In the last moments of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon. During 70 years of utter secrecy, the Nazis construct a gigantic space fortress with a massive armada of flying saucers. Written by
The Nazi moon base is located in the Schrödinger crater on the far side of the Moon. The crater is named after Austrian physicist Erwin Schrödinger, best known for the Schrödinger's Cat thought experiment. See more »
At the beginning of the movie, the far side of the moon is in daylight, and just before the Klaus and his entourage leave for Earth shortly thereafter, the sun is just setting. However, when the exploratory ship arrives on Earth, the moon is full - that is, the near side is fully lit. Since the length of a day on the moon is actually almost a month, it would take weeks for this change to occur, when the implied length of time in the film is at most a couple of days. See more »
This is very simple. The world is sick, but we are the doctors. The world is anemic, but we are the vitamin. The world is weary, but we are the strength. We are here to make the world healthy once again, with hard work, with honesty, with clarity, with decency. We are the product of loving mothers and brave fathers. We are the embodiment of love and bravery! We are the gift of both God and Science. We are the answer to the question. We are the promise delivered to all mankind. For that, we ...
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Perhaps I'm getting old. I fail to understand some of the marks for this film. 8? 9? 10?
To my jaded eyes, I've rarely left a movie theatre feeling such disappointment.
Like many people anticipating this movie, I saw the trailer and thought it would be an instant classic. Perhaps not among lovers of the mainstream but certainly one of those films you learn to love and love being among a select number of people who've seen it. I thought it might be this year's 'Tucker and Dale vs Evil'.
It wasn't. It wasn't even close to matching that peerless film.
I'll be brief: Iron Sky is a fantastic looking film, wonderfully shot, but bogged down by one of the most woeful scripts I've witnessed in an age. I fail to comprehend how movie makers continue to pump moving into the fabric of a film whilst ignoring the fundamentals of the script. The problem is highlighted by the credits at the end. Two writers of the screenplay, five people in the scriptwriting 'team', an additional credit for the 'dramaturgist, polishing' and two more credits for additional material. The result is a film that lacks a compelling narrative arc. It's very much the sum of its mismatched parts. Some scenes are excellent but others barely hang together and often left me squirming in my seat at the sheer banality of the writing. I felt sorry for the actors who struggled with the material, especially Julia Dietze who was excellent as the nominal heroine, and Götz Otto as the villain. I might make special mention of the soundtrack which was relentless throughout and overwhelmed many of the scenes.
Yet what's most disappointing is that the film sets itself up as a satire on American politics. The choice of making the President a future version of Sarah Palin might have been inspired but it was largely wasted and instead of the film ending as it might have hoped with a statement akin to the close of Strangelove (a film it self-consciously references on a few occasions) the result is closer to those terrible over the top farces of the 1960s where chaos is let loose on the screen leaving the audience bewildered and ultimately bored.
I really hate writing a review like this but I can't recollect the last time I've so been disappointed with a film. I've not seen a film that looks so good with such possibility in such a long time. It's a shame that so much good work is lost because of the lack of a half decent script.
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