An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But in this new world, he soon becomes the prime suspect in a woman's disappearance and a multi-million dollar heist.
Turk and Rooster, two aging NYPD detectives who have been longtime partners are faced with a serial killer who is murdering sociopathic criminals. They both have personal issues, and when they start working with a younger team, Perez and Riley, tensions between the pairs of partners is inevitable, especially since Turk is now living with Perez's ex-girlfriend, also a homicide detective. Written by
Overture Films paid a little over $12 million US dollars for the American distribution rights, beating out Warner Bros. Pictures and Universal Pictures, who also put in bids of over $10 million. See more »
When Turk and Rooster are in the church (near the beginning after the weapon has been planted) the harsh key light (sun ray from window) comes from stage right. When they cut to the close up it comes from stage left. See more »
[Note from Rambo's murder scene]
He trades in sin, distributes flesh, He picks his fruit when it is fresh, Now someone must slap his whore, His heart has stopped he breathes no more.
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After the credits, the sound of a train is heard. See more »
This film is appalling. De Niro is 65, Pacino is 68, Dennehey is 70. Serious actors who have all done some brilliant work in their time labouring under the delusion that they can act 'young'. And of course they can't. It is embarrassing. Clint used to be the master(?) of this genre, Harrison Ford has had a shot at it - but to see actors of the calibre of De Niro and Pacino having a go is dreadful; surely they did not need the money... De Niro's love interest is in her 30s and looks it - despite having had enough botox to sink a ship. In the real world De Niro can pull a mid 30s woman because of his money and power, but as a humble detective? I think not. There are mild sex scenes - spoiler alert? - and they make you wince. Even the basic stuff like, er, movement is cut to protect the guilty; starting with a full body shot and then cutting to upper body only. UK readers of this comment over 50 might recall Dixon of Dock Green and how, as he aged, there were less full body walking shots and the 'running' looked a bit silly. There are loads of buddy movies out there, often with the hard nosed lieutenant, and this does not begin to compete. Because the leads are too old. I am all for 'willing suspension of disbelief', but Dennehey (at 70) threatening a 68 year old about his pension, while looking like an extra from Cocoon? It does not work. This movie is all about 'lazy' and trading on reputations. I think Pacino is a genius - I watched Carlito last night, De Niro is brilliant - I think 'Ronin' and "I ambushed you with a coffee cup", Dennehey has done wonderful work - the first Rambo movie for example. In this film they are assuming that nobody will notice that they are all 20 years too old. They are wrong and I find this a bit disrespectful.
And all the above is before beginning to consider the plot. Which is lazy and formulaic - if you make it to the final 'twist', you will be neither surprised nor care. This film is aimed simply at the 'fan' market - those who will get excited at Pacino and De Niro in the same film together a la 'Heat'. But 'Heat' was a brilliant film, and this is but a piece of lazy self indulgent nonsense.
I am not a 'fan' of any artist per se; I am a 'fan' of their serious work. If they chose to disrespect me - in the way that the three male leads here have done - I feel that I have very little choice but to disrespect them for my part.
Pacino has had a dabble with Shakespeare - his Shylock was excellent, I have not seen his Richard - I would love to see him do Lear. I do not need to see him put on his leather jacket again. Not at 68.
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