With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Matt King's family has lived in Hawaii for generations. His extended family - namely he and his many cousins - own 25,000 acres of undeveloped land on Kauai held in trust, which ends in seven years. The easiest thing for the family to do is sell the land before the seven years is up, which is all the talk in the state, as, to whom they sell the property could very well change the face of Kauai. Despite the vast wealth that comes with the land, Matt has decided to live solely on what he earns as a Honolulu lawyer. However, Matt has not had a perfect life living in Hawaiian paradise as many believe. He and his wife Elizabeth were having problems in their marriage. She recently got into a boating accident which has placed her in a coma. Their seventeen year old daughter Alex is in boarding school on the big island since they couldn't handle her rebellion, which was made all the worse by an argument of an unknown nature between mother and daughter during Alex's last visit home. And their ... Written by
One closeup briefly shows Elizabeth's Punahou School diploma. Punahou School, in Honolulu, is the largest private school in the United States. It was built in 1841 and added to the National Registry of Historic Places in 1972. Barack Obama graduated from Punahou School in 1979. See more »
When Matt and Alexandra talk with Robert Forster's character on his back porch, he changes seats at the table between shots. Between cuts he moves from the chair nearest the lake, to the chair closest to the sun room, back to the chair nearest the lake. See more »
My friends on the mainland think just because I live in Hawaii, I live in paradise. Like a permanent vacation. We're all just out here sipping Mai Tais, shaking our hips, and catching waves. Are they insane?
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Payne knows exactly what he's doing, and what he's doing is tremendous.
Alexander Payne hasn't made a film from the director's chair since his incredible Sideways back in 2004. Seven years later, he finally returns, and with The Descendants, he returns with a bang.
Like Sideways, his screenplay (co-written by Nat Faxon and Jim Rash) nails the tone right on the head. It has to balance out three tricky narratives in the film (Matt King's self-crisis, his comatose wife's affair with another man before her boating accident, and a land deal he's reported to make), and without the proper guidance it needed, along with Payne's own confidant direction, it could have faltered. Thankfully, it balances out heavy themes and complicated emotions in uncommon detail.
The characters in this movie are many, complicated, and sorrowful in their own unique ways. Matt King was a perfect role for George Clooney. He keeps his composure, but we can still see a very heavy, filtered sorrow beneath the surface. Shailene Woodley's character (Woodley, by the way, gives one of the year's best performances) begins with a rebellious, even angry sadness, but we can see her develop over the course of the film, gaining a strong maturity beyond her years. Judy Greer and Robert Forster are each given a few spare scenes, and they make every second of their screen time count.
It really is an emotional ride, even depressing sometimes, but I'm surprised by the occasional review I read where critics say they didn't feel the emotion to be sincere. In my opinion, the emotions of the film never hit a single false note. I don't think just anybody could have made this movie the way it is. This isn't a typical drama, the movie's genre is Payne, and he knows exactly what he's doing.
***1/2 out of ****
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