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Directed by | |||
| Guy Ritchie | |||
Writing credits | ||
| Guy Ritchie | (written by) | |
Produced by | |||
| Martin Askew | .... | associate producer | |
| Steve Clark-Hall | .... | producer | |
| Mickey De Hara | .... | associate producer (as Mickey De'Hara) | |
| Susan Downey | .... | producer | |
| Navid McIlhargey | .... | executive producer | |
| Lauren Meek | .... | associate producer | |
| Steve Richards | .... | executive producer | |
| Guy Ritchie | .... | producer | |
| Joel Silver | .... | producer | |
Original Music by | |||
| Steve Isles | |||
Cinematography by | |||
| David Higgs | (director of photography) | ||
Film Editing by | |||
| James Herbert | |||
Casting by | |||
| Reg Poerscout-Edgerton | |||
Production Design by | |||
| Richard Bridgland | |||
Art Direction by | |||
| Andy Nicholson | (supervising art director) | ||
Set Decoration by | |||
| Debbie Moles | |||
Costume Design by | |||
| Suzie Harman | |||
Makeup Department | |||
| Kirstin Chalmers | .... | hair designer | |
| Kirstin Chalmers | .... | makeup designer | |
| Jenny Harling | .... | makeup artist | |
| Laura Lilley | .... | makeup trainee | |
| Laura McIntosh | .... | makeup artist | |
| Kath Rayner | .... | makeup artist | |
| Laura Lilley | .... | hair trainee (uncredited) | |
| Waldo Mason | .... | prosthetics (uncredited) | |
| Brigitta Smart | .... | makeup artist: dailies (uncredited) | |
Production Management | |||
| Tom Avison | .... | unit manager | |
| Mark Mostyn | .... | production manager | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director (as Matt Baker) | |
| Paul Bennett | .... | second second assistant director | |
| Max Keene | .... | first assistant director | |
| Paul Bennett | .... | first assistant director: second unit (uncredited) | |
| Sarah Brand | .... | assistant director runner (uncredited) | |
Art Department | |||
| Ben Bagley | .... | stand-by props | |
| Lee Biggs | .... | carpenter | |
| Julian Caldow | .... | storyboard artist | |
| Neal Callow | .... | stand-by art director | |
| Tina Charad | .... | graphic designer | |
| George Dean | .... | senior painter | |
| Peter Edge | .... | stand-by painter | |
| Nick Flatt | .... | stand-by stagehand | |
| David Gibson | .... | carpenter | |
| Jane Gilchrist | .... | store person | |
| Gavin Grant | .... | dressing props | |
| Darren Hayward | .... | carpenter | |
| Sarah Jenneson | .... | set decorator assistant | |
| James Mannell | .... | dressing props | |
| Simon Marjoram | .... | carpenter | |
| Paul Anthony McGill | .... | architectural illustrator | |
| Garry Moore | .... | stand-by carpenter | |
| Greg O'Donnell | .... | stand-by painter | |
| Mark Papworth | .... | stand-by props | |
| Steve Register | .... | prop master | |
| Julie Signy | .... | production buyer | |
| David Smith | .... | stand-by stagehand | |
| Rob Sutton | .... | senior carpenter | |
| Chris Tooth | .... | art department assistant (as Christopher Tooth) | |
| Luke Whitelock | .... | assistant art director | |
| Dennis Wilson | .... | construction manager (as Denis Wilson) | |
| Galo Make Canote | .... | title art drawings (uncredited) | |
| Paul Couch | .... | stand-by painter (uncredited) | |
| Thomas Jones | .... | props mould-maker (uncredited) | |
| Morgan Parker | .... | props (uncredited) | |
| Antony Parnell | .... | props (uncredited) | |
| Evie Wray | .... | set dresser (uncredited) | |
Sound Department | |||
| Christopher Alba | .... | first assistant sound editor | |
| Ron Bartlett | .... | sound re-recording mixer | |
| Lukas Chyska | .... | adr recordist | |
| Valerie Davidson | .... | supervising foley editor | |
