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Directed by | |||
| Chris Columbus | |||
Writing credits(WGA) | ||
| Larry Doyle | (screenplay) | |
| Larry Doyle | (novel) | |
Produced by | |||
| Michael Barnathan | .... | producer | |
| Jennifer Blum | .... | executive producer | |
| Chris Columbus | .... | producer | |
| Michael Flynn | .... | executive producer | |
| Mark Radcliffe | .... | producer | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Phil Abraham | (director of photography) | ||
Film Editing by | |||
| Peter Honess | |||
Production Design by | |||
| Howard Cummings | |||
Art Direction by | |||
| Sandi Tanaka | (as Sandra Tanaka) | ||
Set Decoration by | |||
| Mary-Lou Storey | |||
Costume Design by | |||
| Karen L. Matthews | |||
Makeup Department | |||
| Emanuela Daus | .... | makeup artist | |
| Lisa Love | .... | makeup department head | |
| Thom MacIntyre | .... | key hair stylist | |
| Amanda McGowan | .... | key makeup artist: second unit | |
| Gina Sherritt | .... | assistant hair stylist | |
| Adina Shore | .... | key hair stylist: second unit | |
| Brenda Turner | .... | hair stylist: second unit | |
Production Management | |||
| Bonnie Benwick | .... | unit manager | |
| Michael Flynn | .... | unit production manager | |
| Wendy Williams | .... | production manager | |
Art Department | |||
| Andrei Andrianko | .... | set designer | |
| David Bailie | .... | greensman | |
| Dean Barker | .... | property master | |
| Peter Bodnarus | .... | set designer | |
| Mary-Ann Charney | .... | set dresser (as Mary Ann Charney) | |
| Jason Claridge | .... | labor foreman | |
| Diana Conway | .... | assistant set decorator | |
| Sharon Dever | .... | construction buyer | |
| Elena Dresser | .... | set dresser | |
| Neil Fairall | .... | props buyer | |
| Brent Gloeckler | .... | head sculptor | |
| Dave Hay | .... | scenic helper | |
| Erich Hepnar | .... | head greensman (as Erich J. Hepnar) | |
| Robert Hicks | .... | greensman (as Robert H. Hicks) | |
| Steve Houle | .... | on-set dresser | |
| Herminio Kam | .... | paint foreman | |
| Karen Kent | .... | scenic painter | |
| John B. Keys | .... | scenic painter | |
| Charles Leitrants | .... | construction coordinator | |
| Mike Lilley | .... | graphic designer | |
| Philip Lunt | .... | lead greensman (as Phillip P. Lunt) | |
| Joe May | .... | set designer (as Joseph May) | |
| Joanne McArthur | .... | art department assistant | |
| Bob Miloglav | .... | scenic helper | |
| Michael Quirk | .... | scenic helper | |
| Cindy Rose | .... | set decoration buyer | |
| Al Rourke | .... | construction foreman (as Alan K. Rourke) | |
| Steve Rowland | .... | lead dresser | |
| Michael J. Siver | .... | lead greensman | |
| Glen Taylor | .... | scenic painter | |
| Andrew Thompson | .... | on-set greensman (as Andrew Gillard-Thompson) | |
| Darryl Tifenbach | .... | lead painter | |
| Mark Tompkins | .... | on-set painter | |
| Greg Venturi | .... | set designer | |
| Jamie Westbury | .... | set dresser | |
| Tony Xeros | .... | assistant property master | |
| Max Gloeckler | .... | sculptor (uncredited) | |
| Peter Stratford | .... | set designer (uncredited) | |
Sound Department | |||
| Mark Berger | .... | dialog pre-dub mixer | |
| Steve Bissinger | .... | sound effects editor | |
| Derek Casari | .... | adr engineer | |
| Frank Clary | .... | foley recordist | |
| Sean England | .... | foley recordist | |
| Kim Foscato | .... | assistant supervising sound editor | |
| David Lucarelli | .... | adr recordist | |
| Travis MacKay | .... | adr recordist | |
| Jeremy Molod | .... | assistant supervising sound editor | |
| Beauxregard Neylon | .... | adr mixer | |
| John Nutt | .... | dialogue editor | |
| Charles O'Shea | .... | boom operator | |
