Pat Wong | .... | lead senior compositor | |
| Lenka Zuckova | .... | visual effects artist | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Lucinda Johnston | .... | casting assistant | |
| Sorcha McIlvride | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Brigitta Barkó | .... | principal costume assistant | |
| Klara Beke | .... | wardrobe assistant | |
| Anthony Brookman | .... | assistant costume designer | |
| Imre Béres | .... | dresser | |
| Imre Béres | .... | tailor | |
| Sue Coates | .... | key costume assistant | |
| Péter Donáth | .... | costume breakdown artist | |
| Harriet Edmonds | .... | costume assistant | |
| Ildikó Virág Erdei | .... | milliner | |
| Zsófia Federits | .... | key costume breakdown artist | |
| Mónika Frankl | .... | leather master | |
| April Gilchrist | .... | costume assistant | |
| Georgina Gunner | .... | costume supervisor | |
| Zsuzsa Kanovics | .... | leather worker | |
| Márton Kis-Várday | .... | costume breakdown artist | |
| Anikó Kovalcsik | .... | wardrobe buyer | |
| Anna Kulcsár | .... | main cutter | |
| Anna Kulcsár | .... | wardrobe assistant | |
| Éva Kuzma | .... | principal dresser | |
| John Laurie | .... | key set costumer | |
| Zsuzsa Malatinszky | .... | furrier | |
| Fin McClay | .... | wardrobe assistant | |
| Maja Meschede | .... | costume design assistant | |
| Éva Molnár | .... | goldsmith | |
| Neil Murphy | .... | wardrobe master: second unit | |
| Péter Palotás | .... | dresser | |
| Anna Robbins | .... | costume assistant | |
| Orsolya Sallai | .... | costumer | |
| Lisa Shanley | .... | key costume assistant | |
| Gábor Simkó | .... | wardrobe assistant | |
| Móni Simkó | .... | wardrobe assistant | |
| Polly Smyth | .... | costume assistant | |
| Zsuzsa Stenger | .... | costume supervisor | |
| Laszlo Taht | .... | wardrobe assistant | |
| Kate Thomson | .... | costume breakdown supervisor | |
| Katalin Ujvari | .... | wardrobe assistant | |
| Emma Walker | .... | costume assistant | |
| John Fisher | .... | specialty costumes (uncredited) | |
Editorial Department | |||
| Fiorenza Bagnariol | .... | digital film bureau | |
| Mark Bankhead | .... | dailies assistant | |
| Andrew Cave | .... | dailies assistant | |
| Kate Denning | .... | trainee assistant editor | |
| Richard Ellis | .... | dailies assistant | |
| Rob Farris | .... | digital intermediate producer | |
| Adam Glasman | .... | di colorist | |
| Emily Greenwood | .... | digital film editor | |
| Stephen Haren | .... | first assistant editor | |
| Mark Keady | .... | assistant editor: Avid | |
| Patrick Malone | .... | digital intermediate head of department | |
| Faye Morgan | .... | post-production coordinator | |
| Nick Timms | .... | technical operator | |
| Laurent Treherne | .... | digital film technical supervisor | |
| Leroy Wolf | .... | color timer | |
| Darren Rae | .... | colorist: dailies (uncredited) | |
Music Department | |||
| John Barrett | .... | score pro tools recordist | |
| Andy Brown | .... | conductor | |
| Andy Brown | .... | contractor | |
| Dave Fleming | .... | composer: additional music | |
| Elisa Kustow | .... | music production coordinator | |
| Stephen McLaughlin | .... | music mixer | |
| Eoghan Neff | .... | musician: violin | |
| Vladimir Podgoretsky | .... | musician | |
| Paul Pritchard | .... | assistant scoring engineer | |
| Satnam Ramgotra | .... | musician | |
| Gillian Tinglay | .... | musician: harp and Celtic harp | |
| John Warhurst | .... | music editor | |
Transportation Department | |||
| Martin Auld | .... | driver: cast | |
| Soma Benke | .... | transportation captain | |
| Alan Buckle | .... | driver | |
| Pat Daecy | .... | driver: Scotland | |
| Alex Devine | .... | unit driver: Scotland | |
| Russell Dunsmore | .... | driver: cast | |
| Russell D. Equi | .... | transportation captain | |
| Andy Finnie | .... | driver: cast | |
| Andy Finnie | .... | unit driver: Scotland | |
| Mihály Gáspár | .... | driver: production office | |