| Eric Flickinger | .... | sound recordist | |
| Nick Foley | .... | adr mixer | |
| John Hayes | .... | production sound mixer | |
| Doug Hemphill | .... | sound re-recording mixer (as D.M. Hemphill) | |
| Devin Joseph | .... | dialogue editor | |
| Garie Kan | .... | boom operator | |
| Susan Kurtz | .... | dialogue editor | |
| Mary Jo Lang | .... | foley mixer | |
| Mark Larry | .... | supervising sound editor | |
| Kimberly Ellen Lowe | .... | dialogue/adr supervisor (as Trillby Kimberly Lowe) | |
| Alyson Dee Moore | .... | foley artist (as Alyson Moore) | |
| Ian Morgan | .... | adr editor: UK | |
| Tom Ozanich | .... | sound effects editor | |
| John Roesch | .... | foley artist | |
| Andrew Rowe | .... | sound assistant | |
| Paul Schwartz | .... | boom operator | |
| Bryan O. Watkins | .... | co-supervising sound editor (as Bryan Watkins) | |
| Nathan Whitehead | .... | assistant sound editor | |
| Hugo Jeffreys | .... | adr recordist (uncredited) | |
Special Effects by | |||
| David Harris | .... | special effects supervisor | |
| Graham Hills | .... | senior special effects technician | |
| Craig Leong | .... | special effects assistant | |
| Kyle May | .... | special effects trainee | |
| Karl Openshaw | .... | special effects engineer | |
| Stuart Wishart | .... | senior special effects engineer | |
| Danny Hills | .... | special effects trainee (uncredited) | |
Visual Effects by | |||
| Dave Bannister | .... | senior compositor: Rushes Post Production | |
| Seb Barker | .... | CG artist: Rushes Post Production (as Seb Baker) | |
| Jocelin Capper | .... | visual effects executive producer: Rushes Post Production (as Joce Capper) | |
| Michael Deming | .... | digital film bureau | |
| Guy Elson | .... | senior compositor: Rushes Post Production | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Warwick Hewett | .... | visual effects coordinator: Rushes Post Production | |
| Louise Hussey | .... | visual effects producer: Rushes Post Production | |
| Alex Jenyon | .... | digital matte painter: Rushes Post Production | |
| Timothy P. Jones | .... | digital film bureau | |
| Tom Kimberley | .... | compositor: Rushes Post Production | |
| Alex Llewellyn | .... | compositor: Rushes Post Production | |
| Ian Murphy | .... | compositor: Rushes Post Production | |
| John Palmer | .... | digital film bureau manager | |
| Mark Pascoe | .... | CG artist: Rushes Post Production | |
| Kate Porter | .... | compositor: Rushes Post Production | |
| Scott Pritchard | .... | composite supervisor: Rushes Post Production | |
| Jonathan Privett | .... | visual effects supervisor: Rushes Post Production | |
| Cristina Puente | .... | compositor: Rushes Post Production | |
| Adam Rowland | .... | compositor: Rushes Post Production | |
| David Sjodin | .... | compositor: Rushes Post Production | |
| Lee Tibbetts | .... | CG artist: Rushes Post Production | |
| Alan Williamson | .... | visual effects data assistant: Rushes Post Production | |
| Jez Tucker | .... | senior systems administrator: Rushes Post Production (uncredited) | |
Stunts | |||
| Milan Alavanja | .... | stunts wire effects | |
| Richard Bradshaw | .... | stunt performer | |
| Jim Dowdall | .... | stunt coordinator | |
| Derek Lea | .... | stunt performer | |
| Maurice Lee | .... | stunt performer | |
| James Grogan | .... | stunt double (uncredited) | |
| Sid Karne | .... | stunt performer (uncredited) | |
| Nick McKinless | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alex Bailey | .... | still photographer | |
| Andy Bell | .... | best boy | |
| Dan Fontaine | .... | gaffer | |
| Dave Gray | .... | stand-by rigger | |
| Neil Gray | .... | HD technician | |
