| Natalie Portman | ... | Emilia Greenleaf | |
| Scott Cohen | ... | Jack | |
| Lisa Kudrow | ... | Carolyn | |
| Charlie Tahan | ... | William | |
| Lauren Ambrose | ... | Mindy | |
| Michael Cristofer | ... | Sheldon | |
| Debra Monk | ... | Laura | |
| Mona Fastvold | ... | Sonia (as Mona Lerche) | |
| Anthony Rapp | ... | Simon | |
| Kendra Kassebaum | ... | Sharlese | |
| Elizabeth Marvel | ... | Pia | |
| Mary Joy | ... | Marilyn | |
| Maria Dizzia | ... | Jaime Brennan | |
| Ira Hawkins | ... | Businessman | |
| Laura Odeh | ... | Waitress | |
| Nicolette Hart | ... | Stripper | |
| Dave Bradford | ... | Cabby | |
| Daisy Tahan | ... | Emma | |
| Susan Bruce | ... | Volunteer Janet | |
| Lisa LeGuillou | ... | Organizer | |
| Patrick Goodwin | ... | Paramedic | |
| Nikki Renee Daniels | ... | Nurse | |
| Jordan Simmons | ... | Mother | |
| Leslie Kritzer | ... | Paramedic #2 | |
| Natalia Volkodaeva | ... | Tatiana | |
| Mark Gerrard | ... | Ben | |
| Phil McGlaston | ... | Organzer #2 | |
| Owen Shaw | ... | Skating Boy | |
| Susan Hogelin-Black | ... | Organizer #3 | |
| Doug Williford | ... | Carolyn's Dentist | |
| Maureen Flynn | ... | Judge | |
| rest of cast listed alphabetically: | |||
| Gail Bruno | ... | Volunteer (uncredited) | |
| Peter Conboy | ... | Volunteer Walker (uncredited) | |
| Marcia Miller | ... | Danielle (uncredited) | |
| Loukas Papas | ... | Luke Party Guest (uncredited) | |
| Elana Simon | ... | Girl in Park (uncredited) | |
| Tom Stratford | ... | Dad (uncredited) | |
Directed by | |||
| Don Roos | |||
Writing credits(WGA) | ||
| Don Roos | (screenplay) | |
| Ayelet Waldman | (novel "Love and Other Impossible Pursuits") | |
Produced by | |||
| Dan Bucatinsky | .... | executive producer | |
| Carol Cuddy | .... | producer | |
| Cassian Elwes | .... | executive producer | |
| Lisa Kudrow | .... | executive producer | |
| Marc Platt | .... | producer | |
| Natalie Portman | .... | executive producer | |
| Joseph P. Reidy | .... | co-producer (as Joseph Reidy) | |
| Rena Ronson | .... | executive producer | |
| Annette Savitch | .... | co-producer | |
| Abby Wolf-Weiss | .... | executive producer | |
Original Music by | |||
| John Swihart | |||
Cinematography by | |||
| Steve Yedlin | (director of photography) | ||
Film Editing by | |||
| David Codron | |||
Casting by | |||
| Bernard Telsey | |||
Production Design by | |||
| Michael Shaw | |||
Art Direction by | |||
| Nithya Shrinivasan | |||
Set Decoration by | |||
| Carol Silverman | |||
Costume Design by | |||
| Peggy A. Schnitzer | (as Peggy Schnitzer) | ||
Makeup Department | |||
| Robin Fredriksz | .... | makeup artist: Natalie Portman | |
| Michael Kriston | .... | key hair stylist | |
| Nicky Pattison | .... | key makeup artist | |
| Lona Vigi | .... | hair stylist: Natalie Portman | |
Production Management | |||
| Carol Cuddy | .... | unit production manager | |
| David Dresher | .... | post-production supervisor | |
| Carla Raij | .... | unit production manager | |
Art Department | |||
| David Boyd | .... | charge scenic artist | |
| Diana Burton | .... | property master | |
| Bob Feltman | .... | on-set dresser | |
| Michael Foster | .... | set dresser (as Mike Foster) | |
| Amy Fritz | .... | art department coordinator | |
| Ana Lombardo | .... | assistant property master | |
| Michele Mayas | .... | on-set scenic artist | |
| Heather Prendergast | .... | assistant set decorator | |
| Sarah Riggs | .... | property assistant | |
| Pierre Rovira | .... | construction coordinator | |
| Michael Saccio | .... | set dresser | |
| Joanna Tillman | .... | art department production assistant | |
| Nick Torelli | .... | set dresser | |
| Bryan Walsh | .... | leadman | |
| Joel Weaver | .... | assistant property master | |
| Liza Handziak | .... | lead scenic (uncredited) | |
| Robert Ludemann | .... | graphic designer (uncredited) | |
| Joan Winters | .... | graphic design (uncredited) | |
Visual Effects by | |||
| Danny Albano | .... | digital visual effects: Technicolor Digital Services | |
| Tom Burton | .... | visual effects supervisor: Technicolor Digital Services | |