| Steve Haines | .... | driver: Scotland | |
| István Ivanov | .... | driver | |
| Attila Kiss | .... | unit driver | |
| Craig Paterson | .... | driver: cast | |
| Richard Paxon | .... | driver: Scotland | |
| Jason Rush | .... | driver: Scotland | |
| Zsolt Somogyi | .... | transportation coordinator | |
| János Spák | .... | unit driver | |
| Bohdan Stoklasa | .... | facilities driver | |
| Abby Zeman | .... | driver | |
Other crew | |||
| Chick Allan | .... | team leader | |
| Lindsay Allason-Jones | .... | historical advisor | |
| Reka Angyalosy | .... | assistant accountant | |
| Bea Beliczai | .... | location manager | |
| Roland Birtha | .... | unit assistant | |
| James Blythe | .... | stand-in | |
| Jamie Bolton | .... | asset manager | |
| Peter Boothby | .... | runner | |
| Duncan Broadfoot | .... | assistant location manager | |
| David Burt | .... | location assistant: Scotland | |
| Andy Butcher | .... | groom | |
| Dougal Cadiou | .... | first assistant accountant | |
| Jo Cameron Brown | .... | dialogue coach: Gaelic | |
| Chris Cameron | .... | assistant location manager | |
| Greg Corke | .... | armorer: preparation | |
| Miglet Crichton | .... | location scout: Scotland | |
| Matt Curtis | .... | title designer | |
| Michael Davis | .... | dailies assistant | |
| Jim Elliott | .... | armorer | |
| Dave Evans | .... | supervising armorer: second unit | |
| Stuart Ewen | .... | production runner | |
| Rachel Fiddes | .... | traineee crowd assistant | |
| Hugh Gourlay | .... | location scout: Scotland | |
| David Hancock | .... | assistant location manager | |
| Laura Hardy | .... | asset manager | |
| Glynn Henderson | .... | safety consultant | |
| Nils Hognestad | .... | adr voice artist | |
| Zoltan Horkai | .... | head animal wrangler | |
| Paul Hornsby | .... | military and technical advisor | |
| Márton Ivanov | .... | production assistant | |
| Peter Ivanyi | .... | animal wrangler | |
| Vera Janisch | .... | production assistant | |
| Polly Jefferies | .... | production coordinator | |
| Matt Jones | .... | location manager: Scotland | |
| Veronika Kara | .... | cashier | |
| Eszter Kerekes | .... | production coordinator | |
| Alex Kerr | .... | accounts trainee | |
| Viktoria Koreny | .... | armoury modelmaker | |
| Viktoria Koreny | .... | armoury sculpter | |
| Ágnes Kun | .... | first assistant accountant | |
| Naomi Liston | .... | assistant location manager | |
| Imre Légmán | .... | location manager | |
| Michael Mann | .... | assistant coordinator | |
| Michael Mann | .... | assistant coordinator: london | |
| Jacqui McBride | .... | assistant accountant | |
| Jacqui McBride | .... | assistant accountant: Scotland | |
| Katherine McCormack | .... | unit publicist | |
| Alex McKay | .... | base runner | |
| Zoe Morgan | .... | script supervisor | |
| Duncan Muggoch | .... | supervising location manager | |
| Amy Munro | .... | assistant coordinator: Scotland | |
| Claire Murray | .... | production secretary: scotland | |
| Camilla Naprous | .... | assistant horse master | |
| Lisa Neeley | .... | assistant accountant: Scotland | |
| Zsofi Oblath | .... | assistant production coordinator | |
| Christian Otty | .... | additional set production assistant: Scotland | |
| János Papp | .... | health & safety advisor | |
| Szabolos Pataky | .... | assistant: Mr. Tatum | |
| Ed Perkins | .... | epk cameraman | |
| Norman Campbell Rees | .... | stand-in: Channing Tatum | |
| Morven Reid | .... | production runner: Scotland | |
| Dan Roberts | .... | food stylist | |
| Rohit Sharma | .... | production coordinator | |
| Dora Simko | .... | script supervisor: second unit | |
| Nora Somogyvari | .... | production assistant | |
| Morag Stewart | .... | advisor: Gaelic | |
| Richard Szabó | .... | unit manager | |
| Roxana Szarisz | .... | interpreter to horse master | |
| Istvan Szori | .... | stand-in | |
| Ben Urquhart | .... | post production executive | |
| Béla Vaszary | .... | medical coordinator | |
