The film story revolves around a taxi driver who has a son and a friend. His sons grandfather is fighting for the custody of the young boy after the death of his mother. The father wins the... See full summary »
An Egyptian woman discovers that her husband is in fact a Jewish Mossad agent working for Israel. He takes her and their two children to Israel by force and tries to convince her to live ... See full summary »
Mahmoud (Karim Abdel Aziz), is a poor but a hard working parking attendant who lives a happy and calm life with his father and wife Mona (Menna Shalaby) who is pregnant in their first baby ... See full summary »
Ahmed Nader Galal
Karim Abdel Aziz,
Ezzat Abou Aouf,
Mahmoud El Guindi
After leaving Morocco amidst racial tensions spurred by the Yom Kippur war, the son of a once famous Jewish musician travels to his home country to bury his father. As he meets the members of the band, his life unexpectedly transforms.
Jannicke, Morten Tobias, Eirik, Mikal and Ingunn are on a snowboarding vacation in Jotunheimen. They are forced to take shelter in an abandoned hotel when Morten Tobias breaks his leg and ... See full summary »
Ingrid Bolsø Berdal,
Rolf Kristian Larsen,
Tomas Alf Larsen
I've seen the film at the palm spring international film fest. first off, this is not a horror film. is this good or bad? i guess it depends which way you look at it. there is very little Graphic horror in the movie and this is not the reason i enjoyed the film anyway. what the film has going for itself is a kind of subdued emotional pinch that sips into you like morphine (or any of its medical derivatives). here, it is clear that the influences of Guillermo del Toro played a role in designing this unusual journey through fantasy. the film is low budget but looks expensive. A friend of mine who has been to Morocco has actually met one of the crew members of "Kandisha" and from what he recalls from his conversation is that , it seemed that the director knew what he was doing. and it shows. Every shot in this film is thought of carefully. every piece of dialog has one purpose only and it is to help the characters and the plot evolve. Kandisha is an example in academic film-making. Basic grammar brought to a level of sophistication that ultimately becomes so simple that it feels like 1+1=2. I have read in a review that the director's first feature "cool crime" was largely influenced by the work of David lynch. now I understand better why Kandisha works so well on an emotional standpoint. It is because everything about this gem of a movie has unconscious influences from masters. Again is that good or bad? The answer is simple. If you want to become someone to be reckoned with in Hollywood, you better have your sh.. (sorry) together. This guy, J. Cohen Oliver has it together, and I will bet you my last lunch at Wendy's that his next movie will be aimed at a much bigger audience... In the meantime, congratulations for coming out of the woods in such a simple, magical way...
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