| Stewart Holt | .... | electrician | |
| Carolyn Hughes | .... | camera trainee | |
| Julian Morson | .... | Steadicam operator | |
| Julian Morson | .... | camera operator | |
| Gary Parnham | .... | rigging electrician | |
| Mike Parsons | .... | electrician | |
| Ricky Payne | .... | electrician | |
| Barney Piercy | .... | focus puller | |
| Matt Poynter | .... | focus puller | |
| Steve Pugh | .... | key grip | |
| Erin Stevens | .... | loader | |
| Fred Todd | .... | electrician | |
| John Walker | .... | rigging gaffer | |
| Frankie Webster | .... | electrical rigger | |
| Andy Woodcock | .... | assistant grip | |
| Peter Batten | .... | additional camera operator (uncredited) | |
| Emmet Cahill | .... | grip (uncredited) | |
| James Foster | .... | second assistant camera: "b" camera: dailies (uncredited) | |
| Jon Howard | .... | second assistant camera: "b" camera (uncredited) | |
| Nic Lawson | .... | cinematographer: second unit (uncredited) | |
| Richard Mason | .... | electrician (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Chuck Douglas | .... | extras casting | |
| Louis Elman | .... | adr voice casting | |
| Lillie Jeffrey | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Bartholomew Cariss | .... | costume stand-by | |
| Mark Lord | .... | costume stand-by | |
| James Pavlou | .... | wardrobe assistant | |
| Nat Turner | .... | assistant costume designer (as Nathaniel Turner) | |
| Joanna Wright | .... | wardrobe supervisor | |
| Samantha Kent | .... | costume trainee (uncredited) | |
| Elizabeth Wilson | .... | costume supervisor: additional photography (uncredited) | |
Editorial Department | |||
| Rob Gordon | .... | digital on-line editor | |
| Emily Greenwood | .... | digital on-line editor | |
| Philip Hedgecock | .... | first assistant editor | |
| Patrick Malone | .... | digital intermediate director of production | |
| Erin McGookin | .... | digital intermediate producer | |
| Rob Pizzey | .... | digital intermediate colorist | |
| Mitch Rosin | .... | assistant editor | |
| Crispin Struthers | .... | assistant editor | |
| Nick Timms | .... | technical operator | |
| Laurent Treherne | .... | digital film technical director | |
| Andrew Bradley | .... | projectionist: post-production (uncredited) | |
| Aidan Stanford | .... | color timer (uncredited) | |
Music Department | |||
| George Doering | .... | musician | |
| Bruce Fowler | .... | orchestrator | |
| Scott Hosfeld | .... | musician | |
| Frank Macchia | .... | music preparation | |
| Ian Neil | .... | music supervisor | |
| Derek Somaru | .... | music editor | |
| Amanda Street | .... | score supervisor | |
| The Subways | .... | musician | |
| Tommy Lockett | .... | music editor (uncredited) | |
| Peter Rotter | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| Jim Atkins | .... | unit driver | |
| Nick Attfield | .... | unit driver | |
| Dave Ballard | .... | driver: stand-by construction truck | |
| Alan Burrows | .... | driver: camera truck | |
| Gary J. Dodd | .... | driver: grip truck (as Gary Dodd) | |
| Paul Elston | .... | driver: props runaround | |
| Barry Goodwin | .... | unit driver | |
| Georg Grohmann | .... | driver: Tom Wilkinson | |
| Alex King | .... | action vehicle coordinator | |
| George Morris | .... | action vehicle coordinator | |
| Richard Ong | .... | driver: makeup trailer | |
| Graham Pamment | .... | driver: production trailer | |
| Steve Pyke | .... | driver: wardrobe truck (as Steve Pike) | |
| David Speirs | .... | unit driver | |
| Tony Power | .... | driver: construction department (uncredited) | |
Other crew | |||
| Ilya Abulhandy | .... | designer: Prologue Films (as Ilya Abulhanov) | |
