The husband-and-wife team of Charles and Ray Eames were America's most influential and important industrial designers. Admired for their creations and fascinating as individuals, they have ... See full summary »
Director Tamra Davis pays homage to her friend in this definitive documentary but also delves into Basquiat as an iconoclast. His dense, bebop-influenced neoexpressionist work emerged while... See full summary »
Jean Michel Basquiat,
Profiles Milton Glaser (1929- ), America's foremost graphic designer: designer of the iconic "I [heart] N.Y." logo, teacher, and humanitarian. Interviews with Glaser are arranged to take ... See full summary »
Viewed at Starz Denver Film Festival. This IS the film if you want a crash course on LA's hipster art scene of the mid '50s and late '60s. Thoroughly enjoyable from beginning to end. It was at Ferus Gallery that bookwormish Walter Hopps (who cared about the art) and Cary Grant-like Irving Blum (who cared about the money) brought together a unique and odd collection of off-beat artists to La Cienega - Ed Kienholz, Ed Ruscha, Larry Bell, John Altoon, Billy Al Bengston, Ed Moses, Robert Irwin and Kenneth Price, among others. Bon vivants, artists, collectors and cigar afficionados Dennis Hopper and Dean Stockwell are interspersed throughout. The gallery housed Warhol's first exhibit, brought in Lichtenstein, and got busted by the cops for an exhibit deemed obscene. After seeing the film, I suggest going to Barney's Beanery in West Hollywood - to look up the ghosts.
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