A reclusive American composer with an online following has a tentative romance with a beautiful social worker. This offers a glimmer of hope, but his mind fractures as the voices in his ... See full summary »
A dramatization of the shocking Barbara Daly Baekeland murder case, which happened in a posh London flat on Friday 17 November 1972. The bloody crime caused a stir on both sides of the Atlantic and remains one of the most memorable American Tragedies...
Police in 1928 Austria arrest Phillippe Halsman, of Jewish origin, for Patricide and allege that he killed his father, Morduch, while on a hiking trip. Phillippe is defended by a Jewish ... See full summary »
A meditation on love and its various incarnations, set within a community of friends in Oregon. and is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
Los Angelenos meet on Christmas Eve through chance, tragedy, and divine intervention. Velvet Larry is the sleazy owner of the strip club where the glamorous but struggling single mother Rose Johnny dances. Qwerty Doolittle is a shy young mortician who falls in love with her. Randall is the head of a corporate crime organization who tries to convince a former employee just released from prison not to seek vengeance on his former co-workers. Charlie is a suicidally depressed ex-priest. Lexus is a lonely transsexual prostitute who shares an unexpected bond with the former priest. Written by
Allow me to get one thing out of the way right now: if you are a straight male (or gay woman) between the ages of 18-50 you might as well consider this movie required viewing simply because of Jessica Biel's topless scenes. To be honest it's not the greatest thing since sliced bread and it's not really in a sexualized context, but just to say you saw it should be enough. A little juvenile? Sure...but there it is. I'm kidding of course (kind of) but really...not bad.
Basically what you have here feels kind of like a lame rip off of Crash. A lot of stories happening in the same time line that feel like they should intersect a lot more than they do. Without that intersection it feels like a lot of little pieces rather than a whole. I can't help but feel like some of these actors were slumming it, particularly Ray Liotta. Has there been a movie since Field Of Dreams where he didn't play either a dirt bag or a stand up guy with a shady past? Talk about typecasting. There also seems to be a waste of perfectly good Lisa Kudrow in the film. I guess I don't understand casting her in the movie at all for such a small part when I'm sure they could've found someone just as good for a lot less money.
One small technical annoyance...the film has a pronounced grain to it that I assume is supposed to give it a gritty feel. The problem is that the subject matter isn't as gritty as the production values, so it feels a bit over done. Aside from that it's not a bad movie, but not a good movie either. I would have liked it a lot more if the writers had tried to tie the stories together more. As I said before, the way it is feels more like a collection of pieces more than a whole film. I wouldn't pass it by, but I certainly wouldn't tell everyone I know to check it out. It is what it is...pretty mediocre.
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