| Aaron Auch | .... | assistant: Joel Silver | |
| Philip Ball | .... | utility stand-in (as Phil Ball) | |
| Joanna Batten | .... | stand-in: Thandie Newton | |
| Stephen Bender | .... | production coordinator: US (as Steve Bender) | |
| Sarah Brand | .... | on-set assistant | |
| Carol Bulmer | .... | caterer (as Carole Bulmer) | |
| Kelly Kiyoon Chang | .... | accounts assistant | |
| Kyle Cooper | .... | titles executive producer: Prologue Films | |
| Gemma Copper | .... | caterer | |
| Sarah Critchley | .... | clearance researcher | |
| Ian Dawson | .... | title producer: Prologue Films | |
| Marie-Cecile de Faucigny | .... | assistant accountant (as Marie Cecile De Faucigny) | |
| Charles Edwards | .... | clearance researcher | |
| Larry Eydmann | .... | health and safety | |
| Ollie Gatehouse | .... | post production assistant | |
| Mia Gray | .... | production assistant | |
| Alex Hanson | .... | designer: Prologue Films | |
| Moira Houlihan | .... | unit publicist | |
| Patrick Isherwood | .... | production accountant | |
| Nick Jeffries | .... | supervising armorer | |
| Antony Judd | .... | chef (as Tony Judd) | |
| Lara Khajetoorians | .... | assistant: Susan Downey | |
| Adam Kuhn | .... | production accountant: US | |
| Ron Levin | .... | legal representative: US | |
| Ronald J. Levin | .... | legal representative | |
| Kramer Lucas | .... | production assistant | |
| Kramer Lucas | .... | production coordinator | |
| Ben MacGregor | .... | location scout (as Ben Macgregor) | |
| Paul McCloskey | .... | assistant: Steve Richards | |
| Richard Moxon | .... | legal representative: UK | |
| Ruth Nicol | .... | nurse (as Ruth Nichol) | |
| Sarah Parfitt | .... | delivery paperwork coordinator | |
| Christine Perrett | .... | caterer | |
| Rebecca Rae | .... | assistant production coordinator | |
| Stacy Raskin | .... | assistant: Joel Silver | |
| Christina Rice | .... | assistant: Gerard Butler | |
| Bobby Rich | .... | assistant: Guy Ritchie | |
| Chris Sanchez | .... | illustrator: Prologue Films | |
| Sarah Shepherd | .... | assistant location manager | |
| Sam Smith | .... | on-set assistant | |
| Tom Stourton | .... | location scout | |
| Isobel Thomas | .... | production coordinator | |
| Claire Tovey | .... | location manager | |
| Elizabeth West | .... | script supervisor (as Liz West) | |
| Oliver Wheeler | .... | production assistant | |
| Adam Winkleman | .... | assistant: Navid McIlhargey | |
| Danny Yount | .... | title designer | |
| Danny Yount | .... | title designer: Prologue Films | |
| Emma Baksi | .... | assistant: Mr. Piven (uncredited) | |
| Rob Ellingham | .... | location scout (uncredited) | |
| Glyn Harper | .... | floor runner: dailies (uncredited) | |
| Tom McNulty | .... | technical director: online interactive (uncredited) | |
| Rob Sorrenti | .... | behind-the-scenes (uncredited) | |
Thanks | |||
| Martin Craig Martin | .... | special thanks | |
| Richard Mirisch | .... | special thanks | |
| Scott Walterschied | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
Throughout his career, director Guy Ritchie (Snatch, Lock Stock and two Smokin' Barrels) has slowly gathered a cult-like following, ensuring that his movies, be they good or bad, will always earn a few dollars from loyal fans. With his 2006 release of Revolver, many of his avid followers found new 'stylistic' directors to drool over, the movie itself receiving mostly negative reviews as a majority of moviegoers claimed it to be 'all style and no substance'. His latest release, RocknRolla, shows Ritchie returning to his roots of gangster oriented, moronic villain centered, hit-man featuring fun. It's a welcome return.
