On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Turk and Rooster, two aging NYPD detectives and longtime partners, are hunting a serial killer who is murdering sociopathic criminals. They both have personal issues, and when they start working with a younger investigative team, Perez and Riley, tensions between the two teams is inevitable, especially since Turk is now living with Perez's ex-girlfriend, also a homicide detective. Written by
The initial cut of Righteous Kill ran for two hours, but after a rather negative test screening, Nu Image hastily re-cut the film down to its slender 101 minutes to make it more fast-paced and action-orientated. Snippets of some of the deleted scenes can be seen in the trailer. See more »
During the opening credits, Turk and Rooster fire H&K MP5 submachine guns, but then we see 5.56 rifle casings falling. The MP5 usually fires 9mm pistol rounds. They're rarely used by police, 10mm and .40SW variants exist. See more »
'Righteous Kill' not only disappoints, it's an epic failure. And I mean wanna-punch-everyone-involved failure. Re-watching that one petite coffee-house scene with De Niro and Pacino in 'Heat' will jolt more electricity into you than this whole waste of celluloid. 'Righteous Kill' is a movie that actually accomplishes to have both De Niro and Pacino hand in a performance so far under their usual level, I'm still in disbelief over it. A healthy suggestion: avoid all films by this untalented hack not worthy of the title 'director'. For example, he also made Pacino look bad in the stinker '88 minutes', a straight-to-cable thriller meets 'Phone Booth'.
Shouldn't these two legends make use of their golden years to partake in interesting movies, why doesn't Pacino make another Lumet (see: Dog Day Afternoon) or why not team up again with Mann again (Heat). Surely they have the power to pull the tablecloth toward them when it comes to getting roles in prestigious projects? Why they rather star in a movie that kids 'you can lick my balls any time' is beyond me.
If you think I'm being too dramatic, go see for yourself but don't come crying to me when you get your heart ripped out and served on a platter as well...
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