| Denise Decunzo | .... | visual effects producer: Technicolor Digital Services | |
| Trey Freeman | .... | digital visual effects: Technicolor Digital Services | |
| Julian MacDougald | .... | visual effects producer: Technicolor Digital Services | |
| Aaron Benoit | .... | designer (uncredited) | |
Stunts | |||
| Jill Brown | .... | stunt coordinator | |
Casting Department | |||
| Tiffany Little Canfield | .... | casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Jennifer Sabel | .... | extras casting associate (as Sabel) | |
Costume and Wardrobe Department | |||
| Alex Bovaird | .... | costume coordinator | |
| Trenee Clayton | .... | set costumer | |
| Sandi Figueroa | .... | costume supervisor | |
| Rebecca Hofherr | .... | assistant costume designer | |
| Brittany Loar | .... | costume intern | |
| Vern Malone | .... | set costumer | |
| Olivia Mori | .... | assistant costume designer | |
| Susan Bakula | .... | costume shop supervisor (uncredited) | |
| Natasha Noorvash | .... | costume production assistant (uncredited) | |
Editorial Department | |||
| Sam Daley | .... | colorist: dailies video | |
| Colby Enders | .... | first assistant editor | |
| Aidan Stanford | .... | color timer | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Victoria Anderson | .... | colorist assistant (uncredited) | |
| Richie Roefaro | .... | colorist assistant (uncredited) | |
Music Department | |||
| Michael Baber | .... | music editor | |
| Ted Blaisdell | .... | music score mixer | |
| Ted Blaisdell | .... | music score recording engineer | |
| Danielle Dupre | .... | music assistant: Creative Control | |
| Joel C. High | .... | music supervisor | |
| Brian H. Kim | .... | composer's assistant | |
| Brian H. Kim | .... | musician: pianist | |
| Stephanie Kremer | .... | general manager: music, Creative Control | |
| María Medina | .... | music assistant: Creative Conrol | |
| Tim Perrine | .... | music preparation | |
| Rebecca Rienks | .... | assistant music supervisor: Creative Control | |
| John Swihart | .... | score producer | |
| Hyesu Yang | .... | orchestrator | |
Transportation Department | |||
| Ernie Acquavella | .... | driver | |
| John Canavan | .... | transportation co-captain | |
| Kevin Harrigan | .... | driver | |
| Eugene O'Neill | .... | transportation captain (as Gene O'Neill) | |
Other crew | |||
| David Arnott | .... | background voice | |
| Tamara Bally | .... | production accountant | |
| Lloyd A. Bent | .... | parking production assistant (as Lloyd Bent) | |
| Michael Braun | .... | production secretary | |
| Maurice Cabrera | .... | parking coordinator | |
| Anne Carlisle | .... | set production assistant | |
| Simon Cassels | .... | main title sequence designer | |
| Ellen Athena Catsikeas | .... | location manager | |
| Cathy Cavadini | .... | background voice (as Catherine Cavadini) | |
| Lyman Creason | .... | office production assistant | |
| Ana Cuadra | .... | assistant location manager | |
| Vicki Davis | .... | background voice | |
| Robert Dawson | .... | main title sequence designer | |
| John DeMita | .... | background voice | |
| Judi M. Durand | .... | background voice (as Judi Durand) | |
| Jonathan Ellis | .... | on-set medic | |
| Catherine Feeny | .... | set production assistant | |
| Rich Fellegara | .... | on-set medic (as Richard Fellegara) | |
| Jeff Fischer | .... | background voice (as Jeffery Todd Fischer) | |
| Amy Roos Flemming | .... | assistant: Mr. Roos (as Amy Flemming) | |
| Peggy Flood | .... | background voice | |
| Heather Gauntt | .... | location scout | |
| Laurie Gershon | .... | clearance and product placement | |
| Mark Hagerman | .... | production coordinator | |
| Molly Hansen | .... | executive: Incentive | |
| Barbara Harris | .... | background voice (as Barbara Iley) | |
| Ande Hecht-Endewardt | .... | post production accountant: Production Accounting Services & Solutions (as Ande Hecht) | |
| Courtenay Johnson | .... | assistant: Mr. Roos | |
| Thomas Johnston | .... | script supervisor | |
| Larry Kaplan | .... | unit publicist | |
