The story and fate of three families: A Jewish family destroyed by the massacres of the Nazis in Lithuania; the family of the culprit, who flew to America and keeps grotesque family ... See full summary »
"Doctor" Jayne Mansfield is in Italy to show a peer her documentary about mating customs from around the world while at the same time having to deal with two bellhops who have an idea or two about mating with Jayne.
The fragile Lia suffers from a deep depression. Her relationship with her boyfriend Viktor is getting worse and worse and in the last desperate attempt to cure herself, Lia goes to visit her old aunt Agata in her creepy 18th century villa.
David, a recently fired scrapyard worker and Marie, a prostitute, both about 20 years old, meet on New Year's Eve in Berlin and decide to run away together. As David's arm is plastered from... See full summary »
A young hopeful teenager is waiting for his unknown and fantasized father to come out of prison. His family dream life is seriously undermined by an exhausted mother and a man who, after so... See full summary »
In the middle of Vienna stands an old tenement building, and time has left its mark both on the house and its inhabitants. Here, time passes at a strange pace. Floor by floor, the visitor ... See full summary »
The story and fate of three families: A Jewish family destroyed by the massacres of the Nazis in Lithuania; the family of the culprit, who flew to America and keeps grotesque family cohesion; the family of Ratz, a social democratic family, dissolving itself miserably in today's Vienna. The condemnation of the last century bundled in these three families showing clearly that one could never escape from its own past. Written by
Angelus ad pastores - Pastoralmesse F-Dur op. 147
by Antonio Diabelli (as Anton Diabelli)
Chor & Orchester, St. Michael, München - (P) 1988 Koch Schwann
Courtesy of Universal Classics & Jazz - a division of Universal Music GmbH See more »
They say you can take the man from the country, but you can't take the country from the man. Remember Tori Amos and her "Strange Little Girls" project? In 2001, she recorded an album of cover versions and posed for the booklet wearing a variety of wigs, hats, and glasses. Yet in every one of the dozen or so head shots, she looked strangely like Tori Amos. I guess you can't fake mystery. To Sabine Timoteo, who plays Mimi, it comes naturally. She is the focal point of this movie, and her performance alone would well make it worth your while. But Austrian writer-director Michael Glawogger doesn't only give us the girl of a thousand faces. He has also made an engaging and entertaining movie about a range of very serious subjects: growing up and growing old, secrets and lies, guilt and forgiveness, rage and revenge. He succeeds by focusing on just a few pieces of the puzzle, and sticking with them to the end. I loved how the computer game that is part of the plot seeps into the movie at crucial moments. Outstanding performances by Ulrich Tukur as a witness to the Nazi genocide, and by Itzhak and Samuel Finzi as the objects of his testimony. Guest appearance by comedian Christian Tramitz as a corrupt politician and failing father. He should try his hand at serious parts more often. He more than holds his own in this sophisticated movie for grown-up people.
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