| Norbert Vilonya | .... | set production assistant | |
| Ben A. Williams | .... | assistant: Kevin Macdonald and Duncan Kenworthy (as Ben Williams) | |
| Nathan Woods | .... | financial controller | |
| Eva Yates | .... | assistant: Tessa Ross | |
| Vaszary Ádám | .... | medical coordinator | |
| Matt Cooper | .... | floor runner: dailies (uncredited) | |
| Warwick Hewett | .... | titles producer: Rushes (uncredited) | |
| Viktória Jaross | .... | choreographer (uncredited) | |
| András Kopházi | .... | security (uncredited) | |
| Christopher Mullen | .... | production assistant: additional photography (uncredited) | |
Thanks | |||
| Matthew Jenkins | .... | thanks | |
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| Centurion | Solomon Kane | Gladiator | The Last Samurai | Avatar |
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I guess stories about Centurions and Legionaries never go out of fashion along with its themes of valour, honour, camaraderie and the likes, and The Eagle adapts from the book The Eagle of the Ninth written by Rosemary Sutcliff published about a half century ago, set in the 2nd Century just after Hadrian's Wall went up in Britain. I suppose given director's Kevin Macdonald's success with yet another historically based drama The Last King of Scotland that he decides to take another crack at it, albeit this time with a little bit more swords and sandals violence.
In recent years we've already seen a number of such films with the likes of Neil Marshall's Centurion and The Last Legion starring Colin Firth and Aishwarya Rai, but this one had a little narrative boost with its historical reference involving the mysterious disappearance of the Ninth Legion weaved into the narrative and forming the back story of its protagonist Marcus Flavius Aquila (Channing Tatum), who had asked for the Britain post in order to seek the lost honour of his father, leader of the Ninth who had reputedly surrendered cowardly to the enemy.
For starters, Channing Tatum isn't really your character actor, but looked totally in place with brawn over brains leading his men into battle and convincing peers that his family name isn't as tainted as it should be. But for a moment of bravado he gets himself injured and discharged honourably, living at his uncle's place until word came that the eagle standard of the 9th Legion had been found to be in the hands of some indigenous tribe outside of their safe haven. To lead a team into hostile territory will be suicide, but Marcus seeks out that sole opportunity to reclaim his father's name, and coming in tow is the slave Esca (Jamie Bell) with whom he forms a love-hate relationship.
It's a standard action adventure where you put together two misfits who are as serious as can be in seeking out the objective of their quest, containing all the usual formation of a strong friendship cliché made more difficult when the master-slave role got reversed when they're held captive. And you also can't put aside some of the homoerotic undertones between the two men in Batman and Robin fashion, with constant longing gazes at times reflective of threats to get back at each other given the flip=flopping master-slave roles they have to play. The screenplay by Jeremy Brock chooses to focus primarily on the friendship of the men, putting aside the politics of the occasion other than to paint the politicians and bureaucrats as fat cats who talk a lot and sit on their bums.
The battle sequences though were a different cup of tea altogether, with Kevin Macdonald opting for very a very visual treatment that didn't flinch from the bloodier and gorier aspects of close combat. Rarely do you see a decapitation happen on screen, but The Eagle does just that without cutting away. Sure it's movie magic, but the effect is nothing but startling, in addition to slit throats and dismembered limbs. If you're craving for standard period action- adventure fare, then The Eagle will be that film for you this weekend. Look out for that Mark Strong cameo.