| Joey Levy | .... | assistant: Mr. Platt | |
| Noel Lohr | .... | executive: Incentive | |
| Kool Marder | .... | executive: Incentive | |
| Gary Martyn | .... | assistant production coordinator | |
| Jeremy Maxwell | .... | background voice | |
| Michael McGrail | .... | location production assistant | |
| Maria Messina | .... | teacher: Charlie Tahan, On Location Education | |
| Susan Muir | .... | completion guarantor: Film Finances Incorporated | |
| Sue Murphy | .... | post production accountant: Production Accounting Services & Solutions | |
| Levi Nunez | .... | background voice | |
| Kelly O'Bier | .... | second assistant accountant | |
| Lee Ogle | .... | payroll accountant | |
| Jason Pace | .... | background voice | |
| Diane Pacheco | .... | post production accountant: Production Accounting Services & Solutions | |
| Mark Padilla | .... | world sales executive | |
| Paige Pollack | .... | background voice | |
| Travis Rehwaldt | .... | set production assistant | |
| Virginia Reilly | .... | first assistant accountant | |
| Jennessa Rose | .... | voices | |
| Brittany Rostron | .... | office production assistant | |
| Joe Rynearson | .... | set production assistant | |
| Julie Sage | .... | location coordinator | |
| Steven Smith | .... | executive: Incentive | |
| Allan Stearns | .... | caterer: Coast To Coast Catering | |
| Joel Swetow | .... | background voice | |
| Greg Wason | .... | production assistant | |
| Andreana Weiner | .... | background voice | |
| Conor Welch | .... | assistant: Mr. Platt | |
| Ruth Zalduondo | .... | background voice | |
| Mara Alcaly | .... | location scout (uncredited) | |
| Kelley Beaman | .... | production assistant (uncredited) | |
| Jessica Hong | .... | production assistant (uncredited) | |
| Oliver Horovitz | .... | additional set production assistant (uncredited) | |
| Brendan Kehoe | .... | location scout (uncredited) | |
| Helena Kincaid | .... | production assistant (uncredited) | |
| Ben Pomeroy | .... | production supervisor: Incentive Filmed Entertainment (uncredited) | |
| Mike Reiersen | .... | additional production assistant (uncredited) | |
| Carlos David Rivera | .... | additional set production assistant (uncredited) | |
| Adam W. Rosen | .... | legal services (uncredited) | |
| Kevin Rosenberg | .... | assistant: Mr. Platt (uncredited) | |
| Sarah Kathryn Schmitt | .... | stand-in (uncredited) | |
| Daryl Sledge | .... | additional production assistant (uncredited) | |
| Eugene Stamos | .... | craft service: day player (uncredited) | |
| Yorgo Stathopoulos | .... | location scout (uncredited) | |
Thanks | |||
| Dara Wedler | .... | special thanks | |
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| Mildred Pierce | Something Borrowed | Random Harvest | The Kid Stays in the Picture | The Hangover |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Inevitably seeing this movie brought to mind another with a similar title, "Love And other Drugs", which was released later but I saw first. As well as titles with the same three first words, both films are based on a book (in this case a successful novel by Ayelet Waldman), are scripted by the director (in this instance, Don Roos), have an attractive and young lead actress (in this one, Natalie Portman), and deal with challenging social issues (this time, step-parenting and infant mortality). However, where "..Drugs" was a romantic comedy, "..Impossible Pursuits" has less romance and very little comedy. In fact, at times it is quite harrowing.
It works because of an intelligent script (although the dialogue is sometimes hard to follow) and some fine acting, not just from Portman - who is excellent - but Scott Cohen as her husband, Lisa Kudrow as the ex-wife, and Charlie Tahan as the troubled child of the first marriage. Many films set in New York include scenes in Central Park, but here the location is particularly well used, especially in a silent walk to remember the deaths of the unborn or newly born. The soundtrack too neatly complements the action in a work that is well worth viewing as a contrast to the standard rom-com.