RocknRolla is an ensemble piece, centering on many, many characters while remaining surprisingly capable of not focusing on any one member of the never-ending cast. Gerard Butler (300) plays a good-hearted crook for hire by the name of One-Two, a member in a group of 5 blood-to-bones friends, each of which doubles as a partner in crime. The main focus in the gangster-related circle of characters is Lenny Cole, a ruthless, old fashioned thug brought to life by Oscar-nominated Tom Wilkinson (Michael Clayton).
The movie truly begins 15 minutes or so after the rather unique opening credits, which in itself foreshadows Ritchie's stylistic thematic which circulates throughout the movie. The eclectically charged plot follows Lenny Cole and his cohorts as they meet and greet Uri, a seemingly reasonable Russian mobster, as the two speak real-estate business. Cole, a self-proclaimed "King of London", runs each and every aspect of London, and agrees to allow the Russians their building for a small sum of 7 million Euros. Agreeing, Uri offers Lenny his favourite painting as a token of appreciation, a hopeful symbol that all will go well.
From this point on, viewers are treated to a mishmash of confusing twists, an infinite pallet of characters, and some of the most intelligent writing to hit Hollywood in years. The afore-mentioned painting is stolen from Cole, and a search ensues throughout the entire movie, eventually leading to Johnny Quid (Jamie Campbell), the lead singer of The Quidlickers, and step-son to none other than Lenny himself. Quid, also known as "The Rocknrolla", represents a solid contrast to his devilish step-father. Providing monologue after brilliant monologue, Quid becomes a character of classic cool, embodying olden day suave with modern day style, a true to time Rocknrolla.
As with every one of Ritchie's gifts to the silver screen, the subtle yet slick script throws the few negative aspects of the movie to the backburner, leaving only pure gold to shimmer and shine. With a never ending stream of British mannerisms combined with over-seas terminology, North American viewers are faced with a rather tricky dilemma: Sit through a movie that may require a small amount of effort to comprehend due to it's foreign tendencies, or instead rely on Dicaprio and Mr. Crowe to deliver yet another bland, meaningless CIA centered action movie in the form of now premiering Body Of Lies. Unfortunately for the masses that truly enjoy a movie with an intelligent script, box office numbers generally speak poorly for Guy Ritchie's films on our side of the pond, his movies usually making no more than a few hundred thousand dollars, only to become cult hits once released on DVD.
Viewers may be shocked to see Gerard Butler (best known for his overly masculine performance as King Leonidas in 300) hidden amongst an amazing yet unknown cast, with each actor holding their own and providing more than authentic performances. It is a rare yet beautiful sight to behold, a cast full of actors that have not yet been granted the "fame" or spotlight, yet manage to upstage a majority of the actors that we are presented on a day to day basis. It is beyond sad, the least can be said, to see Chris Bridges A.K.A. Ludicrous (2 Fast 2 Furious) and Jeremey Pivens (Smokin' Aces) failing miserably in their attempt to act in brief yet important cameo performances, also singled out as the only two American actors in the film, their "talent" shadowed and overcast by the nobodies surrounding them.
To those readers out there who are contemplating seeing this not-quite-so-common piece of theatre in the form of British Cinema, it is best for you to know there are many worse things you can do. Director Guy Ritchie weaves an intricate quilt the likes of which hasn't been since his debut to theatres, managing to create a truly witty film from nothing more than a missing painting. Definitely a must see.
5 out of 5 stars