Mr. Lazarescu, a 63 year old lonely man feels sick and calls the ambulance. When it arrives, the paramedic decides he should take him to the hospital but once there they decide to send him ... See full summary »
It's the 22nd of December. Sixteen years have passed since the revolution, and in a small town Christmas is about to come. Piscoci, an old retired man is preparing for another Christmas ... See full summary »
On his spring break at the seaside, with his wife and his four year old son, Bogdan Ciocazanu runs into his best friends from high-school at the precise date and time that reminds all of ... See full summary »
Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Occident is a bittersweet comedy that focuses on the growing tendency of Eastern European youth to migrate west. When the amicable Luci (Alexandru Papadopol) and his beautiful lover Sorina ... See full summary »
Romania, 1987, the brutal Ceausescu communist regime is in place; birth control is illegal and abortion is a crime punishable by death. Gabita (Laura Vasliu) is almost five months into an unwanted pregnancy and in meek desperation turns to her friend and roommate, Otilia (Anamaria Marinca) for help in organizing an illegal termination. Unfortunate circumstances force the two women to use a male abortionist, Bebe (Vlad Ivanor), who, in addition to an absurd amount of money, also demands sex with both women as payment. The bleakness of the storyline expresses a dark socio-political critique in the twilight years of a repressive dictatorship. Written by
The story is a very simple one. It's 1987 in Romania and abortion is illegal. Pregnant student Gabita and her roommate Otilia check into a cheap hotel where a backstreet abortionist called Bebe is going to deal with Gabita's problem. Under Romanian law, the degree of illegality depends on how long Gabita has been pregnant: on this subject, as on most others, she is worryingly vague. Very cleverly, the writer makes Otilia, the more resourceful of the girls, the protagonist. Otilia needs all her courage to deal with the suspicious hotel staff, to meet Bebe's demands, to evade the police and jail. The obvious words to use are spare, direct, realistic. The suspense generated is astonishing. The question of whether abortion is right or wrong is irrelevant to the psychology of the film - all that matters is that it is dangerous. I have great sympathy for all those Romanians who have written comments on this site, complaining about the portrayal of their beloved country. However, I believe that this film reflects well on Romania today. It's certainly a much more sophisticated and honest film than Vera Drake, which was hideously sentimental.
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