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Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
Now out of prison but still disgraced by his peers, Gordon Gekko works his future son-in-law, an idealistic stock broker, when he sees an opportunity to take down a Wall Street enemy and rebuild his empire.
Director:
Oliver Stone
Stars:
Michael Douglas,
Carey Mulligan,
Shia LaBeouf
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
Shot documentary-style, this film follows the daily grind of two young police officers in LA who are partners and friends, and what happens when they meet criminal forces greater than themselves.
Director:
David Ayer
Stars:
Jake Gyllenhaal,
Michael Peña,
Anna Kendrick
In a city rife with injustice, ex-cop Billy Taggart seeks redemption and revenge after being double-crossed and then framed by its most powerful figure: Mayor Nicholas Hostetler.
Director:
Allen Hughes
Stars:
Mark Wahlberg,
Russell Crowe,
Catherine Zeta-Jones
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
Director:
Gary Ross
Stars:
Stanley Tucci,
Jennifer Lawrence,
Liam Hemsworth
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Director:
Tate Taylor
Stars:
Emma Stone,
Viola Davis,
Bryce Dallas Howard
In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus Aquila (Tatum) arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca (Bell), Marcus sets out across Hadrian's Wall into the uncharted highlands of Caledonia - to confront its savage tribes, make peace with his father's memory, and retrieve the lost legion's golden emblem, the Eagle of the Ninth. Written by
Focus Features
The main character's name is Marcus Aquila. Aquila is the Latin word for "Eagle". See more »
Goofs
Marcus noted that Esca knew the Northern language and could interpret. Esca was the son of a Brigantes chief and spoke Brythonic, which is close to Welsh. The Brigantes had controlled a large section of northern England. When they pass through Hadrian's Wall into Scotland, Esca speaks in Gaelic to everyone. There were no Gaelic speakers known to be in Scotland in 120 A.D. Most scholars believe the inhabitants [the Picts] spoke a Brythonic language related to but distinct from British. The first Roman recording of Gaelic speakers [the Scotti] in Scotland was in a skirmish at Hadrian's Wall in 297, and immigration wasn't until circa 400 A.D. Esca could indeed interpret, but in Brythonic not Gaelic. See more »
Quotes
[first lines]
Marcus Aquila:
Marcus Flavius Aquila, Fourth Cohort of Gaul, Second Legion, come to relieve the command.
Lutorius:
Lutorius Drusillus Salinator, acting senior officer.
Marcus Aquila:
Where's the garrison commander?
Lutorius:
He left this morning, sir. Couldn't wait to get away.
See more »
The latest modern film to play swords-and-sandals dress-up is "The Eagle," starring Channing "Pretty Boy" Tatum, a name I bestowed upon him having played "Pretty Boy" Floyd in Michael Mann's "Public Enemies" back in 2008, albeit a part of no significance. I suppose when they coined the term "hunk," no one expected it to apply so literally to the thick and broad-shouldered 30-year-old.
Tatum plays Marcus Flavius-Flave Aquila (okay, just Flavius), Roman centurion and son of a disgraced commander who disappeared along with the entire Ninth Legion and Rome's beloved eagle standard in the north of Britain in 120 AD. Fast forward 20 years and son has chosen to be posted in Britain in hopes of gaining back his, his father and Rome's honor by discovering the fate of the legion and recovering the eagle. For Tatum, this trip into dangerous territory beyond Hadrian's Wall, as it turns out, is also a test of leading man meddle.
Heading up the real American heroes of "G.I. Joe" doesn't exactly count for star capability, and while "The Eagle" barely holds a candle to the Roman epic of all Roman epics that is "Gladiator," it certainly can be seen as a more serious step and one in which the target audience has no interest in ogling him -- just watching him kill rebellious "Seal Men," (precursors to Scots).
Tatum's grades are definitely passing, but he earns more sympathy than attention. He's not quite a commanding presence, but Jeremy Brock's script doesn't exactly show us anything about him other than he feels disgraced and he's a good soldier. Flashbacks and dreams about his father riding off never to be seen again are hardly adequate ways to build a hero who can rally our spirits. He can throw down with the best of them, but he's better stoic.
