A look at the history of one-time Gestapo commander Klaus Barbie, infamously known as "The Butcher of Lyon." This documentary's main focus will be on Barbie's post-war activities, in which ... See full summary »
A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
Michael J. Bassett
Max von Sydow,
In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus Aquila (Tatum) arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca (Bell), Marcus sets out across Hadrian's Wall into the uncharted highlands of Caledonia - to confront its savage tribes, make peace with his father's memory, and retrieve the lost legion's golden emblem, the Eagle of the Ninth. Written by
Jamie Bell never rode a horse before filming this movie, he had to learn on set. See more »
When Marcus and Esca pass Hadrian's Wall and head north, they are both pictured riding bay horses. Shortly thereafter, and for the rest of the film, they are seen mounted on war horses, 1 black, 1 white. No explanation of where they got these horses is forthcoming. (In the shooting script it is stated that they took these horses from the "rogue warriors" they killed, but in the actual film, the horses appear before the scene where they kill the rogue warriors.) See more »
Marcus Flavius Aquila, Fourth Cohort of Gaul, Second Legion, come to relieve the command.
Lutorius Drusillus Salinator, acting senior officer.
Where's the garrison commander?
He left this morning, sir. Couldn't wait to get away.
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The names of the Director, of the Writers (screenplay and Novel) and of the main Cast are red in an old English language. See more »
I thoroughly enjoyed this film. The CGI effects seem to have been kept under control, and so the film turned out to be more human than animation. The combat scenes were done in the current style of quick cuts where you just get a vague idea of what is going on, rather than actually being able to follow the blows being struck.
The film seemed mostly faithful to Roman history. It gives a vivid illustration of why Hadrian's wall was built. But I am not totally sure the Roman Senate had a "branch" in Britain.
The two leads (Channing Tatum and Jamie Bell) were perfectly suited to their roles, kind of like Hercules and his sidekick from 60s historical adventure films. But minus the corny jokes. There were no banquets with production numbers. And there was no "love interest" written in. And no magical effects or mythical creatures. And it was very easy to follow. And hugely entertaining.
It's not art but it's rather good, regardless.
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