A couple are looking for their child who was lost in the tsunami - their search takes them to the dangerous Thai-Burmese waters, and then into the jungle, where they face unknown but horrifying dangers.
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
After losing her unborn child, Madeline Matheson insists on carrying the baby to term. Following the delivery, the child miraculously returns to life with an appetite for human blood. Madeline is faced with a mother's ultimate decision.
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
In Phuket Island, Thailand, the architect Paul Bellmer and his wife Jeanne lost their son Joshua in a tsunami six months ago. Jeanne is disturbed and has not accepted the loss of her beloved son. While watching some footages from Myanmar (former Burma), Jeanne is convinced that a boy wearing a Manchester United shirt in a poor village is Joshua, and Paul accepts to seek out their son in the sea gypsies camp. They hire the trafficker Thaksin Gao and they travel in the boat of master Sonchai to search Joshua. After a series of weird incidents, Sonchai leaves the trio in an abandoned village. They have to walk through the jungle where they face a journey to hell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Seems that many hated this mysterious chiller. Some thought it great, I quite liked it.
The premise was a little different to the usual, with added credibility of the tsunami link and thus a genuine, human emotion for the couple to search for their missing child. Such emotion can be justifiably overblown in movies - making psychological issues out of almost anything.
Yes, it looked good, very good. The attractive, sexy leads, (Emmanuelle Beart and Rufus Sewell, who still managed to remain mostly believable) the sultry landscapes and the monsoon weather, all adding to a great, eerie atmosphere. That it is compared, albeit only visually, to Apocalypse Now is to its credit, surely. Yes, it is ultimately mumbo- jumbo black magic nonsense but that hardly mattered, this is a moody chiller, not world class drama.
The final scenes are not only well done, but pretty chilling, too. Not out and out horror, but ones that make you momentarily stare in numbed disbelief. The whole is greatly helped by a hauntingly atmospheric score by François-Eudes Chanfrault.
No, I won't be searching for other films by director Fabrice du Welz but I've seen a lot worse movies in my time and for what it set out to do, was quite good.
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