Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
On the run and hiding in the deep forests of the then German occupied Poland and Belorussia (World War II), the four Bielski brothers find the impossible task of foraging for food and weapons for their survival. They live, not only with the fear of discovery, contending with neighboring Soviet partisans and knowing whom to trust but also take the responsibility of looking after a large mass of fleeing Polish Jews from the German war machine. Women, men, children, the elderly and the young alike are all hiding in makeshift homes in the dark, cold and unforgiving forests in the darkest times of German occupied Eastern Europe. Written by
The film was shot in a remote, wooded area in Lithuania, about a hundred miles away from the real location of the Bielski brothers camp. See more »
In the shot, after Zus scolds Tuvia for not killing the Milkman which led to the attack, when the group is coming down the forest a reflection of some movement can be seen towards the bottom right half of the frame for almost 15 seconds. See more »
Defiance: 4 out of 10: I have a soft spot for director Edward Zwick. I have a real soft spot for his Blood Diamond flick despite its pedestrian script and subconscious racism. In addition, The Last Samurai is another film of his that I loved despite its historical inaccuracies and bizarre lead casting. Defiance shares many of the same endemic faults that plagued those two films. I was not able to brush the faults off this time; I found them even more discordant as the film went on.
Problem number one is Daniel Craig. He does not look like an Eastern Polish Jew. He looks like he misplaced his Oberstleutnant uniform at the Wehrmacht’s cleaners. Even if you were able to accept Daniel Craig as some sort of Paul Newman style Jew who parachuted into Eastern Europe, only Helen Keller would buy him as Lev Schreiber’s brother. A mutant dancing Australian is a more believable brother for Schreiber than Craig is.
In fact, Craig and Schreiber seem to be in two different films and Schreiber is in the much better one. Schreiber seems to be in the here and now with a strong subtle performance that is the best thing in the film. Daniel Craig’s performance is as shaky as his accent. He, of course, is forced to do things like give Braveheart speeches from the back of a white horse, so the fault is hardly his alone. And saying platitudes such as “Our vengeance is to live" and "Every day of freedom is like an act of faith" while gazing at the camera with those, just give me an Oscar and I will go back to entertaining you, baby blues doesn't help his cause either.
Problem number Two is best summarized by one of my favorite ladies I don't think we really need another film about the Holocaust, do we? It is like, how many have there been, you know. We get it. It was grim. Move on. No, I am doing it because I have noticed that if you do a film about the Holocaust you are guaranteed an Oscar ... That is why I am doing it. Schindler's bloody List. The Pianist. Oscars coming out of their arse.
— Kate Winslet (Winner of the 2008 Best Actress Oscar for Holocaust drama The Reader) in Extras, 2005
Defiance is clearly Oscar bait. In one scene Daniel “Moses” Craig leads his people through the reeds and swamps and away from the forest (and inexplicably away from decent cover and fortifications) until a Rabbi collapses, sputters out "I almost lost my faith but you were sent by God to save us” and then promptly dies... oy vey. It really is not that easy to make a mainstream Holocaust film, release it in December, and get no nominations* for Golden Globes or Oscars. Defiance is clearly trying too hard.
The third problem is that a third rate cast of Fiddler on the Roof somehow showed up lost in the woods. Somebody call the Jewish stereotype prison, cause there has been a mass escape. Everyone is here. The nebbish intellectual who cannot hammer a nail, the passive Jews who are unwilling to fight, the greedy Jew more interested in money than his fellow man. Good lord, it is as if Leni Reisenthal’s travelling troop of stereotypes showed up. Thank goodness, Daniel Craig is here to straighten them all out and lead them to the Promised Land. Yup blond blue eyed Daniel Craig…. Yeah the movie has issues.
*No nominations except, inexplicably, for its score; which at two hours of crying violins will test any ones nerves.
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