A look at the history of one-time Gestapo commander Klaus Barbie, infamously known as "The Butcher of Lyon." This documentary's main focus will be on Barbie's post-war activities, in which ... See full summary »
A ruthless mercenary renounces violence after learning his soul is bound for hell. When a young girl is kidnapped and her family slain by a sorcerer's murderous cult, he is forced to fight and seek his redemption slaying evil.
Michael J. Bassett
Max von Sydow,
In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus Aquila (Tatum) arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca (Bell), Marcus sets out across Hadrian's Wall into the uncharted highlands of Caledonia - to confront its savage tribes, make peace with his father's memory, and retrieve the lost legion's golden emblem, the Eagle of the Ninth. Written by
As Marcus and Esca ride across the countryside, they use stirrups, which are not known in Europe until the 7th century AD.
This was due to potential insurance issues, especially as Jamie Bell hadn't ridden before this film. See more »
Marcus Flavius Aquila, Fourth Cohort of Gaul, Second Legion, come to relieve the command.
Lutorius Drusillus Salinator, acting senior officer.
Where's the garrison commander?
He left this morning, sir. Couldn't wait to get away.
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The names of the Director, of the Writers (screenplay and Novel) and of the main Cast are red in an old English language. See more »
The movie has a fairly good opening in my opinion, a rather dull middle and a predictable ending.
The problem with it for me is the same problem I'm seeing with a lot of the new action films. The cameras stays very tight, action is all blurred and close up, so you can't see what's going on. The sound track is all keyed up so you won't be concentrating on the errors in the action. (Which you can't really see anyway) Golly, give me the days of good stuntmen back again.
I liked the opening half hour or so, but the middle is so much like a North American Indian film you lose all sense of the time period. I agree with the former reviewers comments, Gee, if the Britains lived like this why bother with them.
I prefer the mini-series "Rome" to this any day.
The theater chains are also destroying the movie going experience as I have to agonize over 15 minutes of commercials before the main feature starts.
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