Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Matt King's family has lived in Hawaii for generations. His extended family - namely he and his many cousins - own 25,000 acres of undeveloped land on Kauai held in trust, which ends in seven years. The easiest thing for the family to do is sell the land before the seven years is up, which is all the talk in the state, as, to whom they sell the property could very well change the face of Kauai. Despite the vast wealth that comes with the land, Matt has decided to live solely on what he earns as a Honolulu lawyer. However, Matt has not had a perfect life living in Hawaiian paradise as many believe. He and his wife Elizabeth were having problems in their marriage. She recently got into a boating accident which has placed her in a coma. Their seventeen year old daughter Alex is in boarding school on the big island since they couldn't handle her rebellion, which was made all the worse by an argument of an unknown nature between mother and daughter during Alex's last visit home. And their ... Written by
On the plane to the island to meet Brian Speer, Cousin Hugh is clearly seated in the row directly behind the actors. See more »
My friends on the mainland think just because I live in Hawaii, I live in paradise. Like a permanent vacation. We're all just out here sipping Mai Tais, shaking our hips, and catching waves. Are they insane?
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Competent all around, arguably a winning product for 2011
I hadn't seen so many elderly folks in a movie theatre, since I saw The King's Speech last year. I suppose there is a bit of irony in considering that a film called the Descendants has an audience of ancestors.
The best thing about the movie however, is that I think it can be appreciated greatly by any adult age group, elder or not. There are laughs to be had and tears to be shed. The film centres around middle aged, Matt King; a Hawaiian land baron attempting to connect with his children with the knowledge that his comatose wife is at death's doorstep, and he knows that she had an affair before her accident. Meanwhile, he is under pressure from his network of cousins to sell his inherited land to the kind of real estate that wants to put up a seaside condo-mania.
In essence, it's a recovery story. The formula is not entirely 'new' yet the somewhat paradoxical balance of refinement and dry humour are enough to elevate this to a very well rounded story. As far as drama comedies go, The Descendants is ideal.
This may be George Clooney's best lead performance to date. I think it is the first role that doesn't require him to be slick or charismatic even for a moment. He is rather scruffy, but more importantly, he is human. Clooney brings range to the role, hitting all the right notes, funny and serious alike.
I like the fact that even though we are on Hawaii (a photographer's paradise) the island doesn't look all that special. It's important that The islands look just as mundane to the audience as it would to the characters who inhabitant it. Most of the time it's cloudy, and low brow, except for the few moments where it is necessary to bring out the sunshine, as we stand on a cliffs edge with the King family overlooking dozens of acres of land which could very soon become merchandise.
Another thing I like about the Descendents (which you don't see often) is an ending that is both happy and sad. Some say that great films are the ones that leave you wanting more. The Descendants did this to me, and it's probably the closest thing to a great film I've seen this year.
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