Henry Poole moves in to a house in his old neighborhood, to spend what he believes are his remaining days alone. The discovery of a "miracle" by a nosy neighbor ruptures his solitude and restores his faith in life.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
When Morrie was a teenager, his parents died, leaving him a house, an irritable bowel, and siblings Jay and Ida to raise. Jump ahead 20 years: Jay is homeless, fits poorly into society, and was recently injured; Ida is jobless and sleeps with strangers; Morrie is married to the long-suffering Betty who is waiting for Morrie to get tenure before having children. They constantly have to kiss up to their holier-than-thou neighbors, one of whom is Morrie's department head. Morrie brings Jay home to recover, Ida decides to visit, the siblings make the neighbors ill at ease, a strange woman visits, and the cops want to talk to Jay. What about Morrie's irritated bowels? Written by
I know a nine is going to seem high. But after a slow start, this movie begins to grab at you. There are moments you feel the boundaries of realism have been touched upon, but somehow it all meshes together and becomes the heartfelt story it's meant to be.
At times, you might suspect the actors were learning improvisational skills on the job, as they most definitely improved scene after scene.
Give this movie the half hour investment of boredom you might endure, and you'll be grateful for the half hour you "suffered" through.
Matthew Perry hasn't had the best of luck in reviews of his movies. I think this movie should certainly help to redeem any sagging career thoughts swirling is his head.
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