| Juan Peralta | .... | sound re-recording mixer | |
| Gary Rizzo | .... | sound re-recording mixer | |
| Ronald G. Roumas | .... | sound recordist | |
| Robert Shoup | .... | supervising sound editor | |
| Steve Slanec | .... | dialogue editor | |
| Clint Smith | .... | sound recordist | |
| Greg Steele | .... | adr mixer | |
| Eric Thompson | .... | adr mixer | |
| William Unrau | .... | sound assistant | |
| Michael T. Williamson | .... | sound mixer | |
| Greg Zimmerman | .... | adr recordist | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Douglas W. Beard | .... | special effects assistant | |
| Paul Benjamin | .... | special effects fabricator | |
| Alex Burdett | .... | special effects supervisor | |
| Kai Hirvonen | .... | special effects assistant | |
| Harry Tomsic | .... | fabricator | |
Visual Effects by | |||
| Siksit Boonyodom | .... | digital effects artist | |
| Elika Burns | .... | roto/paint supervisor: CIS Hollywood | |
| Diane Caliva | .... | visual effects producer: The Orphanage | |
| Ian Chriss | .... | visual effects key grip: Kerner Optical | |
| Patrick Clancey | .... | digital opticals | |
| Tom Cloutier | .... | visual effects gaffer: Kerner Optical | |
| Vicki L. Engel | .... | visual effects | |
| Timothy Gross | .... | computer systems engineer | |
| Brad Isdrab | .... | technical support: The Orphanage | |
| Alicia Johnson | .... | visual effects coordinator | |
| David Lloyd | .... | information technology director: The Orphanage | |
| Aaron Rhodes | .... | colorist: The Orphanage | |
| Grover Richardson | .... | roto/paint artist: The Orphanage | |
| Pete Wheelan | .... | roto/paint artist: The Orphanage | |
Casting Department | |||
| Stephanie Boeke | .... | extras casting | |
| Heike Brandstatter | .... | casting: Canada | |
| Jamie Castro | .... | casting associate | |
| Johnny Gidcomb | .... | adr voice casting | |
| Andy Henry | .... | casting associate | |
| Janet Hirshenson | .... | casting: USA | |
| Jane Jenkins | .... | casting: USA | |
| Michelle Lewitt | .... | casting: USA | |
| Tiffany Mak | .... | casting department | |
| Coreen Mayrs | .... | casting: Canada | |
| Amy Nygaard | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Janice MacIsaac | .... | assistant costume designer | |
| Anthea Mallinson | .... | key costume breakdown artist | |
| Heather Rupert | .... | costume dyer/breakdown | |
| Nicola Ryall | .... | costume supervisor | |
| Hollie Strobl | .... | costume dyer/breakdown | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Thomas J. Cabela | .... | assistant editor | |
| Brett Carroll | .... | first assistant editor | |
| Ryan Hogan | .... | additional colorist | |
| Thom Kyle | .... | assistant editor | |
| Christian Prejza | .... | digital intermediate producer: EFILM | |
| Rainer Standke | .... | preview online editor | |
| Stacey Thompson | .... | post-production coordinator | |
| Mykel Thuncher | .... | telecine colorist | |
Music Department | |||
| Fernand Bos | .... | music editor | |
| Stewart Cararas | .... | engineer: songs | |
| Patrick Houlihan | .... | music supervisor | |
| Jake Monaco | .... | score coordinator | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | music contractor | |
| Scott Stambler | .... | music editor | |
| Casey Stone | .... | music scoring mixer | |
| Mark Jan Wlodarkiewicz | .... | music editor | |
Transportation Department | |||
| John Busch | .... | driver | |
| Larry Tardif | .... | driver: special equipment | |
Other crew | |||
| Debera Barager | .... | production accountant | |
| David Beck | .... | sustainability consultant: CTP Media Consulting | |
| Stephen Benabo | .... | second assistant production coordinator | |
| Michael Bendner | .... | background coordinator | |
| Michael Bishop | .... | key production assistant | |
