British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
In Manhattan, twenty-two year-old Harvard lawyer Emilia Greenleaf has a crush on her boss, Jack Woolf, and they have an affair. Jack's marriage is a sham but his son, William, is his pride and joy. Emilia soon discovers she's pregnant, and Jack divorces his wife, Carolyn, in order to marry her. His son is poisoned against the partnership by his mother, and resented by his stepmother. Emilia, who has issues with her womanizer father, delivers Isabel but the baby dies. The marriage begins to suffer and William unexpectedly steps in to help. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Williams drawing from the middle of the movie is a different one from the one showed at the end of the movie. You can clearly see that drawn William on the first drawing is more sad than the William in the other drawing. See more »
Don Roos's 'Happy Endings' and 'The Opposite of Sex' are among my favourite movies and his 'Web Therapy' is one of my favourite series. Thus, I was quite excited about 'Love and Other Impossible Pursuits' despite the negative reviews. Sadly this one does not match up even close to any of Roos's previous works. The major fault lies in the writing, especially the characterization. Portman's Emilia is a cardboard of a woman going through the loss of her child and is bitter towards everyone around her. Cohen's Jack is the typical husband who's holding it together and Kudrow's Carolyne is the clichéd bitchy ex-wife. Because of the lack of dimension in character, it's hard to judge the acting.
However, I'd say the actors did the best with what they're given. The best acting moment is the final sequence between Kudrow and Portman (that takes place in Carolyne's office). Here Kudrow, in a wonderfully subtle way, displays layers of emotions and Portman's reaction is good. The other actors don't get much scope except Charlie Tahan who is quite alright.
The movie has a polished look to it. The cinematography is good but the score is very intrusive and adds a feel of melodrama almost like a fluffy TV movie.
I haven't read the book and so I cannot tell what Roos took from the book. But he is a talented writer and filmmaker so hope his next venture come close to the aforementioned examples.
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