For the most part, "The Eagle" follows suit. Kevin Macdonald, a versatile and underrated director who has an Academy Award for Best Documentary and also directed Forest Whitaker to his "Last King of Scotland" Oscar, keeps the action moving and more old school -- old school being the days before CGI. The fight in the beginning all the way to the journey beyond the wall and the perils he faces excite and hold attention. For an epic film that places honor and friendship at the center, the stakes just never feel high enough. You'll make an investment in hoping for a peaceful ending, but nothing stirs beyond that.
The film tries to create several dynamics such as Marcus' daddy issues and the relationship between Marcus and Esca (Jamie Bell), his servant whose life he saved, who over the wall could betray him at any moment, but little doubt seeps in. After all, while Esca's a tough and resilient guy, he was once Billy Elliot -- he's probably not screwing anyone over. Actually, Bell's performance hurts Tatum's when all is said and done; he's much more unpredictable.
Roman history nuts will find little to enjoy from that perspective with "The Eagle" as political undertones are practically non-existent and you have Americans playing Romans and Brits playing savage Brits. Brock's script sticks to the action and compelling events, using a historical period to create a tone, much in the way "300" did. Appropriately adjusting expectations for "The Eagle" to this level will help it retain the honor it deserves for capturing 120 minutes worth of interest with eventful action sequences.
~Steven C
Visit my site http://moviemusereviews.com
72 of 108 people found this review helpful.
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The latest modern film to play swords-and-sandals dress-up is "The Eagle," starring Channing "Pretty Boy" Tatum, a name I bestowed upon him having played "Pretty Boy" Floyd in Michael Mann's "Public Enemies" back in 2008, albeit a part of no significance. I suppose when they coined the term "hunk," no one expected it to apply so literally to the thick and broad-shouldered 30-year-old.
Tatum plays Marcus Flavius-Flave Aquila (okay, just Flavius), Roman centurion and son of a disgraced commander who disappeared along with the entire Ninth Legion and Rome's beloved eagle standard in the north of Britain in 120 AD. Fast forward 20 years and son has chosen to be posted in Britain in hopes of gaining back his, his father and Rome's honor by discovering the fate of the legion and recovering the eagle. For Tatum, this trip into dangerous territory beyond Hadrian's Wall, as it turns out, is also a test of leading man meddle.
Heading up the real American heroes of "G.I. Joe" doesn't exactly count for star capability, and while "The Eagle" barely holds a candle to the Roman epic of all Roman epics that is "Gladiator," it certainly can be seen as a more serious step and one in which the target audience has no interest in ogling him -- just watching him kill rebellious "Seal Men," (precursors to Scots).
Tatum's grades are definitely passing, but he earns more sympathy than attention. He's not quite a commanding presence, but Jeremy Brock's script doesn't exactly show us anything about him other than he feels disgraced and he's a good soldier. Flashbacks and dreams about his father riding off never to be seen again are hardly adequate ways to build a hero who can rally our spirits. He can throw down with the best of them, but he's better stoic.
For the most part, "The Eagle" follows suit. Kevin Macdonald, a versatile and underrated director who has an Academy Award for Best Documentary and also directed Forest Whitaker to his "Last King of Scotland" Oscar, keeps the action moving and more old school -- old school being the days before CGI. The fight in the beginning all the way to the journey beyond the wall and the perils he faces excite and hold attention. For an epic film that places honor and friendship at the center, the stakes just never feel high enough. You'll make an investment in hoping for a peaceful ending, but nothing stirs beyond that.
The film tries to create several dynamics such as Marcus' daddy issues and the relationship between Marcus and Esca (Jamie Bell), his servant whose life he saved, who over the wall could betray him at any moment, but little doubt seeps in. After all, while Esca's a tough and resilient guy, he was once Billy Elliot -- he's probably not screwing anyone over. Actually, Bell's performance hurts Tatum's when all is said and done; he's much more unpredictable.
Roman history nuts will find little to enjoy from that perspective with "The Eagle" as political undertones are practically non-existent and you have Americans playing Romans and Brits playing savage Brits. Brock's script sticks to the action and compelling events, using a historical period to create a tone, much in the way "300" did. Appropriately adjusting expectations for "The Eagle" to this level will help it retain the honor it deserves for capturing 120 minutes worth of interest with eventful action sequences.
~Steven C
Visit my site http://moviemusereviews.com