| Cole Boughton | .... | production assistant | |
| Kimberly Buckham | .... | second assistant production coordinator | |
| Charlene Callihoo | .... | first assistant accountant | |
| Justin Catron | .... | assistant: executive in charge of production | |
| Terence Chase | .... | security | |
| Jessica Clothier | .... | script supervisor | |
| Amanda Coletsis | .... | production assistant | |
| Matthew Cooper | .... | sustainability consultant: CTP Media Consulting | |
| David Costello | .... | key set production assistant | |
| Jason Crosby | .... | marine coordinator | |
| Barry Curtis | .... | production assistant | |
| Kennedy Davey | .... | assistant: Michael Flynn | |
| Dana Dubé | .... | animal trainer | |
| Susana Inés Fattorini | .... | post production accountant | |
| Jessica Feskun | .... | set key production assistant | |
| Patricia Foster | .... | production coordinator | |
| Alexander Glua | .... | production assistant | |
| Kimball Jansma | .... | second assistant production coordinator | |
| Braden Jennings | .... | miscellaneous crew | |
| Zak Kadison | .... | production executive | |
| Catou Kearney | .... | location manager | |
| Ingrid Kenning | .... | script supervisor: second unit | |
| Doug Kerr | .... | production assistant | |
| Craig J. Lane | .... | first assistant production coordinator | |
| Kyle Leydier | .... | assistant: Chris Columbus | |
| Casey Nelson-Zutter | .... | assistant location manager | |
| Sarah Poynter | .... | loop group voice | |
| Lauren Simpson | .... | assistant: Mark Radcliffe and Chris Columbus | |
| Lauren Simpson | .... | clearance coordinator | |
| Kelly Whitfield | .... | production assistant | |
| Chris Wilson | .... | assistant location manager | |
| Darcy Woodley | .... | animal trainer | |
| Dylan Gray Woodley | .... | racoon handler | |
| Steve Woodley | .... | animal coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
Come on, this is a high school comedy the way they used to do them back in the '80s! This is not John Hughes territory, as you might be led to believe upon seeing "Home Alone" director Chris Columbus at the helm. No, this is another breed of '80s comedy. This is more "Three O'Clock High" than "Ferris Bueller's Day Off," which is not necessarily a bad thing, depending on your taste. The humor here is broad and unsophisticated, for the most part, but fits with the brisk pacing and sunny tone of the film. This movie invites you to have a good time along with the cast. It throws you in the middle of a heightened reality/unlikely scenario (most geeks do not suddenly grow a pair and profess their love for the hottest girl in school during their valedictorian speech) and beckons you to simply enjoy the ride. While the films of John Hughes endeavor to depict a realistic panoramic view into the teenage mind, taking stereotypes and turning them inside out, this film, and its grandaddy "Three O'Clock High" do not carry such aspirations. They are fantasy, pure and true, and are all about having a good time. If the characters are two dimensional, so what? If the plot is threadbare, so what? Character development and story arc are not reasons to see a movie like "I Love You Beth Cooper." This is just a classic homespun yarn, taking place in Anywhere, USA, about a geek who outsmarts a bully and gets the girl. If you expected more, you're going to be disappointed. This is the kind of movie that could work just as well as a cartoon. It's a zippy, predictable ride from point A to point B, but the journey is not lacking in entertainment value. If you, like me, are a fan of "Three O'Clock High" and on many-a-day would watch it over "Bueller," then you're in for a treat because this is practically a remake albeit with the addition of a love interest.